At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2021 Overall Thoughts It’s the start of a new year, and new possibilities when it … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. What’s up with WM Entertainment continued … Continue reading
I’m back with more J-pop b-sides and singles that never received a full Bias List review. This round-up covers material from October 2020 to January 2021, and I hope you find some treasures to add to your playlist! SixTONES – S.I.X / Special Order SixTONES released their first full-length album earlier this month, and it’s … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new mini album YES. 1. YES. // 2. Burn It // 3. Cool Cool // 4. Round N Round // … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Dreamcatcher’s Road to Utopia is a … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new mini album YES. 1. YES. // 2. Burn It // 3. Cool Cool // 4. Round N Round // … Continue reading
IZ*ONE’s D-D-Dance has been floating around for a few days, with the official video premiering today on the Universe app (hence the “extended preview” version embedded below). The track is essentially a CF. And as the history of K-pop CFs has taught us, that means that the quality of the song could really land at … Continue reading
Oftentimes, it feels as if I appreciate the idea of a HyunA song more than the actual song itself. She’s such a fierce, charismatic performer, and has played an integral part in the last decade (and more!) of K-pop. She’s also released her fair share of classics, both as a soloist and part of girl … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new mini album YES. 1. YES. // 2. Burn It // 3. Cool Cool // 4. Round N Round // … Continue reading
Taken together, IU’s past three singles (Blueming, Eight and Into the I-LAND) form an overarching sound that comes across as quite cohesive. They’re all feel-good, sing-along pop anthems, and I honestly can’t figure out why I haven’t played them more than I have. This style is a great match for IU’s vocal, and I’ll be … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new mini album YES. 1. YES. // 2. Burn It // 3. Cool Cool // 4. Round N Round // … Continue reading
Dreamcatcher have returned with the final installment of their Dystopia trilogy. This series kicked off with panache last year as title track Scream twisted their usual rock sound into something more theatrical. In contrast, new single Odd Eye is pretty much what you’d expect to hear from Dreamcatcher’s music – composed by their usual collaborators … Continue reading
It’s been over three years since iKON’s Bobby released his first solo album. I remember being hesitant about it before listening, but dual title tracks I Love You and Runaway totally convinced me otherwise – particularly the former. They brought a versatility that we hadn’t really heard from iKON’s music to that point, and fused … Continue reading
Like Irene and Seulgi’s Naughty last summer, U-Know’s Eeny Meeny is a follow-up track, released as part of his album Noir but only unveiled digitally today. Though this promotional tactic can be frustrating for completists like myself, the opportunity for more U-Know singles can never be bad. While last week’s Thank U truly harnessed the … Continue reading
Over the past few years, Golden Child have displayed a versatility in both concept and sound. This can be a dangerous road to travel, and oftentimes results in a hodgepodge discography that feels more intent on placating trends than developing a sense of artistic continuity. Yet, Golden Child have managed to forge an identity of … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I feel like I’m constantly ragging … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ONEUS’s Devil is a great album … Continue reading
Along with same-day-debuts SixTONES, Snow Man have become a quick success in Japan. I’m always eager to join the party, but I’m still searching for the track that would cement this group in my mind. They’re great performers, known more for their dance than their vocals, and are charming on variety as well. But although … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. U-Know’s first mini album True Colors … Continue reading
The Bias List // K-Pop Reviews & Discussion 