You’ve got to give it to N-Sonic. After over four years on the scene without even a wikipedia page to show for it, they keep plugging along. It’s rare for a group of their stature to surprise me, but with Excalibur, they managed to do just that. The song jolts from its opening moment, where … Continue reading
After losing member Junhyuk, DAY6 is back as a five-piece to offer us another rockier alternative to traditional kpop. Their debut mini album was a very pleasant surprise last September, and luckily their new material ends up being more of the same. While Letting Go lacks some of the singalong quality that made Congratulations so … Continue reading
Throughout their consistently great, three-year career, Boys Republic have attempted nearly every style of kpop and still managed to go mostly unnoticed. It’s a shame, because this constant strive to elevate their status has forced them to become a group of multiple identities. Yes, all those identities have been pretty awesome in their own … Continue reading
Jpop is not nearly as accessible to the western market as kpop has become, so I’m often late to the party when it comes to new releases. Yell has actually been available for a few weeks now, but I’ve recently become interested in boy group Bullet Train and wanted to offer my thoughts on the track. The … Continue reading
It seems like forever ago that Sam Kim took the runner-up place in Kpop Star season 3. Back then, he was known for his incredible skill with the guitar and charismatic vocal delivery. Now, two years later we have his official debut with Antenna Music, the soft, almost meditative Mama Don’t Worry. Maybe it’s because … Continue reading
We’ve had a somewhat steady stream of solo releases by girl group members this year. Hyomin’s Sketch didn’t wow me a week and a half ago, but from the teasers, Secret’s Jun Hyo Seung promised to take a similarly sexy approach, but merge it with a more propulsive dance pop production. Boy, did she ever. … Continue reading
Three years into their career, BTOB had a breakthrough with 2015’s immensely effective It’s Okay. But now that they’re on their third ballad comeback in a row, we’re beginning to see diminished returns. I was hoping they’d use their resurgence to gradually move back to more interesting material, but they seem to be stuck in ballad mode. The … Continue reading
A few weeks ago, I named Oh My Girl the most underrated female rookie group in kpop, and with Liar Liar, they continue to show why they earned that title. Combining the offbeat pop sensibility of debut track Cupid with the melodic heft of last fall’s Closer, they’ve found a nice mix that defines their … Continue reading
Block B have been away for a ridiculously long time, though it may not seem like it with solo releases by leader Zico flooding the chart. As part of their first group comeback in nearly two years, they’ve given us A Few Years Later as a pre-release. The grown-up, neo-soul track is much more subdued than what … Continue reading
There seems to be a lot of groundswell support for DEAN lately, and up to this point I haven’t really understood it. And while I don’t think I’ll ever be a gigantic fan due to the type of music I tend to gravitate towards, D (Half Moon) is definitely my favorite song I’ve heard from … Continue reading
EXO are undoubtedly the biggest kpop group of this era. They were also the very first group I listened to back in 2012 when I became interested in the genre. Since then, they’ve suffered through more than their fair share of drama, losing three of their original members. Their sound has also changed a bit, … Continue reading
Poor A.cian. Despite existing in one form or another since 2012, they’ve just never been able to break out amongst all their boy group peers. They’ve had fine songs in the past, but each seemed content to follow trends set by bigger acts rather than provide anything unique or characteristically “A.cian.” This trend continues with Touch, but … Continue reading
So far, SM’s weekly Platform experiment has been a disappointment, supplying almost exclusively slow and unmemorable side tracks. The fact that it’s billed as being a bonus or supplement to the agency’s usual releases makes it hard to be completely annoyed with it, but it still feels like a missed opportunity. I’m not going crazy over … Continue reading
After huge hits like Cheer Up and Love Wifi, Hong Jin Young has become Korea’s choice purveyor of modern trot music. Trot, or Teuroteu, is a traditional genre of Korean music and, along with western influences, forms the roots that many kpop songs have grown from. As someone who listens to a lot of Scandinavian and European … Continue reading
It feels like Eric Nam has become the unofficial entertainment ambassador between Korean artists and the western world. He’s one of those personalities that’s impossible to dislike and seems to be friends with everyone, which makes him the ideal host for shows like After School Club. But the problem with playing Mr. Nice Guy is … Continue reading
Naming your debut song Macarena certainly sets up some very specific expectations, and most of them aren’t that great. Never in my life have I felt the need for a kpop cover of the infamous Macarena song, so I’m thankful that this track sounds nothing like it, even though the choreography incorporates its most iconic dance move. … Continue reading
Jay Park is one of the most prolific artists in all of kpop, though I almost hesitate to call his music “kpop” at all. Of course, it technically is, but he draws so heavily from western influence that his tracks often sound like American r&b songs covered in the Korean language. For the past year … Continue reading
Of all the scheduled kpop releases this March, GOT7’s Fly was by far the one I was most looking forward to. The group had an incredible 2015, releasing two of the year’s best singles and finally cementing a versatile, melodic hip-hop sound for themselves. I expected Fly to be the capper on that success, sending … Continue reading
Though Sistar are undoubtedly one of Korea’s leading girl groups, they’ve barely released enough singles to fill a top ten list. Still, quality over quantity, right? Throughout their career, they’ve explored three distinct genres. Debuting with an attitude-infused electro pop sound, they segued into sultry/sexy before eventually winding up as the queens of summertime pop. My … Continue reading
Like label-mates CNBlue, FTIsland has done a nice job balancing their Korean and Japanese success. Given their status as an idol rock group, their sound has an easily-slotted place within the vast world of j-rock, though the direction of their Japanese material hasn’t always been to my taste. However, I was incredibly impressed with frontman Hongki’s solo … Continue reading
The Bias List // K-Pop Reviews & Discussion 