Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The song title “Flower Garden” makes me imagine a cutesy … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2018 Overall Thoughts In my mind, April represents the beginning of k-pop’s peak season. From … Continue reading
So far, 2018 has the unfortunate distinction of being the year where almost all of my favorite acts return with underwhelming title tracks. This trend has made it difficult to keep excitement up over the past couple of months. So many groups are abandoning the producers who crafted their winning sound in favor of ones … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Joombas Music … Continue reading
More often than not the KBS Gayo feels like the most intimate of the three end-of-year festivals, held in a theater rather than a stadium. This has its pluses and minuses, but the idea to structure this year’s special more like a traditional concert was an interesting choice. It was one made out of necessity, … Continue reading
Given the tragic passing of SHINee’s Jonghyun last week, this year’s annual Gayos carry an undeniable cloud of sadness around them. I’m actually surprised that SM artists have decided to perform at all, but I suppose the distraction might be needed. This year’s SBS Gayo Daejun had the theme of “Number 1” (as hosts … Continue reading
As important as any other k-pop ingredient, 2017’s choreography deserves spotlight. From catchy point dances to complex formations, this year had plenty of striking performances to offer. Here are the very best: + Make sure to check out the rest of the year-end countdowns here! 10. BTS – NOT TODAY The army of back-up dancers … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: NUMBERS 40-21 HERE + Make sure to check out the rest of the year-end countdowns here! 20. LOONA … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: + Make sure to check out the rest of the year-end countdowns here! 40. TWICE – 24/7 A … Continue reading
Artist of the year countdowns are controversial by nature, and if I was re-creating this list based solely on commercial success and impact on the k-pop industry, it would look very different. But there are enough of those countdowns floating around (and the consensus is usually pretty even across-the-board). This is a countdown for the … Continue reading
As I was looking back in preparation for this countdown, I realized that it’s actually been quite a strong year for mini and full albums, even if 2017 as a whole seemed to lack impact compared to past years. Quite a few solid albums failed to make the cut due to this heavy competition, but … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. GFriend songs have a way of growing on me, and … Continue reading
When GFriend returned last month with Love Whisper, my initial reaction was overwhelming disappointment. How could a group known for their powerful, dynamic music release something so safe and forgettable? Love Whisper eventually won me over, and I convinced myself that its generic structure was only a temporary shift to win over those who may … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2017 Overall Thoughts August was a weird month. Based on prior releases, if you would have … Continue reading
Last year, I marked the halfway point of 2016 by looking at some tracks that had either grown better or worse with time. This year, I’m a little late — but better late than never! As with 2016, the vast majority of my reviews still reflect my thoughts about a song, but sometimes it’s impossible … Continue reading
Well, I suppose it had to happen eventually. After releasing a string of five outstanding singles, GFriend have returned with a song that feels dangerously close to “so-so.” Though a momentary drop in quality is inevitable for most groups, GFriend have been on such a roll these past few years. Their “powerful innocence” concept and … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
The Bias List // K-Pop Reviews & Discussion 