With Starry Night, Momoland has released one of those K-pop “special albums.” This always makes me crack up because “special” should mean something exciting. In the case of idol releases, it just means: “we ain’t promoting this.” That’s too bad, because although Starry Night is a mediocre pop song, it offers a refreshing departure from … Continue reading
DIA are back with their annual comeback, but this time they’re down two members. Apparently, this release operated on a volunteer basis, where willing participants chose to join promotions, and other members (Chaeyeon and Somyi) opted out. It’s a novel approach, and I’m all for artists have more control over their own career. But, this … Continue reading
K.R.Y. was Super Junior’s first official subgroup, formed almost fourteen (!) years ago. Yet, in all this time, they’ve never had a Korean album to call their own. It seems silly to use the word “debut” when talking about veterans of the industry. But in a way, When We Were Us (푸르게 빛나던 우리의 계절) … Continue reading
Idol rock group N.Flying have been absent since last October, when they released the groovy, understated Good Bam. Personally, I’ve been waiting for them to return to a more raucous sound. For me, the one-two punch of The Real and Hot Potato remains their defining era, even though the more straightforward Rooftop was the song … Continue reading
Twice built incredible momentum throughout 2019. I mean, they were already the biggest K-pop girl group on the planet, but they managed to successfully mature their sound and evolve in unexpected ways. Both of last year’s albums were super solid, and ushered in a new era for the girls. That goodwill makes new single More … Continue reading
Once a titan of the K-ballad scene, Roy Kim got caught up in the wide-reaching Burning Sun scandal. And though investigations eventually cleared his name, the damage had already been done. The K-pop industry prizes image above all else, and once that’s been tarnished it’s hard for an artist to claw their way back. Linger … Continue reading
After a two-week delay, Monsta X has returned with their eighth (!) mini album. At this point, there’s not a lot to say about their title tracks. Apart from the occasional shift in sound, they’ve tended to follow the same general formula. If you like the Monsta X brand, you’re probably going to like Fantasia. … Continue reading
Whether purposefully or not, the Produce 101 franchise has resulted in a trend of soloists and duos. K-pop’s idol scene has long favored groups, and most of its performers are best suited to that configuration. It takes a special something to be a compelling soloist. Not every idol is cut out for it, and that’s … Continue reading
EXO’s Baekhyun has one of my favorite voices in K-pop. It’s been a huge part of my journey as a fan, but I found his debut mini album to be a bore. Someone once said that if idols were allowed to choose the music they performed, every single one would be doing lifeless trap/r&b or … Continue reading
After a promising start as a soloist in 2017, ex-2NE1 member Minzy kind of disappeared from the idol scene. But honestly, every 2NE1 member has struggled in some way when it comes to solo music. It’s a shame, because their legendary run as a group should have set them up for immense success in the … Continue reading
It feels like rumblings of a second Agust D mixtape have been circulating for years now. In case you didn’t know, Agust D is the name BTS’s Suga has taken for his solo work. His first mixtape dropped in the summer of 2016, and boy has a lot happened since then! It’s fitting, then, that … Continue reading
Ex-Wonder Girl Yubin carved out a fun little niche for herself in 2018 with the retro releases Lady and Thank U Soooo Much. I hoped that she would continue down this road, but 2019 saw a return to more subdued fare with mid-tempo (and Yoon Mirae duet) Silent Movie. Now, she’s back with yet another … Continue reading
Woollim Entertainment really missed the chance to give Lovelyz a comeback right after their stint on Queendom, but timing has never been the agency’s strength. However, the series finally gave more spotlight to the group’s individual members. Most casual fans probably have a set image of Lovelyz, but there are contrasting charms hidden within their … Continue reading
I have never wanted to be more wrong about a song. TXT were my favorite rookie act of last year, injecting some fun into boy group K-pop while most of their contemporaries opted for moody material. Based on their track record, I fully expected them to deliver my favorite single of 2020. I knew that … Continue reading
Among many other issues, this year in K-pop has felt very underwhelming when it comes to debuts. This was to be expected after 2019 showered us with exciting new groups, but I’ve definitely been missing that super rookie energy lately. Instead, we’ve seen a handful of emerging acts from smaller agencies. Woo!ah! hails from new … Continue reading
Rookie group UNVS had a promising debut this past February. But if I’m being honest, I haven’t returned to it since. Such is the challenge with new acts. There are already so many K-pop groups to follow, and unless a rookie promotes often and releases undeniably ear-catching material, they’re likely to fall by the wayside. … Continue reading
Ironically, the BVNDIT song that’s stuck with me the most wasn’t a title track at all. In fact, it wasn’t even performed in Korean. February’s odd, lyrically cringey Cool wasn’t perfect, but at least it had a personality. Apart from that, the group’s discography has felt completely generic. It’s competent – as all modern K-pop … Continue reading
Late last year, DAY6 shocked me with their fantastic – and musically varied – full album The Book of Us: Entropy. It’s not that I didn’t enjoy the group’s music before, but Entropy really pushed their sound to another level. Retro anthems like Deep In Love and Emergency were particularly impactful, and gave me hope … Continue reading
Since reuniting as five, Nu’est have displayed contrasting charms. First, we had the angsty Bet Bet, followed by the buoyant Love Me. Anyone who’s read my reviews for awhile will know which concept I preferred. New single I’m In Trouble plays things down the middle, jumping on the minimalist, bass-driven trend with a hook that … Continue reading
Now that every member of B.A.P has escaped TS Entertainment, solo careers abound. We’ve already heard from most of the guys, with Youngjae’s Forever Love being a particular highlight last year. But member Moon Jongup had yet to release solo material until yesterday’s Headache. He’s set his sights at a relatively laid-back level, delivering a fun … Continue reading
The Bias List // K-Pop Reviews & Discussion 