If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of J-pop’s most innovative and accomplished producers and composers. HIKARI Years … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ’s Yunho just released his new … Continue reading
I don’t know whether to classify this as a single or a buried treasure under Bias List rules, but indulge me a bit because it’s not often I get to write about a Johnny’s song that’s actually available on streaming platforms! KAT-TUN have been venturing into digital distribution since last March, and I hope this … Continue reading
After Changmin’s Japanese solo album last year, TVXQ’s Yunho is up next. The two previously released solo albums in Japan prior to their 2015 enlistment, and Yunho’s is well worth tracking down if you can. I’m forever salty that Bang wasn’t promoted as a single, and hope that the new album will contain something similar. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2022 Overall Thoughts It’s a new K-pop year! I always feel optimistic in January because … Continue reading
I think we can safely mark January 25th, 2022 as the date our current 80’s revival trend officially hit its zenith. Jr.Exile unit The Rampage refuse to pussy-foot around the excesses of the genre. They go straight to the source with a cover of Van Halen’s 1984 classic Jump. First, a little about Jump itself: … Continue reading
After the 2016 disbandment of SMAP, the group’s members have pursued various avenues in life and the entertainment business. For Takuya Kimura, that has meant a little bit of everything. He’s active in dramas, radio, gaming and music. New single I’ll Be There comes from his second solo album, and was composed by members of … Continue reading
Golden Child had a busy 2021, and 2022 kicks off with their official Japanese debut. When this was first announced, I was both surprised and excited. Their charms feel well-matched to the J-pop market, and with fantastic producer Funk Uchino onboard, the possibilities seemed bright. Then, A Woo‘s teaser premiered and my expectations tempered. Would … Continue reading
I’m always in the mood for Johnny’s music, but I’ve been on a particular kick these past few months. This was further emboldened by the first annual Johnny’s Festival a couple weeks ago. The agency has been slow to announce new releases for 2022, which has me taking a deep dive into groups I’m less … Continue reading
After years of releasing excellent material, The Rampage’s 2021 work swerved in directions that weren’t for me. In fact, they missed out entirely on my Top 50 J-pop countdown last month – a rare omission for one of my favorite groups. Leading up to their latest full-length album (basically a compilation of those 2021 singles), … Continue reading
When SixTONES and Snow Man debuted in January 2020, I was pretty convinced SixTONES would be my group of choice. After all, Imitation Rain was a downright legendary debut. Two years later and I’m a Snow Man mega-fan, while SixTONES’ output feels much more hit and miss. It’s a personal taste thing, but I’m also … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
This post is your one-stop shop for all my end-of-year countdowns. It will be stickied to the top of the blog for the remainder of the year. Check back often for new links to new countdowns, and make sure you check out past years’ masterposts if you’re interested! Top 50 K-Pop Songs >> 50-41, 40-31, … Continue reading
Dramas weren’t a big part of my K-pop/J-pop consumption until last year, so I was mostly immune to OST hits. That’s still the case for Korean soundtracks, which don’t often double as promoted title tracks. But in Japan, nearly every single is a tie-in with a drama, anime or commercial. It’s a wonderfully symbiotic relationship, … Continue reading
TVXQ have been relatively quiet this year, both in Korea and Japan. That’s about to change, as each member is set to release solo Japanese work. Both Changmin and Yunho already have a J-pop mini album under their name – music that can be hard to find but well-worth searching out (Rock With U and … Continue reading
“Doughnut” is an odd title for a pop track – -especially a ballad. Apart from the fact that I prefer the spelling “donut” (because it somehow sounds slightly healthier), the metaphor itself is strange. Twice play with the idea of a doughnut hole referring to emptiness (my mind races toward the delicious spherical treat instead) … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2021 Overall Thoughts We may still have December before us, but according to the norms … Continue reading
The Bias List // K-Pop Reviews & Discussion 