Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: NUMBERS 40-21 HERE + Make sure to check out the rest of the year-end countdowns here! 20. LOONA … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: + Make sure to check out the rest of the year-end countdowns here! 40. TWICE – 24/7 A … Continue reading
Artist of the year countdowns are controversial by nature, and if I was re-creating this list based solely on commercial success and impact on the k-pop industry, it would look very different. But there are enough of those countdowns floating around (and the consensus is usually pretty even across-the-board). This is a countdown for the … Continue reading
As I was looking back in preparation for this countdown, I realized that it’s actually been quite a strong year for mini and full albums, even if 2017 as a whole seemed to lack impact compared to past years. Quite a few solid albums failed to make the cut due to this heavy competition, but … Continue reading
For me, the arrival of rookie groups can often be more exciting than the work of their established peers. I love nothing more than discovering a new artist and witnessing their potential unfold as they grow. 2017 was a year without any major agency debuts, making the rookie field much more competitive. Like last year, … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2017 Overall Thoughts Just like last November, this month saw a quality stream of new releases. … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Read Part … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Seventeen continues to impress with their latest album, even if … Continue reading
Though the emotional EDM of May’s Don’t Wanna Cry was far from Seventeen‘s usual sound, it ended up being one of the year’s biggest growers. And as the group led up to their second full album with a string of sub-unit releases, fans were promised an evolving, newly matured style. But this is Seventeen, who … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2017 Overall Thoughts October matched February with 2017’s highest cumulative rating thus far, and I’m not … Continue reading
Over the past four weeks, Seventeen has been releasing a special track for each of its sub-units (including a new “leader” unit). This has been a smart way to shine focus on what makes this group so unique. They’re undeniably strongest when they’re all together, but the fact that they can craft songs of such … Continue reading
The story of Nu’est is unique within the world of k-pop: a once buzzed-about group hanging on by a thread, revived not by the hype of a viral moment or the strength of a hit single, but through a music survival series designed primarily for trainees. That series was, of course, the mega-hit Produce 101, … Continue reading
Seventeen‘s pre-comeback tease is in full swing with the Performance Team’s Lilili Yabbay (13월의 춤). Consisting of Hoshi, Dino, The8 and Jun, Performance has become the most unpredictable of the group’s sub-units. But these non-promoted releases are the perfect venue for a little adventurous spirit, and by pushing the boundaries Yabbay is the most compelling … Continue reading
One of Seventeen‘s greatest assets is their versatility as a group. So many acts stuff their roster full with personalities meant to appeal to a diverse set of fans, but few can easily break into self-driven units and create music that successfully stands apart from their parent group. To be clear, Seventeen is at their … Continue reading
Before Seventeen or After School or Nu’est, dance diva Son Dam Bi was the original Pledis artist. Debuting as the “female Rain,” she found success with a synth-pop sound that capitalized on her effortless charisma. She hasn’t released a single since 2013, but her string of k-pop classics still electrify dance floors today. 10. Amoled … Continue reading
Few groups take advantage of their sub-units as well as Seventeen. Since their inception, many of Seventeen’s album tracks have centered on their unique configuration into vocal, hip-hop and performance units. Over the next few weeks, we’ll get to hear from each individually, but to kick off the group’s promotions for their upcoming second full … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Pristin’s debut album didn’t really do much for me, but … Continue reading
Pristin’s debut track Wee Woo seemed to grow on many listeners, but my experience was a bit different. The song remains dangerously catchy, but its more grating elements haven’t aged well. In some ways, I’m actually surprised that the group’s music is performing as strongly as it is. The cutesy, childish influences that permeate their … Continue reading
The Bias List // K-Pop Reviews & Discussion 