The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
SM Station’s latest release brings together Doyoung from NCT and Sejeong from Gugudan. Though only Doyoung is an actual SM artist, the two share at least one thing in common. Both are supremely talented vocalists whose group comebacks rarely give the opportunity to fully display that skill. Star Blossom (별빛이 피면) may be yet another … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2017 Overall Thoughts August was a weird month. Based on prior releases, if you would have … Continue reading
They may have only debuted in the spring of 2016, but NCT’s unit-based, rotational nature has already provided enough singles for a top ten countdown. As SM Entertainment’s newest group, NCT offers something for everyone. Whether you’re a fan of upbeat dance pop, experimental hip-hop/EDM, or soaring balladry, you’ll find at least one song to … Continue reading
Last year, I marked the halfway point of 2016 by looking at some tracks that had either grown better or worse with time. This year, I’m a little late — but better late than never! As with 2016, the vast majority of my reviews still reflect my thoughts about a song, but sometimes it’s impossible … Continue reading
Though they’ve only released two singles so far, NCT Dream has quickly become my favorite NCT unit. While 127 has been focused more and more on a hip-hop driven sound, Dream are bubblegum pop music through and through. Despite its title, We Young is probably the most mature the group have sounded so far… but … Continue reading
My k-pop loving heart skips a beat every time I hear the name Yoo Young Jin. Despite having vastly different styles, he and Sweetune are my all-time favorite k-pop composers. But while I can find clear Western touchstones for Sweetune’s 80’s-drenched style, Yoo Young Jin’s unique beat-driven blend is without precedent. SM Entertainment uses his … Continue reading
In one of the most unexpected collaborations of the year, balladeer (and notable NCT fanboy) Parc Jae Jung has teamed with NCT’s Mark for the newest SM Station track, Lemonade Love. The song spawns from the web series Snowball Project, which has been one of the more entertaining (and delightfully awkward) variety shows of the … Continue reading
So far, the 2017 “season” of SM Station has been pretty underwhelming. Even when bigger name artists have gotten involved, it’s usually been in the form of a ballad or forgettable mid-tempo. What we need is a good pop song, and as soon as Xiumin and Mark were announced as the next Station artists, it … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. NCT 127’s Cherry Bomb has already grown on me quite … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
SM Entertainment doesn’t always get the credit it deserves when it comes to being a boundary-pushing agency. They’ve been blending genres and playing with song structure since the very beginning. Hits like H.O.T’s I Yah or TVXQ’s Rising Sun still feel miles away from what we think of as “Top 40” radio fare. But these … Continue reading
Hitchhiker has long been one of my favorite SM Entertainment producers, collaborating with acts like Shinee and Super Junior to brilliant effect. His experimental solo work is a little harder to enjoy on a pure pop level, relying heavier on trippy, repetitive riffs and percussive loops than any sense of melody. Last year’s $10 felt … Continue reading
Only two weeks in and SM Entertainment‘s “season two” of Station has given us its first non-traditional release. As a kick-off to what promises to be a performance-focused project highlighting some of the agency’s strongest dancers, the hypnotic Dream In A Dream (몽중몽) is almost entirely instrumental. The song acts as a launching pad for … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2017 Overall Thoughts If I could describe February with only one word, it would be “consistent.” … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. NCT Dream have only recorded three songs so far, but … Continue reading
This is a generalization, but it’s safe to say that SM Entertainment is more notable for hiring outside composers and producers than relying on their artists to self-produce material. Because of this, their idols essentially function as delivery methods for the huge stockpile of songs the agency is sitting on. This isn’t to take away … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2017 Overall Thoughts 2017 started with one of the strongest (and most packed) first weeks that we’ve … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Despite not being entirely in line with what I would … Continue reading
The Bias List // K-Pop Reviews & Discussion 