Though they’re undoubtedly one of K-pop’s most popular acts, the idea of Twice expanding into the Western market has always felt a little iffy to me. For whatever reason, international fans tend to flock toward darker, edgier concepts. Twice’s music is often bubblegum in execution, which may reinforce negative K-pop stereotypes held by more skeptical … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
Hot issue debuted earlier this year with the attitude-infused Gratata. Like many onomatopoeia K-pop songs, the sound wasn’t for me. But as fellow 2021 rookies Ciipher proved yesterday, there’s always room for improvement. The ladies are making their first comeback with Icons – another in the seemingly endless series of “I’m the best” girl crush … Continue reading
Now in their second year after debut, E’Last have maintained a symphonic sound that hearkens back to earlier generations of K-pop boy groups. I love them for this, but I’ve yet to fall head-over-heels in love with any of their songs. The drama and bombast is much-appreciated, but the songwriting tends to meander more than … Continue reading
Several weeks after pre-release Spicy, CL is back with the second taste of her upcoming album Alpha. Lover Like Me was penned by English singer/songwriter Anne-Marie, who has had tremendous success in Korea with her song 2002. I’m not sure what it is that made 2002 such a massive hit in the country, but it’s … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
You can’t always judge a book by its cover, and you can’t always judge a rookie by their debut song. K-pop history is full of strong groups who debuted with subpar material (Girl’s Day and ZE:A say hello), and we may need to add Ciipher to that list. Last spring’s I Like You was an … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
It’s been over five years since I last wrote about a single from Japanese trio (now duo) w-inds. They’re an act I check in with from time to time, because at their best they produce fantastic pop material. The guys got their start as pre-teens, debuting all the way back in 2001 with the kind … Continue reading
I love the idea of Japan’s sprawling, dozens-of-members-strong girl groups, but these large configurations make it difficult to find an entry point in the same way I can with smaller groups. Because of this, I often fall behind on releases by the various 46/48 artists. Then every once and awhile, a song like Sakurazaka46’s Dead … Continue reading
Despite debuted just over two years ago, AB6IX are already releasing their second full-length album. From its title Mo’ Complete, you get the sense the group is laying it all on the line, and that includes the first Lee Daehwi-composed title track since last year’s Salute. Cherry is the brightest, most cheerful single they’ve ever … Continue reading
After being delayed from a planned July release, SHINee’s Key has finally returned as a soloist with his Bad Love mini album. Judging from reports, he and SM Entertainment clashed on everything from concept to title track. I imagine a scenario where SM presented some dusty old NCT scrap and said: “this is what the … Continue reading
Rather than release double title tracks, JYP Entertainment has been gifting its acts with a variety of music videos, blurring the line between singles and b-sides. In general, I think this is an exciting prospect, but I’m starting to wish the agency invested as much effort in making great music. As I mentioned in my … Continue reading
I feel like I’m always writing about Kis-My-Ft2 being my favorite J-pop group, yet rarely provide suitable evidence. The group’s b-side game is strong, and that’s one of the reasons their 250+ song discography has so much to offer. This got me thinking about all my very favorite J-pop tracks, many of which never get … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I was surprised how invested I became with the second season of Japan’s Produce 101. I decided to watch it on a whim, and found myself rooting for the contestants in a way I hadn’t since Korea’s second go-around back in 2017. I’m delighted with the final line-up, particularly since it includes a few killer … Continue reading
K-pop history is stuffed with great albums, and there’s only so many Buried Treasures and Battle of the B-sides features available to cover all these noteworthy tracks. The album format has always been special to me. Whether it’s a full-length or mini, albums have the opportunity to tell stories and develop an act’s personal style. … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For me, ITZY’s music has suffered … Continue reading
Victon is slowly proving to be a group of successful soloists. Han Seungwoo carved out a nice career for himself prior to enlistment, and now it’s rapper Do Hanse’s turn. His debut comes in the form of a digital album, with Take Over as the first of two title tracks. Surprisingly, it’s the only song … Continue reading
The Bias List // K-Pop Reviews & Discussion 