As GOT7 members embark on their own solo careers, I’ll probably pick and choose which songs to write about. After all, The Bias List’s focus has always been idol groups, and labels like H1GHR Music begin to veer into different territory. But, it’s interesting to hear what idols are capable of when signing with a … Continue reading
With each new Universe release, I debate whether I should keep writing about these tracks or simply treat them as their own sort of b-side. After all, you can’t really consider them a “comeback” — especially since the full music videos are limited to the Universe app. And, none of the songs so far have … Continue reading
Though she doesn’t receive as much attention as some of (G)I-DLE’s other members, Yuqi has one of the group’s most compelling voices. And now, she has the opportunity to spotlight that talent with the release of her digital single Giant. Recorded in both English and Chinese versions, the song offers a shot of rock-infused inspiration. … Continue reading
Boy group Blitzers are the latest 2021 debut to throw their hat into the ring, joining this year’s rookie class with a boisterous blend of rap and rock. I’ve always enjoyed this genre mash-up, and welcome any attempt a group makes to stand out. To Blitzers’ credit, Breathe Again doesn’t simply regurgitate trends from their … Continue reading
Just over a month since their last group comeback, WJSN have unveiled their second sub-unit. The chic WJSN The Black consists of members Seola, Bona, Exy and Eunseo, and promises a groovier compliment to the Cosmic Girls sound. Debut single Easy fits that bill. It’s sleek and satisfying, even if it falls short of being … Continue reading
ONEUS’s Devil proved to be a polarizing comeback. While the album was super strong, its title track jettisoned much of the group’s usual charm for a harder blast of boy group posturing. But at the very end of No Diggity‘s music video, fans were treated to a teaser of funky bass. That flourish turned out … Continue reading
This past weekend, I wrote a few thoughts about the current state of K-pop’s girl group landscape. And, Oh My Girl are the antidote to almost every gripe I have. They consistently offer strong vocals, quirky, unique songs and a sound that’s all their own. With last year’s Nonstop and Dolphin, they were finally rewarded … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Exile Tribe’s Battle of Tokyo series continues with its second installment. This mix of animation and live-action has been quite cool so far, and I’m eager to see the rest of the series. Call of Justice finds personal favorite The Rampage joining the fray, bolstered by their familiar rock-meets-rap style. It’s an exciting jolt of … Continue reading
Though they’re short two original members, Highlight have become one of K-pop’s longest-running groups thanks to a rebranding and revitalization in 2017. Perhaps unsurprisingly, their new single Not The End (불어온다) seems to spring directly from that year’s musical trends, feeling like an outtake from their earlier work rather than a new push forward. Highlight … Continue reading
Just over two months since his last single, Nissy is back with Say Yes. And with a music video that carries on the story of February’s Get You Back, he seems to be crafting a connected universe of songs. I wouldn’t be surprised if we heard from him again two months from now. This regularity … Continue reading
When it was released in 2015, I never would have imagined SHINee’s View would kick off years of deep house K-pop tracks. It’s the musical trend that refuses to quit, and I fear we’re reaching over-saturation. I enjoy deep house as a genre, but I keep waiting for K-pop to remove the “deep” and jump … Continue reading
In the middle of writing about last year’s I-LAND, I questioned whether I should continue with the show. It didn’t seem to be creating the buzz I’d expected among K-pop fans. But, then ENHYPEN debuted and sold a boatload of albums. Clearly, you don’t need a huge viewing audience to spawn a successful idol act. … Continue reading
You would think anniversary fan songs would be something to look forward to. In reality, they tend to veer toward sentimental schlock that shares little connective tissue with the rest of an artist’s discography. Music like this is often referred to as a “gift to the fans,” but in my opinion the best gift an … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Nu’est Romanticize is far stronger than … Continue reading
P1Harmony made a solid debut last October, but waited six months before returning with their first comeback. Judging from their new album, the group seems to have settled on hip-hop as their overarching sound. I think it’s a good fit for their talents – especially if they can draw from various elements and eras of … Continue reading
Exile Tribe’s 2019 Battle of Tokyo was one of the coolest, most ambitious J-pop projects in recent years. The collective’s four “junior” groups battled it out over a series of song collaborations, released subsequently throughout a single week in June. These were tied to big budget music videos that combined to create a (sometimes incoherent) … Continue reading
You Make Me isn’t only DAY6’s first comeback in almost a year. It’s JYP Entertainment’s first release since November 2020. That’s a surprisingly long hiatus for one of K-pop’s biggest agencies. And, the album feels weightier than normal. With leader/main vocal Sungjin enlisted in the military, any upcoming DAY6 releases will likely sound quite different. … Continue reading
The Bias List // K-Pop Reviews & Discussion 