With BTOB’s transition into a ballad-focused group, I feel like most of the issues I’ve had with their recent material has centered around the awkward shoehorning in of rap sections. But with this new sub-unit, composed of vocalists Eunkwang, Sungjae, Changsub and Hyunsik, rap is definitely not a concern. True to expectations, BTOB-Blue are given … Continue reading
To say that The Eye (태풍) was my most anticipated release this year would be an understatement. My utter adoration of Infinite and their music pretty much neutralizes my ability to write anything truly objective, but it also means that I hold them to an impossible standard. Any new addition to their flawless discography is bound to … Continue reading
As their name suggests, Crayon Pop are one of k-pop’s most upbeat, energetic creations of the past few years. Though their discography is comparatively small, it’s remarkably consistent. They’re also a group overshadowed by their one impossibly enormous hit. But beyond that is a treasure trove of fun, smart and even experimental pop music. Here’s the … Continue reading
SM Station has been a great excuse for releasing fun side tracks that would never make sense as part of a group’s album. Dancing King arrives after a longstanding promise made on mega-hit variety series Infinite Challenge. Host Yoo Jae-suk (who’s basically the most famous celebrity in Korea) has now fulfilled his mission to collaborate with … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though I wasn’t too over-the-moon about 2PM’s latest comeback, … Continue reading
CNBLUE have been around long enough now that their music has settled into a somewhat predictable pattern. Their specific brand of soft rock is always pleasant, but rarely that inventive any more. Such is the case with new Japanese single, Glory Days, which opts for a familiar sound rather than messing with what’s always worked … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. BLACK EYED … Continue reading
Girl group DIA has been sampling the party platter of k-pop tropes, switching from one concept to another in their bid to find something that will stick. Trying on GFriend’s style back in June didn’t quite work, so with Mr. Potter (미스터포터) they’ve conjured up a track that recalls Red Velvet in their Ice Cream Cake days. Now, k-pop … Continue reading
Members of veteran boy group 2PM are soon to enlist in their mandatory military service, but before they take that two-year break from releasing music, they’ve got one more album and title track to give us. Promise (I’ll Be) piggybacks on the sound of main vocal Jun. K’s recent solo Think About You, offering a modern … Continue reading
Soloist Kim Juna gained popularity on girl group survival series Produce 101, and she’s the latest “eliminated” contestant to debut this year. So far, the track record for these debuts has been pretty spotty, both commercially and quality-wise, but Juna attempts to take on a different, more westernized sound with Summer Dream. While girl group … Continue reading
Before there was Seventeen, Pledis Entertainment was most known for rotational girl group After School. Though the girls haven’t released new material in awhile, they’re widely considered one of the most consistently top-notch girl groups in k-pop. I’d argue that, song-for-song, sub-unit Orange Caramel is even more addictive, but After School is no slouch themselves. While … Continue reading
It’s finally time to take a long overdue look at the singles from one of k-pop’s legendary performers. Honestly, BoA has released so much music in both Korea and Japan that this list has been revised several times over. I think everyone’s choices will probably be unique to them, but for me, I’ve found that her … Continue reading
When I think about Korea’s most boundary-pushing solo artists, both in terms of music and visual, two names immediately stick out. For the guys, it’s gotta be Xia (Kim Junsu), who favors complex, avant garde concepts and continually shifting genre influences. For the girls, it’s most definitely Gain, who pushes boundaries so consistently that it’s … Continue reading
As part of their official sub-unit debut, Winner’s Mino and iKON’s Bobby have released double title tracks that each show off very different charms. After being thrilled with the upbeat exuberance of Hit Me, Full House (붐벼) brings the guys back to a lurching, stereotypical exercise in what apparently makes hip-hop cool. But here’s the problem: … Continue reading
For the past few days, Winner’s Mino and iKON’s Bobby have been building up to their sub-unit with solo releases. And as enjoyable as they’ve both been, it turns out that (for Hit Me, at least) the two are strongest together. I can’t even begin to describe how refreshing it is to hear them actually … Continue reading
A day after iKON’s Bobby released his solo single, fellow YG rapper Mino has unveiled Body (몸), which was billed as a slower, sexier counterpart to his label-mate’s boisterous hype track. This doesn’t necessarily seem like the more interesting description on paper, but in the battle of the solo tracks, I think Body just barely edges … Continue reading
SM girl group Red Velvet have been bouncing between their dual concepts, giving us delirious pop hits (red) and low-key slow burns (velvet) for the past couple of years. With Russian Roulette (러시안 룰렛), it seems that they’ve found some middle ground, tempering what is essentially a high energy synthpop track with a more subdued … Continue reading
This week marks the long-awaited release from The MOBB, which is the sub-unit of rappers Bobby and Mino (from YG groups iKON and Winner, respectively). But before we get to that collaboration, we’ll be treated to a solo track from each. First up is Bobby, who’s delivered a hype track with a truly obnoxious title. … Continue reading
Lim Chang Jung is an absolute juggernaut in the world of Korean ballads. His fantastic Love Again single was one of last year’s biggest hits and has enjoyed incredible longevity on the charts. Like it or not, this is the kind of sentimental music that does gangbusters in Korea, even if it may not be the most sonically (or … Continue reading
J-Pop group w-inds. have had a long and varied career, moving through different pop sounds as they’ve progressed as a group. Over the past few years, they’ve settled on a kind of throwback funk template that suits them well. With new single Backstage, they add some modern tropical house flavor, which results in a nice … Continue reading
The Bias List // K-Pop Reviews & Discussion 