October is officially here, which means the countdown to Halloween has started. Whether you’re cobbling together a mix for a Halloween party or carnival, or just looking for some seasonal selections to soundtrack your pumpkin carving, K-Pop has a lot to offer. Here are some of the best tracks. If your favorite Halloween K-Pop song … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. VIXX are well known for having a remarkably consistent discography that goes far beyond their singles. Here’s the best of the best. Honorable Mentions: Echo What U Waiting For … Continue reading
VIXX continues their Greek God inspired series of albums with a stark contrast to the 80’s funk pop of April’s excellent Dynamite. The group first found major success with darker concepts, so it makes sense to see them back in the brooding, gothic mood for Fantasy. But even if the concept seems somewhat familiar for … Continue reading
Though never releasing one as a title track, throughout the years VIXX have recorded some great ballads. I’m thinking especially of songs like Love Letter and this year’s Badbye. So when it was announced that their new Japanese single would be a ballad, I wasn’t overly concerned. But unfortunately, Hana-Kaze (Flower Wind) tends towards the … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. With a title like Six Feet Under, this may be … Continue reading
VIXX have promised us a trilogy of single albums this year, taking their concepts from Greek gods. First up is Dynamite, which springs from Zelos, the god of jealousy. With this emotion driving the track, you’d be forgiven for expecting something dark and tortured. But surprisingly, Dynamite is their funkiest, most pop-influenced single in awhile. … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Vixx is known to many as Korea’s “concept idols.” For much of their career, they’ve explored the darker, more fantasy-influenced tropes of kpop. From vampires to cyborgs, they’ve offered us some of the most dynamic visuals and routines of the past few years. More than that, they’ve been incredibly reliable as albums artists, whose b-sides … Continue reading
VIXX has recently embarked on a push into Japan, and Depend On Me is their second original Japanese single. I thought the first, Can’t Say, was a catchy piece of pop and was happy with the general direction they were going, but Depend On Me does it one step better. VIXX is well known for … Continue reading
It’s the week of the Gayos, culminating with MBC’s show on New Year’s Eve, which usually ends up being the best of the three. While SBS’s broadcast last Sunday was certainly messy, it’s unfortunate that KBS suffers from a different problem this year. Honestly, their Daechukje was mostly just kinda… boring. It was hindered a bit at … Continue reading
The annual Gayo Daejuns are one of my favorite times of the year for kpop. A combo of song festival and awards ceremony/gala, they round out December nicely by offering dozens of performances from the biggest artists of the year, often in remixed or reinterpreted versions. They’re reliable for providing some of the biggest and best … Continue reading
The Bias List // K-Pop Reviews & Discussion 