When it comes to follow-up singles, K-pop agencies have been choosing material I never would have gone for. I mean, aren’t they reading my “buried treasures” series?? Kidding aside, I’m happy that Woollim are giving rookie group DRIPPIN a second music video to promote their album. But, they’ve somehow managed to pick my least favorite … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2020 Overall Thoughts After a fantastic September, October was another strong month. And, it was … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. DRIPPIN’s debut mini album doesn’t have a weak song on it. … Continue reading
Over the years, Woollim Entertainment’s music has proven to consistently match my taste, so the thought of any new debut from the agency is exciting. But though Nostalgia may be their first official title track, DRIPPIN are not unknown to the public. Every member except one participated in last year’s Produce X 101 series, with … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new single album Pump It Up. 1. Pump It Up // 2. That Guy // 3. Lean On Me LEAN … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new single album Pump It Up. 1. Pump It Up // 2. That Guy // 3. Lean On Me THAT … Continue reading
Golden Child have spent the past year exploring a musical trilogy that pulled their sound in darker, angstier directions. This resulted in some stellar songs, but the Golden Child I first fell in love with made their name on a bright, energetic style. Once K-pop boy groups journey down a moodier route, they tend to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Lovelyz’ albums are largely interchangeable, and I say this as a … Continue reading
Right now, Lovelyz are in the same spot their agency seniors Infinite were in 2016: about a year from their contract renewal date and plagued by an infrequent release schedule. That’s not to say the individual members haven’t been busy. Kei and Sujeong each released solo albums, and the irresistibly-extra Mijoo has become something of … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I was pretty hard on Rocket Punch’s Juicy, and still think … Continue reading
Those who have followed The Bias List for any amount of time will know what an enormous fan of Woollim Entertainment I am. From Infinite to Lovelyz to Golden Child, I’m usually enamored with what the agency produces. But, I’m really struggling with Rocket Punch. Thus far, their music seems to lack many of the … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
The Bias List // K-Pop Reviews & Discussion 