Less than a year into their debut, girl group Weki Meki have quickly become lodged in a frustrating dilemma: their album tracks are consistently superior to the songs they’re given to promote. This pattern began with August’s noisy I Don’t Like Your Girlfriend, which came across as nearly atonal compared to the five tracks that … Continue reading
Thus far, Suzy’s solo music has often been more about aesthetic than dynamic composition. She possesses the kind of soft vocal that lends itself well to this relaxing style, even if it’s not the type of thing to appeal to my tastes. This makes it difficult to review most of her work, as it feels … Continue reading
With the cute bubblegum pop of Twice leading the girl group wave in Korea, it’s becoming harder to find new rookies debuting with anything but a cheerful image and sound. When Girlkind (what a name…) first started dropping teasers for Fanci, it seemed that we were in for something new. They’re billed as a hip-hop … Continue reading
Sometimes it feels like Monsta X and I are on a constant seesaw. I’ll love one single, then dislike the next. To be fair, their hard-edged sound was not designed for my particular musical taste. I understand why they’ve amassed such a devoted fan base, but I think they’re at their best when they blend … Continue reading
At this point, I think I’d rather SM Entertainment abandon their digital Station project to focus more completely on full-fledged comebacks. It’s not that Station hasn’t resulted in some standout songs, but overall last year’s discography felt pretty forgettable. I fear that, rather than adding to artists’ catalogs in an interesting way, many of the … Continue reading
B.A.P have nearly replicated their prolific 2016, making another three comebacks this year. That constant work ethic has to be lauded, even if the material hasn’t always kept up the same level of consistency. New single Hands Up throws back to the group’s debut sound, marrying its modern verses to a gruff, 2012-era hook. This … Continue reading
Over the past few years, SM Entertainment has made an annual tradition of releasing the same sort of gentle piano ballad for Christmas. All have been enjoyable in their own right, but none have matched EXO’s utterly gorgeous Miracles in December from 2013. EXO will be coming back with another winter single next week, but … Continue reading
I felt very much in the minority when it came to Taemin’s Move album back in October. So many raved about his shifting musical style and the cohesive mood that ran through the material. And I hear that. But too often the songs felt like a study in a trend-focused r&b vibe without a strong … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Toki (from Air – 2017) As one of only three new tracks released in 2017, the Japanese Toki more strongly represents current tastes in j-pop than Infinite’s own music. The funk-driven instrumental pulses with addictive energy, but the melody never quite finds a … Continue reading
There’s no reason why Rain shouldn’t have the number one single in Korea right now. He’s one of k-pop’s most beloved (and most successful) soloists, back after a long hiatus and buoyed by his hosting/mentoring stint on KBS’s The Unit. At this stage in his career, I think it’s more important to remind the public … Continue reading
It’s been awhile since we’ve heard a debut from a group not affiliated in some way with Produce 101. BLK (standing for Beyond Limit Key because… I have no idea) hails from Byking Entertainment, an agency that — as far as I can tell — has no previous experience debuting idols. This newness explains the … Continue reading
It’s become increasingly difficult for me to review Jun. K’s solo material because, more and more, our musical preferences just don’t match. He’s been at the forefront of experimenting with the future bass genre, which — try as I might — hasn’t been a style I can get into. His more down-tempo material tends to … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Real Story (from Over The Top / Paradise – 2011) Closing out Infinite’s first full album, Real Story is the type of inoffensive mid-tempo pop song that is the very definition of filler. This being Infinite, even their filler is stronger than many … Continue reading
About two months ago, I gave up hope that the Every DAY6 Project would continue to be a year-long release of title track-worthy material. What started as an ambitious opportunity for the guys to display a variety of promoted songs has gradually turned into a complete-the-album b-side roll out. That would be fine, but DAY6’s … Continue reading
As GOT7’s Korean output has continued to evolve, their Japanese releases have tended to stick to a similar pattern. For better or worse, they’ve developed a swag-driven j-pop persona that favors attitude and bluster over melody. This has resulted in a guilty pleasure or two, but never a song that can rival their best work. … Continue reading
The BOYS24 project has been an exhausting, drawn-out ordeal, with the prospect of its resulting boy group IN2IT getting less exciting by the month. But then the guys started dropping teasers for their official debut, filled with gorgeous scenery and a majestic, African-sounding instrumental that seemed as if could offer a breath of fresh air … Continue reading
Hash Tag could have been a clever name for a k-pop group a few years ago, but now it feels a little dated. Still, all rookie groups are worthy of a chance, no matter how lame their name may be. And with ㅇㅇ (graciously given the added title of “Hue” because… well, how are you … Continue reading
October will soon be cluttered with idol survival/debut series, from The Unit to YG’s Mix Nine, to JYP’s Stray Kids. Of the three, Stray Kids seems set to be pitched as more of a “road to debut” documentary than a build-a-group competition, so pre-release Hellevator presumably acts as a teaser of what the actual group might … Continue reading
With a title like “What’s Good?”, Niel’s latest effort was going to be fighting an uphill battle from the very beginning. American slang just doesn’t translate that well to k-pop, and its injection almost always feels like pandering to trends and the perceived coolness of Western media. But Niel’s solo work has always seemed to … Continue reading
Earlier this year, 2PM‘s Junho released one of the very best songs of the summer. Unfortunately, Ice Cream was only promoted in Japan so it didn’t receive the full k-pop comeback treatment. Instead, he’s cobbled together some of the b-sides from his past few j-pop albums and re-recorded them in Korean for his first domestic … Continue reading
The Bias List // K-Pop Reviews & Discussion 