If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ALBI ALBERTSSON … Continue reading
In k-pop, there are two kinds of debuts. The first comes from an established agency and is usually teased extensively (sometimes with an entire reality show) before it’s unleashed on the world. The second comes from a small or new agency and just sort of appears without any sort of high profile warning. These are … Continue reading
Boy group Victon debuted last November and have quickly amassed a strong fanbase. Being label-mates with superstars Apink certainly helps, but based on their music alone I still need a little convincing. I’m Fine was a decent earworm of a single, but pre-release What Time Is It Now was better. And now we have the glitchy … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though not as strong as their debut album, Lovelyz’ R … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2017 Overall Thoughts If I could describe February with only one word, it would be “consistent.” … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Listening to the preview clips of Taeyeon’s new album, I … Continue reading
As YG Entertainment itself has continued to pull back on releasing new material from its artists, sub-labels HIGHGRND and The Black Label have started to flourish. Code Kunst is a producer from the former, which is headed by rapper/producer Tablo, who features on Fire Water. Joining the two is JYP’s G.Soul, who has seen a fair … Continue reading
Though not often mentioned alongside k-pop’s most prominent breakout acts, UP10TION have quietly sold an impressive amount of albums, positioning them as one of the most successful rookie groups of the moment. That success looks to be replicated as they make their debut in Japan. J-pop efforts from Korean groups can be very hit and … Continue reading
The story of HIGH4 is a frustrating one. Debuting in the spring of 2014 with a highly successful duet with soloist IU, the group seemed to be on the right track from the very first step. But that song ended up being more about IU than them, and was followed by a series of disparate … Continue reading
Girls’ Generation‘s Taeyeon has been all over the k-pop map this past year. Few artists have embarked on such a sprawling solo career, covering the spectrum from acoustic pop balladry to tropical house-influenced dance. Most recently, she teased us with the hypnotic I Got Love, which seemed to polarize opinion. For me, it was one … Continue reading
In the midst of riding high on the success of her OST work with hit drama Goblin, soloist Ailee released digital single Reminiscing. This comes after a subtle reinvention of her sound with last year’s Home. But Reminiscing (낡은 그리움) doesn’t aim to reinvent anything, content to provide Ailee with a mellow showcase for her … Continue reading
Gugudan’s 2016 debut confounded many. For an act comprised of so many high-profile members, from an agency known to take artistic risks with boy group VIXX, how was Wonderland so generic? Though Gugudan’s potential and name recognition afforded them modest debut success, many of us were hoping that their follow-up would be a leap into new … Continue reading
From the beginning, girl group Lovelyz debuted with a quirky synthpop sound that seemed all their own, even as it complimented the general vibe put forth by most of their peers. That’s a credit to main producers OnePiece, who have steered most of their work since 2014. At times this has worked wonders, though it … Continue reading
100% debuted in 2012 as Top Media’s second group after Teen Top. Though they’ve struggled to find a strong identity for themselves and have had to endure a general lack of promotion in comparison to their label mates, the guys have also managed to deliver a remarkably strong discography. In fact, it was difficult to … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ONEPIECE Years … Continue reading
It took them awhile, but SM Entertainment is doing a nice job allowing EXO’s individual members to embark on solo and duet opportunities. Almost all of them have had a chance to shine on their own or in sub-units, even if the focus tends to be on the group’s main vocalists. Though Chanyeol’s official position in EXO … Continue reading
Oh, the ever-elusive Boyfriend. It’s been two years since they’ve released a promoted title track in Korea. Some listeners might even assume the group has disbanded. But in reality, Boyfriend has been churning out excellent Japanese material during their k-pop absence, most recently with last October’s standout Jackpot. And new single I Miss You is another to … Continue reading
There are many underrated k-pop groups, but few can boast a discography as consistently solid as 100%’s. Their sound has shifted throughout the years, and new single Sketch U (어디 있니) follows up on their Sweetune-produced reinvention last October. Though I’m a bit blinded by my love for Sweetune’s music, I’m thrilled that they’ve continued to … Continue reading
Over the past few years, I’ve been to quite a few k-pop concerts. And despite being a genre that might seem a little uniform on the surface, each show has had its own personality. As a group, B1A4 are quite different from other idols. Some acts focus on their hard hitting image, or precise, detailed … Continue reading
Ever since 2015’s I Need U and Dope, BTS have been successfully dominating their release cycles with a juxtaposition of more melodic material with harder-edged blasts of hip-hop dance. That approach continues with their newest repackage album. Last week we had the emotional, rock-infused balladry of Spring Day before Not Today rumbles in to slam listeners with its … Continue reading
The Bias List // K-Pop Reviews & Discussion 