When it was released in 2015, I never would have imagined SHINee’s View would kick off years of deep house K-pop tracks. It’s the musical trend that refuses to quit, and I fear we’re reaching over-saturation. I enjoy deep house as a genre, but I keep waiting for K-pop to remove the “deep” and jump … Continue reading
In the middle of writing about last year’s I-LAND, I questioned whether I should continue with the show. It didn’t seem to be creating the buzz I’d expected among K-pop fans. But, then ENHYPEN debuted and sold a boatload of albums. Clearly, you don’t need a huge viewing audience to spawn a successful idol act. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three THE AFTERMATH AND THE RE-BIRTH Following last week’s ranking, the groups head back to the respective agencies to celebrate or lick their wounds, depending on their outcome. BTOB thinks their performance lacked story, while … Continue reading
Super Junior’s Yesung surprised fans with his announcement of a new mini album this week. The initial teaser seemed to indicate he’d be back in less than 24 hours, which would be a quick turnaround even by K-pop standards. But, that timetable ended up referring to a good old-fashioned pre-release. In the K-pop world, pre-releases … Continue reading
Monsta X have been building up to the release of their latest Japanese album, and recently unveiled its title track Flavors of Love. The song catches them in a lighter-than-normal moment, abandoning heavy production and stomping percussion for a laidback groove that shines focus on their vocals. This is a gratifying turn. The group has … Continue reading
You would think anniversary fan songs would be something to look forward to. In reality, they tend to veer toward sentimental schlock that shares little connective tissue with the rest of an artist’s discography. Music like this is often referred to as a “gift to the fans,” but in my opinion the best gift an … Continue reading
Idol band IZ kicked off their career with a series of Sweetune collaborations. Being a huge fan of Sweetune, this obviously caught my eye. But while the pairing resulted in a few good songs, I don’t think it drew upon the strength of either participant. Now, the guys have moved on to self-produced material, forging … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Nu’est Romanticize is far stronger than … Continue reading
Twice albums have become so omnipresent that even a normal hiatus feels endless. It’s only been a few months since the group made their return with Better, but it seems as if they’ve been gone for years. Apparently, we can look forward to a new Korean comeback in June. Until then, we have the Japanese … Continue reading
P1Harmony made a solid debut last October, but waited six months before returning with their first comeback. Judging from their new album, the group seems to have settled on hip-hop as their overarching sound. I think it’s a good fit for their talents – especially if they can draw from various elements and eras of … Continue reading
Exile Tribe’s 2019 Battle of Tokyo was one of the coolest, most ambitious J-pop projects in recent years. The collective’s four “junior” groups battled it out over a series of song collaborations, released subsequently throughout a single week in June. These were tied to big budget music videos that combined to create a (sometimes incoherent) … Continue reading
Though they might not make full-fledged comebacks as frequently as they used to, Apink can always be counted on for an anniversary track. Every April, they release a new song in honor of their debut milestone, and most of these have been upbeat affairs rather than schlocky fan service ballads. Thank You (고마워) keeps this … Continue reading
You Make Me isn’t only DAY6’s first comeback in almost a year. It’s JYP Entertainment’s first release since November 2020. That’s a surprisingly long hiatus for one of K-pop’s biggest agencies. And, the album feels weightier than normal. With leader/main vocal Sungjin enlisted in the military, any upcoming DAY6 releases will likely sound quite different. … Continue reading
It’s been nearly seven years since the release of Nu’est’s first full album. That’s the length of the typical idol group contract, and it’s stunning to consider the journey the guys have been on during that time. For the record, I think 2014’s Re:Birth is one of their strongest works, but listening to it now … Continue reading
Though I didn’t love BTS’s Dynamite as much as others seemed to, I have to thank it for helping reinvigorate K-pop’s interest in bright, disco-inspired songs. Groups are starting to ditch their dark, harness-heavy costumes for pastel suits, bringing a greater sense of balance to the boy group ecosphere. Great Guys’ new single Touch By … Continue reading
Seventeen have been consistent with their J-pop releases, crafting original material in addition to re-recording existing songs in Japanese. And rather than outsource the creative process, new single Not Alone (ひとりじゃない) is again composed by Woozi and Bumzu. Even so, this doesn’t come across as a leftover K-pop track pitched to the Japanese market. There’s … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
The Bias List // K-Pop Reviews & Discussion 