At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
I’ve decided to try something new! Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of … Continue reading
After a brief respite, NewJeans’ pre-debut resumes in earnest with another new song and video. Judging from its title alone, I imaged Hurt to be a slower, more emotional track. Me being me, I was hoping they’d flip expectations and deliver a huge dance banger. But in the end, Hurt feels like a minor interlude … Continue reading
In an exciting turn of events, debuting girl group NewJeans are blitzing the K-pop market with a surprise set of pre-release videos before their album drops in August. This uncharacteristic approach feels very fresh for the industry and, so far, the music has felt quite new as well. Songs like Attention and Hype Boy have … Continue reading
The K-pop industry must finally be moving at rate so fast that I can’t keep up. I hadn’t even heard of NewJeans until today. This is even more surprising when you realize they’re debuting under a subsidiary of HYBE, our new overlords of K-pop. Between partnerships and audition shows and subsidiaries, the HYBE empire threatens … Continue reading
HYBE has a reputation for filming follow-up music videos for its acts. They rarely pick the songs I would, but that’s pretty much true for every K-pop agency. When it comes to ENHYPEN’s newest album, I’ve already put my weight behind the anthemic rock of Shout Out. But if I were to pick another song, … Continue reading
I enjoyed Seventeen’s Hot more than most seemed to, but the song didn’t have much longevity. In fact, it’s been years since a Seventeen title track has stuck around long on my playlist. It seems that, ever since Pledis Entertainment merged with HYBE, Seventeen’s sound has lost some idiosyncratic edge. Repackage track _World is a … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I know some of you have … Continue reading
BTS’s J-Hope pre-released More at the start of this month and somehow my even-keeled review spawned quite a discussion in the comments section! (That is, if you define “discussion” as unhinged character attacks with a wicked plot twist.) So, let me humbly begin this review by admitting that I don’t understand art. I’m too thick-headed … Continue reading
Recently, Seventeen have established an unsteady alliance with vocal processing. It’s hard to determine whether this is HYBE’s influence or simply a progression in the members’ musical taste, but it has markedly changed the group’s sound. Judging by their past few efforts, it’s almost hard to believe this is the same group that gave us … Continue reading
The other day, I was reminiscing about ENHYPEN’s October title track Tamed-Dashed. I realized I would’ve appreciated it even more if it had been released during the summer. But since K-pop boy groups are apparently limited to one sound only in 2022 (ie: shouting), we’re treated to the blustery Future Perfect (Pass The Mic) instead. … Continue reading
We’ll take a brief hiatus from the usual Sunday Open Discussion post today because my annual “Risers and Fallers” feature always spurs conversation. Every July, I like to take a look at which songs have either grown or sunk on my own playlist. With years of reviewing under my belt and a pretty solid understanding … Continue reading
Yesterday, I struck a disappointed note when rounding up this year’s strongest singles, and this albums list is going to be quite similar. 2022 has delivered some decent albums so far, but nothing close to a My Name/City Of ONF, Don’t Call Me/Atlantis, YES, Summer Queen, Gatcha or The Chaos Chapter: Freeze. In fact, I’m … Continue reading
Now that BTS are on group hiatus (or whatever HYBE wants to call it), it’s time for the members to further develop their solo pursuits. This kicks off with J-Hope, who already has several singles to his name. Ahead of his headlining performance at this year’s Lollapalooza, he’s set to release his first official album … Continue reading
Theme songs to survival series (or “signal songs,” as they’re sometimes called) have become their own K-pop/J-pop sub-genre. They can be a ton of fun, offering producers the chance to go larger-than-life, unencumbered by the restrictions placed upon traditional comebacks. They can also sound like generic mush, bringing together so many voices that the final … Continue reading
Across their past few singles, fromis_9 have refined a light, groove-driven pop sound. The songs don’t have the personality that defined their earlier work, but they’re sturdy and insistently pleasant. From We Go to Talk & Talk to DM, the group feels established in both style and confidence. You know you’re gonna get a solid … Continue reading
The Bias List launched at the beginning of 2016, making that year’s song countdown the first I published in any meaningful way. I’ve since gone back to look at 2015, 2013 and 2012 (hmmm… I guess I need to fill the holes that are left…). Now that it’s been almost six years, I thought it … Continue reading
As BTS’s popularity has skyrocketed, the frequency of their output has dwindled – a surprising approach for an act as in-demand as they are. The past nineteen months have seen occasional solos and collaborations, but only a trio of full-group tracks. Now, we can add several more to their catalog. Their multi-disc compilation album Proof … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s newest album maintains the strength … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
The Bias List // K-Pop Reviews & Discussion 