It’s the end of November, which means it’s time for the fifth entry in OnlyOneOf’s ambitious Underground Idol series. This series has been a highlight of 2022, delivering a diverse tapestry of genre and mood while adhering to its interconnected storyline. Cynical viewers might see the group’s past two years as one long audition to … Continue reading
This year’s leg of Red Velvet’s ReVe Festival has taken a classical detour, melding well-known orchestral samples with the group’s quirky style. This sounds good on paper, and resulted in a solid hit with March’s Feel My Rhythm. But, the approach tends to leave me cold. I get what they’re trying to do, but the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t on the TO1 Drummin’ … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
I’m still trying to pretend that Tempest’s Dragon doesn’t exist. Others don’t seem to agree with this tactic, as the song has rewarded the group with their highest first sales week yet. Sigh. My consolation is the fact that K-pop album sales don’t correlate with the actual quality of music. It’s all about those photo … Continue reading
Repackaged albums are still common in K-pop, but they usually arrive a month or two after the original release. We’re six months away from Kang Daniel’s The Story and he’s surprised us with an extra chapter. The Story: Retold adds a handful of songs, including new single Nirvana. I can’t say I enjoyed any of … Continue reading
I had to look back to see if I had written about NTX’s debut. I couldn’t remember them at all, but once I replayed last year’s Kiss The World I remembered how much I enjoyed that song. Without a comeback since March of 2021, the group had completely fallen off my radar. That’s a loooong … Continue reading
The addition of new members and a switch in concept has revitalized TO1. Though I wasn’t completely sold on Drummin’ the first few times through, it’s gone on to become a sleeper hit – one of my most played songs of 2022. It uses its messy boisterous for good, stuffed with hook after hook. New … Continue reading
Well… this is awkward. Just a short time after Ravn left ONEUS after allegations were made against him, we have a Japanese track that places him front and center. Obviously, these releases are planned and recorded far in advance, but it still feels weird to see ONEUS as a six-member group and know that this … Continue reading
I’ve always thought the best window to release Christmas songs is late-November to early-December. That way, you’ve got a few weeks to run them into the ground before moving into the new year. With this in mind, NMIXX’s Funky Glitter Christmas arrives at just the right time for me. The only question is: how weird … Continue reading
Queen of K-pop BoA tends to make her return around this time of year. Most recently, she came back in December 2020 with a full album and December 2019 with a mini. New release Forgive Me arrives a few months after the launch of her music show K-909, where she fully embraces her position as … Continue reading
Tempest’s Can’t Stop Shining quickly grew into one of my favorite songs of the year, and after getting to know the group better I’m convinced this fresh, poppy sound is a perfect match for their energy. But, K-pop agencies are obsessed with showcasing versatility over building a cohesive discography, and the guys have already stumbled … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. DRIPPIN’s first full album is very … Continue reading
Just days ago, I wrote about Fifty Fifty’s Lovin’ Me and wondering if there were other songs coming down the pike. Well, K-pop moves incredibly fast. Four days later and we have a new single and a debut mini album. Lovin’ Me’s gentle synthpop gives way to the loungy r&b of Higher and we finally … Continue reading
2022 in K-pop has left much to be desired, and one of the things I’ve been missing is a good, goofy comeback from JYP. He’s the gift that keeps on giving, fully in on the joke as he recycles musical elements from his youth in a way his juniors can’t replicate with such authenticity. Over … Continue reading
After spoiling us with two albums last year, 2022 hasn’t been quite as prolific for B.I. He released the hypnotic BTBT back in May, which previewed a new global project that has finally come to fruition in the form of Love Or Loved Part 1. New single Keep Me Up recaptures much of BTBT’s vibe … Continue reading
The Bias List // K-Pop Reviews & Discussion 