After years of releasing excellent material, The Rampage’s 2021 work swerved in directions that weren’t for me. In fact, they missed out entirely on my Top 50 J-pop countdown last month – a rare omission for one of my favorite groups. Leading up to their latest full-length album (basically a compilation of those 2021 singles), … Continue reading
Despite boasting several big-name Produce 101 players among its roster, boy group WEi is still searching for their breakout moment. Solo releases might just be the fuel they need, taking advantage of individual members’ popularity. Solos don’t usually spawn from newly-debuted groups, but WEi is a special case. Kim Yohan has proven an in-demand actor … Continue reading
When SixTONES and Snow Man debuted in January 2020, I was pretty convinced SixTONES would be my group of choice. After all, Imitation Rain was a downright legendary debut. Two years later and I’m a Snow Man mega-fan, while SixTONES’ output feels much more hit and miss. It’s a personal taste thing, but I’m also … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. P1Harmony continue to stretch their hip-hop … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are some production teams you … Continue reading
Everything about WJSN Chocome’s Super Yuppers (슈퍼 그럼요) is disarmingly silly. First there’s that ridiculous song title, which effectively previews the giddy energy of the music itself. Then there’s the tongue-in-cheek video, which hearkens back to similar efforts by groups like Crayon Pop and Orange Caramel. I’m delighted to see a big-name comeback opt for … Continue reading
Thus far, my favorite woo!ah! song hearkened back to sounds of K-pop generations past and harnessed a sense of melodicism that helped showcase the group’s skills. Their singles haven’t had a consistent sound, but I’m hoping they’ll settle on the fun, retro pop of new single Catch The Stars (별 따러 가자). The song is … Continue reading
I become a broken record when writing about how important a “signature sound” is for rookie groups. But, I stand by my opinion – even when that sound isn’t 100% to my taste. Blitzers have definitely embraced their specific rock-influenced style, and that’s helped them gain a foothold within a sea of rookies. I’m a … Continue reading
Seventeen members have used the buzzword “mixtape” as a way to slowly branch out as soloists. Last time I checked, a digital single doesn’t quite count as a mixtape, but I’ll happily take new music in whatever form it’s offered. After similar efforts from Hoshi, The8, Wonwoo and Mingyu last year, Seventeen’s vocal leader Woozi … Continue reading
Ahead of a new 2022 project, BamBam is closing out 2021 with pre-release single Who Are You. The song has already garnered attention thanks to a guest feature from Red Velvet’s Seulgi, but it deserves praise on its own merits as well. After a solo debut that felt a little throwaway, Who Are You takes … Continue reading
Compared to his SHINee bandmates, Minho’s solo career has always gotten short shrift. Fans have made do with a digital single here and there, rather than the mini and full albums that carved out niches for Taemin and Key. Because of this, I’m not totally sure how a full Minho comeback would sound. Would he … Continue reading
Even decades after formation, some things haven’t changed about SM Entertainment. They’re still clever vultures, digging through old pop detritus and repainting it to craft shiny new baubles. A recent example is aespa’s Next Level (pulled from an old Fast & Furious soundtrack), but SM has been doing this since the 90’s. SES’s 1998 hit … Continue reading
Since their 2016 debut, I’ve been (im)patiently waiting for NCT to revisit the sprawling sound of Without You. It’s still my favorite NCT track (and the only time a debut song has topped my year-end list). Beautiful isn’t nearly as amazing, but its vocal-heavy drive occupies similar territory. This is the second release from NCT … Continue reading
December marches on with an uncharacteristically steady stream of big comebacks. As we move closer to the new year, Mamamoo’s Moonbyul is gearing up for the release of her new album. Its first tease comes courtesy of pre-release G999, featuring hip-hop artist Mirani. I’ve found Mamamoo solos to be pretty hit or miss, including much … Continue reading
With barely a moment to take a breath since their release as NCT 127, the NCT guys are back for their latest full-group project. NCT 2021 promises another round of mix-and-match sub-units, though the teasers so far suggest no real change in sound or style. Title track Universe (Let’s Play Ball) brings together Doyoung, Jungwoo, … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Over the years, I haven’t been particularly kind to Ravi’s solo music. I settled on an “if you don’t have anything nice to say, don’t say anything at all” approach, choosing not to write about every song he releases. But, I’m always up for a pleasant surprise and still preview his work in case something … Continue reading
I’m still reeling over how fantastic Lucy’s June album Gatcha was. Those four songs felt like a crystallization of the group’s potential – diverse and sprawling with great melodies and inventive arrangements. Since then, the guys have received well-deserved attention thanks to a shout-out from Korea’s national archery team. New single Rolling Rolling (떼굴떼굴) could … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Everglow are proud pirates, but their … Continue reading
Dramas weren’t a big part of my K-pop/J-pop consumption until last year, so I was mostly immune to OST hits. That’s still the case for Korean soundtracks, which don’t often double as promoted title tracks. But in Japan, nearly every single is a tie-in with a drama, anime or commercial. It’s a wonderfully symbiotic relationship, … Continue reading
The Bias List // K-Pop Reviews & Discussion 