After their debut in 2018, D-Crunch have reliably delivered one comeback per year. No more, no less. This makes it challenging to gain a foothold or a fanbase, but I admire their consistency. Their title tracks have all been solid, though none has enjoyed a long reign on my own playlist. New song Addiction (중독) … Continue reading
A week after its release, I’m feeling pretty ambivalent about Stray Kids’ Maniac. Like many recent tracks, its plusses and minuses cancel each other out and result in music that’s perfectly… fine. This indifferent impression carries through the entire mini album. The songs are generally okay, but there’s nothing pulling me back for repeat listens … Continue reading
Much has been written about the “girl crush” branding that’s taken over K-pop these past few years. Songs within this style have been around for decades, so I’m not sure we can call this a new sub-genre. But, the general template for a “girl crush” track has quickly become oversaturated, making it easy for these … Continue reading
T1419 have developed a knack for building songs from off-kilter references. First, we had the cosplay-friendly Dracula. Then, there was last year’s Red Light, Green Light (which sort of grew on me, btw). Now, they’re heading to Austria for Edelweiss (에델바이스). The title alone makes me think of The Sound of Music, which would be … Continue reading
Counting their time as Beast, Highlight have been releasing music for thirteen years – a stunning length of time for any idol group. Daydream is their fourth full album, though their first under the Highlight moniker. Given how past albums resulted in insta-classics like Fiction, Shadow and Ribbon, expectations for this new title track should … Continue reading
Lately, I’ve been thinking about the first few years of NCT. How exciting they were! The project felt like an excuse for SM Entertainment to throw everything at the wall. They weren’t confined by genre, members or concepts. But somewhere along the line, the NCT brand became less about trying something new and more about … Continue reading
When Astro’s Moonbin and Sanha made their sub-unit debut in 2020, I was smitten by the funky pop of Bad Idea. I didn’t think much of the album itself, but that song seemed to offer a great template for future work. New mini album Refuge was preceded by last month’s Ghost Town — a trendy, … Continue reading
With its members in various states of pre and post military enlistment, Winner is currently in a bubble that’s allowed them to schedule a full-group concert for later this spring. I wonder if they’ll release new music to go along with this milestone? For now, we’ll make do with a solo single from the group’s … Continue reading
With K-pop’s “girl crush” sound and concept omnipresent over the past few years, it’s become abundantly clear which groups can pull it off and which feel less authentic. I wouldn’t call (G)I-DLE’s debut era “girl crush,” but their edgier energy certainly helped lay the groundwork. They’ve made their name on self-produced shots of calculated attitude. … Continue reading
Since returning as a soloist in 2019, Park Bom has had a rather infrequent run of singles. We didn’t hear from her at all in 2020, and her latest track dropped nearly a year ago. But, she’s back with Melomance’s Kim Minseok as a duet partner on the dramatic Flower (꽃). It’s always a treat … Continue reading
I don’t often write about Jay Park’s music on The Bias List. I guess he could still be considered an “idol,” but I’d classify his work as more straight-up R&B than K-pop. The lines are blurring more and more every year. However, a feature from the ever-popular IU warrants a review. Whenever I click on … Continue reading
To be honest, I completely forgot Kwon Eunbi’s Universe track was dropping today. You know I like to “celebrate” these releases with some insane funhouse game, but that takes a fair bit of planning. But then, I remembered these Universe reviews are supposed to be as half-assed as the music itself. That’s the joke! So, … Continue reading
In preparation for Kim Wooseok’s new single, I looked back at his previous solo comebacks and realized that none of them have made any impression on me. Yes, I reviewed the songs. But, they came and went so quickly that I hardly remember them. Beyond the bubble of Produce 101 hype, I’ll never understand Top … Continue reading
I don’t often write about K-pop’s many OST releases, but The Boyz have filmed an entire music video for their new track Echo. The song supports the Solo Leveling webtoon, and encapsulates my general feelings about The Boyz: they’re an immensely talented group with charisma to spare, too often let down by subpar material. This … Continue reading
Bang Yongguk released the exciting Race late last year, building upon the rock/rap sound of former group B.A.P. He also composed excellent material within this genre for rookie group Just B. The style is a perfect match for his low-toned voice, adding an interesting facet to more predictable hip-hop production. Because of this, I was … Continue reading
Nearly a year since their last album, Super Junior are back with a special single release. The Road: Winter For Spring is a mouthful of a title, promoted with the much more concise Callin’. It’s the kind of track that feels targeted toward fans, hinging on sentiment rather than the desire to compete with flashier … Continue reading
This seems to be the week of bonkers girl group releases. From NMIXX to Billlie to CRAXY, these groups are serious about their worldbuilding and intricate concepts. But so far, the music hasn’t always followed suit. Yes, the songs twist and swerve in unexpected (sometimes jarring) directions, but they’re all built on ultra-familiar, overused sounds. … Continue reading
With titles like O.O and GingaMingaYo (The Strange World), K-pop is in an… interesting place at the moment. I know K-pop fans tend to be young, but these nonsense words feel like we’re going all the way back to kindergarten! O.O was an unwelcome aural assault, but Billlie have already proven themselves an interesting rookie … Continue reading
It’s been a very slow month (or year?) for K-pop, but the arrival of new JYP girl group NMIXX feels like 2022’s first big moment. Debuts from agencies of JYP’s caliber always bring a ton of hype, even if the song itself doesn’t meet expectations. With O.O, NMIXX deliver an attention-grabbing track, but I expect … Continue reading
With their new album Be Together, BTOB join the ranks of post-enlistment boy groups. Not every act makes it to this point, with all current members back together after years of service. The album also follows last year’s Kingdom competition, where members Eunkwang, Minhyuk, Changsub, and Peniel showcased the group’s range and versatility. With that … Continue reading
The Bias List // K-Pop Reviews & Discussion 