3YE have released a variety of different title tracks, and each has drawn upon edgier sounds than many girl groups tackle. I think the trio are at their best when given an insistent electro groove, such as last year’s Queen. New single Stalker replicates this charm in bits and pieces, and is at its strongest … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2021 Overall Thoughts I’ve heard whispers around social media lamenting that 2021 has been a … Continue reading
“Park Bom comeback” is a statement that will always give me some thrill. 2NE1 were a vital component of my favorite generation of K-pop, and Bom’s unique voice contributed greatly to that appeal. But as with so many idols-gone-soloists, her own music can be hit or miss. That voice will always be enough to capture … Continue reading
T1419’s debut Asurabalbalta was one of the few K-pop singles that never grew on me. And, it definitely had the opportunity! I feel like I watched it promoted on music shows for months. To me, Asurabalbalta was emblematic of the worst “noise pop” that’s taken over certain sub-sections of the industry’s boy group landscape. Add … Continue reading
It feels like ages since WJSN made a comeback. I’ve missed their music, and consider them one of this generation’s most consistently great girl groups. Apart from a few notable offshoots, the girls have cultivated an identifiable sound and twisted it just enough to remain fresh. New single Unnatural twists that style a bit more … Continue reading
There’s so much to unpack when it comes to NTX’s debut. First, there are those uncomfortable teaser photos, where the guys cosplay as different “cultures” in the most awkwardly stereotypical way imaginable. Then, there’s the song’s nearly-eight minute music video, which opens with a lengthy credits sequence just as it should be drawing the attention … Continue reading
With Brave Girls’ unexpected resurgence, there’s been a renewed interest in Brave Entertainment as well. This puts DKB in an awkward position. Clearly, they’re not the Brave Sound group the general public is interested in hearing from at this moment, but that’s hardly their fault. I’m sure this comeback has been in the works for … Continue reading
With Baekhyun’s military enlistment just around the corner, EXO are set to temporarily lose yet another member. Despite the group having no comeback since November of 2019, he’s kept busy as a soloist and with SuperM. His solo work has been highly successful, but as much as I love the guy’s voice and general vibe, … Continue reading
It’s been a rocky road for rookie group Checkmate. With only two songs under their belt, they’ve already undergone major shifts in configuration. They debuted as five last September, but now they’re down to four with the departure of vocalist/rapper Nason and the quick arrival/departure of Haechang, who never even got to participate in any … Continue reading
Since her solo debut, Kim Sejeong has become synonymous with ballads. But now that Gugudan is no more, it makes sense that she would expand her palette and maybe even absorb some of her former group’s charms. New single Warning isn’t exactly adventurous, but it injects a welcome variety to her music, delivering the optimistic … Continue reading
Even before the formation of Winner, I longed for a Kang Seung Yoon album. His early solo songs – Wild & Young, Stealer, It Rains – hinted at a gutsy rocker. And paired with some of YG’s best in-house talent, the music itself was fantastic. So, I was kind of disappointed when Seung Yoon was … Continue reading
It’s been a challenging few weeks for fans of Kim Sung Kyu. His departure from Woollim Entertainment – after over a decade with the agency – throws into question the future of his solo work and of Infinite as a group. As consolation, he’s released one final album with Woollim, and it brings him back … Continue reading
K-pop has a long history of pushing into the Japanese market, and often there were concessions made when it came to sound and image. But with the rise of groups like JO1 and NiziU, the two industries have entered a new form of symbiosis. For all intents and purposes, these are J-pop groups produced as … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
With so many idols (and former idols) branching into international markets, it’s becoming harder to decide which songs to write about on this blog. I mean, Jackson’s LMLY can hardly even be considered K-pop. It’s performed entirely in English by an artist who now works mainly in China. But, we can’t overlook Jackson’s history with … Continue reading
IU is supporting her new album with a good old-fashioned double title track strategy. We don’t see double promotions in K-pop nearly enough anymore. I’ve always thought it was a great way to showcase a full album, incorporating more sounds and moods than a single title track can convey. In Lilac’s case, IU chose the … Continue reading
Earlier this year, IU teased the release of her fifth full-length album, dropping digital single Celebrity as a taste of what was to come. She’s since spoken about how the album is meant to sound bigger than most of the coffee shop-friendly singles she’s delivered over the past few years. And with retro influences dominating … Continue reading
M!LK released my second-favorite J-pop single of last year, but I’ve followed them long before that. Though their early work drew from the idol world’s more exaggerated aspects, it’s been rewarding to hear their music mature and develop as the guys have grown older. Part of that development hinges upon collaboration, and that’s exactly what … Continue reading
For a brief, shining moment last fall, Sexy Zone were five again. However, they’ve been knocked back to four as member Marius takes a break from the industry to focus on health. But even with these constant shifts in configuration, the group has somehow forged one of the strongest singles runs in modern J-pop. From … Continue reading
The Bias List // K-Pop Reviews & Discussion 