Those who have followed The Bias List for any amount of time will know what an enormous fan of Woollim Entertainment I am. From Infinite to Lovelyz to Golden Child, I’m usually enamored with what the agency produces. But, I’m really struggling with Rocket Punch. Thus far, their music seems to lack many of the … Continue reading
After over a year and a half without a Korean comeback, Taemin’s 2 Kids arrives as a “prologue single” for his upcoming full album, to be released in two parts. As such, I’m curious what it means for the sound of that album. Is 2 Kids a peek at what’s to come? Does it provide … Continue reading
Girl group Saturday have struggled to find a large audience, though their quirky, repetitive pop tracks definitely have their supporters. At times, the group feels like natural successors to Crayon Pop’s silly sound. They just never found that ubiquitous novelty hit that would give their career the oomph it needs. The ridiculously-titled D.B.D.B.DIB (디비디비딥) (seriously, … Continue reading
Kang Daniel teased his newest mini album last week with pre-release single Waves. Though it was derivative of so many songs within its genre, I appreciated its “all hands on deck” approach. New single Who U Are (깨워) removes the guest features to shine full spotlight on Daniel himself, though most of Waves‘ tropical genre … Continue reading
Not everything can be for everyone, and over the course of the past few comebacks, I’ve learned that (G)I-DLE’s music isn’t often for me. Even when I can objectively recognize certain songs as “good,” they still grate on my ears. I think this comes down to Soyeon’s approach to songwriting. I recognize how popular she’s … Continue reading
Japanese singer/songwriter Reol has been active since the beginning of the 2010’s, whether as a soloist or with her group of the same name. Yet somehow, she’s stayed off my radar. That officially ends with the brilliant The Sixth Sense (第六感), which has me scrambling to catch up with all her past work. The song … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ATEEZ’s new album plays more like a collection of outtakes from … Continue reading
Sekai No Owari first released Umbrella back in June, but have just now unveiled the song’s music video. I’m glad they decided to give it the extra promotional push. The track really deserves it. The combination of the band’s baroque pop sound and Fukase’s emotive vocals has always lent their work a great sense of … Continue reading
KEEMBO’s Scandalous emerged as a welcome surprise back in May, a rare Sweetune-penned pop track that proved the production team hadn’t lost their touch. Yet for me at least, Scandalous had far less staying power than I would have expected. I’ll partially attribute this to KEEMBO’s under-the-radar (ie: nonexistent) promotion keeping the track off my … Continue reading
Originally scheduled to coincide with Japan’s ill-fated hosting of the 2020 Summer Olympics, Kite (カイト) brings together J-pop’s biggest male idol group with current chart-topper Kenshi Yonezu, who composed the track. Though I doubt whether this single will be Arashi’s final song before hiatus, it certainly carries the necessary weight. Kite’s lyrics reflect upon how … Continue reading
As part of my “Summer of K-pop” feature, I recently wrote about Eric Nam’s 2014 single Ooh Ooh. In doing so, I was reminded how effectively that song harnessed his charms. He has a pleasant pop voice and amiable presence, well-suited to light, funky dance tracks. New single Paradise takes him down a more well-worn … Continue reading
With few exceptions, a title like “Nunu Nana” tells me exactly what to expect from the song. It’s unlikely to be the kind of melodically robust pop track I tend to gravitate toward. Its chorus will almost certainly be a repetitive jumble of nonsense words tied to a rhythmic beat drop. And in this regard, … Continue reading
Of all the tracks I would choose for promotion on WayV’s (very solid) album, Bad Alive would be pretty low on the totem pole. And, I certainly wouldn’t opt for a (mostly) English-language revamp. This isn’t meant to be a knock on the track itself. As a piece of music, it’s solid. But stacked against … Continue reading
April enjoyed a well-deserved breakthrough with this spring’s Lalalilala, which stands as their highest-charting title track yet. As a special thank you, the girls have released a short summer album, heralded by the buoyant Now Or Never. If it wasn’t already clear from my daily “Summer of K-pop” posts, I’ll always welcome a fun summer … Continue reading
Over the past two years, ATEEZ’s Treasure series grew into one of the most ambitious, consistent K-pop projects I can remember. And now that it’s finished, the question is: where do they go from here? Wisely, the guys have retained their core production team as they embark on another musical series – this one entitled … Continue reading
I feel like every summer we get a few of these “rapper featuring vocalist” music videos that involve posing on fancy boats and cavorting among palm trees. I like to imagine all of these videos being filmed simultaneously, with hundreds of yacht-and-rapper combos sailing the same small body of water without bumping into each other. … Continue reading
Though her voice was a vital part of Sistar’s appeal, I’ve always felt that Soyou was underrated as a performer. It doesn’t help that most of her solo work has been relatively subdued, coasting more on mood than dynamic songwriting. New single Gotta Go (가라고) makes a drastic genre shift, challenging her with attitude-driven, percussive … Continue reading
I don’t think I’ll ever tire of Exile Tribe groups’ love for early-90’s pop throwbacks. Get With You is the debut single of new unit Deep Squad, which adds three members to veteran vocal act Deep for a fresh combination that injects a little more youth into their sound. This results in a satisfying blend … Continue reading
It feels like ONEUS are a little late to the game, releasing the music video to their Road to Kingdom finale track Come Back Home over a month after the series ended. I guess they’re positioning it as a prologue for their upcoming comeback rather than an epilogue to the series. Thus far, Kingdom has … Continue reading
It’s amazing how quickly military enlistment changes a group’s standing in K-pop. At the height of their fame, Beast were one of the premiere idol groups, and that success continued even after they re-formed as Highlight. But with most of the members now serving in the military, it feels like their heyday was ages ago. … Continue reading
The Bias List // K-Pop Reviews & Discussion 