As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
July-August 2008 Overall Thoughts In addition to my monthly K-pop round-up, I’ve taken a look at my favorite three singles from each month since 2009 and factored them into my ultimate Bias List scorecard, which can be found here. The problem is, prior to 2009 it becomes harder to find reliable sources for K-pop release … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2020 Overall Thoughts It always feels like a bit of a comedown posting one of … Continue reading
Of the three year-end song festivals, I’ve always considered MBC’s to be the most intimate-feeling, as well as the one with the most diverse line-up. Plus, it’s got the added celebratory nature of New Year’s Eve. In 2020, none of these strengths could really be capitalized upon. It’s hard to create that intimate feeling without … Continue reading
As has been the case with most of the Gayos of the past few years, SBS’s Gayo Daejun was a bit dull tonight. Performing without a live audience has its ups and downs, and the best moments of the show were when the production really embraced the potential of the circumstances it had been dealt. … Continue reading
Fresh off her stint with Refund Sisters, K-pop legend Uhm Jung Hwa has returned. And, she’s brought ‘sister’ Hwasa along for the ride. These two divas pair with rapper DPR Live for the retro-leaning Hop In (호피무늬). Last time Jung Hwa released a solo music video was all the way back in December of 2017, … Continue reading
Forget retro or trap or EDM or whatever trend you want to highlight. Yoo Jaesuk has become the year’s most reliable purveyor of mega-hits – at least on the Korean charts. His series Hangout with Yoo has transformed itself into a delivery method for K-pop unit groups. First we had SSAK3 with their summer smash … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2017 Overall Thoughts 2017 certainly ended with a whimper. December is usually a pretty barren month, … Continue reading
Given the tragic passing of SHINee’s Jonghyun last week, this year’s annual Gayos carry an undeniable cloud of sadness around them. I’m actually surprised that SM artists have decided to perform at all, but I suppose the distraction might be needed. This year’s SBS Gayo Daejun had the theme of “Number 1” (as hosts … Continue reading
K-pop is a highly visual medium, and although my song reviews try not to focus on the accompanying music videos, I certainly have my opinions! Here are my top ten visual moments of 2017, along with quite a few incredible honorable mentions. + Make sure to check out the rest of the year-end countdowns here! … Continue reading
For all its merits, mainstream k-pop is too often dependent on the newest and shiniest idol acts. Its current incarnation may have developed in the 90’s, but there just aren’t enough of those original superstars left who can compete with today’s trends. Luckily, dance floor diva Uhm Jung Hwa made a very welcome, long-awaited return … Continue reading
K-pop’s original dance floor diva, Uhm Jung Hwa was crafting classic club music at a time when the trend favored hip-hop and ballads. She’s beloved within the industry, and the inspiration for countless female artists and girl group members that grew up watching her stylish music videos. Add to that one of the genre’s most … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ONEPIECE Years … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2016 Overall Thoughts As expected, the last month of the year was comparatively sparse when it … Continue reading
K-Pop dance legend Uhm Jung Hwa has returned with double title tracks — her first new music in nearly a decade. After the subdued electro pop of Dreamer (see full review here), Watch Me Move feels like the slightly more anthemic offering. Opening with an electronic throb, the track’s slinky dance beat perfectly suits Jung … Continue reading
Take a bit of Madonna and mix it with Kylie Minogue’s club-friendly dance music and you have a western approximation of what Uhm Jung Hwa is to k-pop. Debuting as a musician way back in 1993, she’s releasing her first new music in eight years. Legendary comebacks have seemed to become a thing in 2016, … Continue reading
The Bias List // K-Pop Reviews & Discussion 