After painting the year retro in 2020, Sunmi has re-emerged with her first single of 2021. She stubbornly refuses to grace us with a mini or full album, but the drips and drabs we’ve gotten have generally been of high quality. New single Tail (꼬리) continues her work with producer Frants, though it hearkens back … Continue reading
Sweetune’s partnership with vocal duo KEEMBO has often felt like “Sweetune go indie,” which explains why most of the songs haven’t bowled me over the way I’m used to with these producers. Rather than go big and bombastic with idol groups in mind, tracks like Scene and 99 felt slightly more left-of-center. This isn’t a … Continue reading
Enough of you asked for it, and who am I to deny? It’s time to dive deep into SHINee’s long-awaited comeback album Don’t Call Me, track-by-track. 1. Don’t Call Me // 2. Heart Attack // 3. Marry You // 4. CØDE // 5. I Really Want You // 6. Kiss Kiss // 7. Body Rhythm … Continue reading
N.Flying recently renewed their contracts with FNC Entertainment, ensuring years of new music from the band. With this firm foundation under their feet, this is the perfect time to stretch themselves with things like solo projects. Leader Seunghyub has participated in collaborations before, but On The Track (released under his moniker J.Don) is his first … Continue reading
It’s been about two and a half years since SHINee’s last comeback, and longer since they actively promoted a title track. Don’t Call Me arrives in between military enlistments, with youngest member Taemin yet to take his hiatus. It’s halcyon days for fans at this point, offering a window for SHINee to make an impactful … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Lucy would tell you that the … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
Last month, GOT7 announced their departure from JYP Entertainment. And as the members started signing with other agencies, a reunion or continuation of group activities seemed more and more unlikely. Yet, out of the blue a new GOT7 youtube channel appeared this week, with leader JB (now coined “Jay B”) promising that the group isn’t … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Chungha’s new album is a behemoth. … Continue reading
We don’t get proper album pre-releases nearly enough these days – especially sneak attacks that arrive with little warning. In the lead up to their first full-length album, ONF have unveiled a fun music video for its second track. Essentially, My Name Is plays like an ONF theme song, introducing each member in a playful … Continue reading
It’s a tale as old as time: Taiwanese boy group sends sub-unit to Korea in the hope of competing within the already-packed K-pop market. Okay, I guess it isn’t exactly a well-worn tale, but I admire the chutzpah it takes to attempt this gamble. K-pop often exports its music to foreign markets. The opposite isn’t … Continue reading
Over the past few months, some of K-pop’s most respected producers have creating groups of their own. Last November saw the debut of STAYC, under the guidance of duo Black Eyed Pilseung. And now we have TR.IBE, who are managed by a-list producer Shinsadong Tiger. If only my beloved Sweetune would get in on the … Continue reading
Debut group Kingdom started teasing their fantasy concept weeks ago, and my attention was instantly piqued. I love a dramatic, theatrical concept that goes beyond the typical “bad boy” posturing favored by many groups. I think this is especially important for a debut group, who need to establish their niche right away. Kingdom promise a … Continue reading
My love for Lucy’s music wasn’t immediate, but it bloomed big time over the course of 2020. The group is at their best when they embrace the full drama of their configuration, pulling in sweeps of theatrical violin courtesy of leader Yechan and pushing main vocal Sangyeop to utilize the full expressiveness of his rich … Continue reading
Remember when male idol title tracks used to be fun? Angsty, horror concepts are not new to K-pop, but the music itself rarely felt as dour. Take VIXX for example. Their whole image revolved around these edgy concepts, but the title tracks were still punchy and exuberant, as if reveling in the inherent goofiness of … Continue reading
Starship Entertainment’s collaboration with Pepsi continues to bear unexpected collaborations. This time, it’s ex-Sistar member Soyou and Produce 48 girl group IZ*ONE (with rapper pH-1 thrown in for good measure). With ZERO:ATTITUDE, they’re given the kind of frothy dance pop befitting a soft drink advertisement. The track is pleasant fun, buoyed by production by popular … Continue reading
There was a time when SM Entertainment’s Japanese releases were something to really look forward to. The J-pop discographies of Girls’ Generation, SHINee and TVXQ are particularly strong and often pushed the artists in new directions. But, I can’t remember the last time a Japanese single by an SM artist really stood out – maybe … Continue reading
The roll out for Chungha’s first studio album Querencia has stretched across eleven months, showcasing a variety of sounds and styles. This extended run of singles has been quite successful, offering a little something for every taste. The album itself takes advantage of this. It’s divided into four distinct sides, each driven by a specific … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
The Bias List // K-Pop Reviews & Discussion 