After the 2016 disbandment of SMAP, the group’s members have pursued various avenues in life and the entertainment business. For Takuya Kimura, that has meant a little bit of everything. He’s active in dramas, radio, gaming and music. New single I’ll Be There comes from his second solo album, and was composed by members of … Continue reading
This week, I’m breaking my own rules for a very good reason. On Friday, Janet Jackson’s Janet documentary premieres. My hope is that this will begin to set right a decades-long exile fueled by those classic American bedfellows: racism and sexism. Janet’s name comes up occasionally on this blog. Her career – from sound to … Continue reading
It’s been a long time since we heard new music from KARD, and with member J.Seph enlisted in the military it seems we’ll have to wait at least a few more months. After label-mate April’s disbandment, they join rookies Mirae as DSP Media’s only active group. It’ll be interesting to see if the agency takes … Continue reading
This week, I’m breaking my own rules for a very good reason. On Friday, Janet Jackson’s Janet documentary premieres. My hope is that this will begin to set right a decades-long exile fueled by those classic American bedfellows: racism and sexism. Janet’s name comes up occasionally on this blog. Her career – from sound to … Continue reading
For the first time in years, I didn’t cover last month’s MAMA Awards on this blog. Honestly, they were just too boring to write about. But, I did enjoy the Wanna One reunion — even if it was just a medley of their familiar hits. If anything, the members’ post-Wanna One careers have only exemplified … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Surprisingly, the bulk of Pentagon’s new … Continue reading
This week, I’m breaking my own rules for a very good reason. On Friday, Janet Jackson’s Janet documentary premieres. My hope is that this will begin to set right a decades-long exile fueled by those classic American bedfellows: racism and sexism. Janet’s name comes up occasionally on this blog. Her career – from sound to … Continue reading
Golden Child had a busy 2021, and 2022 kicks off with their official Japanese debut. When this was first announced, I was both surprised and excited. Their charms feel well-matched to the J-pop market, and with fantastic producer Funk Uchino onboard, the possibilities seemed bright. Then, A Woo‘s teaser premiered and my expectations tempered. Would … Continue reading
This week, I’m breaking my own rules for a very good reason. On Friday, Janet Jackson’s Janet documentary premieres. My hope is that this will begin to set right a decades-long exile fueled by those classic American bedfellows: racism and sexism. Janet’s name comes up occasionally on this blog. Her career – from sound to … Continue reading
This week, I’m breaking my own rules for a very good reason. On Friday, Janet Jackson’s Janet documentary premieres. My hope is that this will begin to set right a decades-long exile fueled by those classic American bedfellows: racism and sexism. Janet’s name comes up occasionally on this blog. Her career – from sound to … Continue reading
Though Nature aren’t yet well-known to the general public, they’ve amassed a solid discography that hasn’t been afraid to experiment with new sounds. We haven’t heard from them since June of 2020 – a lifetime when it comes to K-pop groups. But, they’re finally back with the boisterous Rica Rica. I’m not entirely sure what … Continue reading
Global music trends are currently in my favor, as sounds shift in directions I tend to enjoy. As always, K-pop is catching up to deliver a wealth of rhythmic, retro-themed tracks. By any measure, I should be jumping up and down and proclaiming this a golden age for the industry. Yet when it comes to … Continue reading
K-pop history is stuffed with great albums, and there’s only so many Buried Treasures and Battle of the B-sides features available to cover all these noteworthy tracks. The album format has always been special to me. Whether it’s a full-length or mini, albums have the opportunity to tell stories and develop an act’s personal style. … Continue reading
I’m always in the mood for Johnny’s music, but I’ve been on a particular kick these past few months. This was further emboldened by the first annual Johnny’s Festival a couple weeks ago. The agency has been slow to announce new releases for 2022, which has me taking a deep dive into groups I’m less … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Yena’s debut album has strong summertime … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There were a ton of mini … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Under-the-radar group Luminous nabbed a spot on my top 2021 rookies list thanks to the strength of debut single Run. Many boy groups use hip-hop as a base for their sound, but Run harnessed the groovier aspects of the genre to craft a song that felt nostalgic yet fresh. Sadly, new single All Eyes Down … Continue reading
Mamamoo’s Moonbyul has been teasing her newest album for weeks, and pre-released the fun throwback track G999 last month. That song hinted at new directions for her music, and Lunatic further fulfills that promise. But while G999 benefited from a laidback groove and focused arrangement, Lunatic feels all over the place. Judging by its title, … Continue reading
I didn’t love BamBam’s solo debut, but his recent duet with Red Velvet’s Seulgi offered a different avenue for his talent. It turns out moody sounds fit him quite well, and that approach continues on new single Slow Mo. The track retains plenty of hip-hop influences, but they’re in service to a gentle, atmospheric melody. … Continue reading
The Bias List // K-Pop Reviews & Discussion 