The k-pop career of American-born Jessi has been full of twists and turns. Beginning as a solo dance-pop artist over a decade ago, she then became the vocalist of hip-hop trio Lucky J before gaining massive notoriety as a rapper on the variety show Unpretty Rapstar. But throughout all her transformations, it feels like the … Continue reading
There aren’t that many solo female k-pop acts that are equally as comfortable with upbeat dance tracks as they are ballads. As one of the sole examples, Ailee brings something completely new and vital to the genre. Debuting in 2012, she’s gone on to carve quite a successful career for herself, blending her powerful vocal … Continue reading
It seems like these past couple of months have been riddled with farewell songs. Bigbang‘s Last Dance kicked things off as a goodbye to an era, and just this week we had I.O.I’s final track. But none seems quite as definitive as 2NE1‘s Goodbye (안녕). When they were active, 2NE1 were my favorite k-pop girl group, … Continue reading
After what seems like years of waiting, Woollim Entertainment is set to debut their new boy group this year. And alongside them, we get the added surprise of a new girl group as well. Rather than introduce these unfamiliar faces through a reality show (which honestly would have been preferable), the agency has decided to … Continue reading
Honey Bee is one of those songs that’s just oozing potential from the get-go. Taking f(x)‘s Luna, EXID’s Hani and Mamamoo‘s Solar and setting them loose on a big diva pop track is definitely an exciting prospect. But as we learned with last year’s Triple T collaboration, big names don’t always mean quality songs. While … Continue reading
Though Zico remains Block B‘s biggest solo breakout, I’ve actually preferred the more playful, quirkier material released by Park Kyung. Both Ordinary Love and Inferiority Complex were dynamic, interesting pieces of hip-hop pop, and pairing his verses with female vocalists seemed to be a winning formula. New single When I’m With You (너 앞에서 나는) … Continue reading
As the whole I.O.I saga comes to a close, I still struggle to understand why the group’s phenomenal popularity just didn’t resonate as strongly with me. After all, I loved Produce 101 and was primed to support the girls’ output as they embarked on their year-long promo, but other than Very Very Very (which added … Continue reading
Girl group CLC have been active for nearly two years now, but four mini albums later and they’re still struggling to break through and distinguish themselves from the pack. This is despite a very promising debut with the addictive Pepe in March of 2015. Given this dilemma, a total aural and image overhaul was a … Continue reading
Though Girls’ Generation‘s last comeback was about a year and a half ago, they’ve remained in the public consciousness through solo releases. The last few months have seen multiple releases by Taeyeon, Tiffany, Yoona and Hyoyeon, but now it’s youngest member Seohyun’s turn. Every solo SNSD track has been different, but they all seem to pull from … Continue reading
Teen Top‘s Niel has returned with his second solo mini album. His work has always reminded me of a lighter version of what Shinee‘s Taemin releases. They’re both clearly inspired by Michael Jackson, but Niel has an airier tone and seems to prefer a less aggressive r&b sound than Taemin’s go-for-broke dance assault. Love Affair … Continue reading
Continuing the trend of veteran acts making comebacks, Rain has released his first new material since 2014’s Rain Effect. Though he hasn’t been all that active these past couple of years, Rain’s legacy of music is ensconced in every fiber of today’s modern k-pop. As with other artists of his stature, he runs the risk … Continue reading
With the release of this week’s Mysterious, girl group Hello Venus finally have enough title tracks for a proper top ten countdown. The group has undergone quite the shift in sound and image throughout the years, starting with a quirky/cute concept before amping up the sensual side of their music. For me, their output has … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. e.one Years … Continue reading
The world of k-pop girl groups is general pretty uniform. I often hear people complain that all boy group songs sound the same, but I’d argue that that’s even more common when it comes to the girls. In 2016, a specific blend of cutesy and quirky became especially prevalent, resulting in some tremendous songs but also … Continue reading
Solo female pop artists are incredibly difficult to launch in Korea. Just ask Shannon Williams, who really should be on her way to becoming the next BoA rather than fighting for her last chance on this season of K-Pop Star. As much as Korea loves its girl groups, that sentiment doesn’t seem to extend to … Continue reading
2PM‘s Jun. K, along with many of the group’s other members, will be leaving us for the military soon. But before he goes, he’s released a special album to tide fans over. It feels weirdly wrong to critique this type of release, but before you write me off as some Jun. K music hater, know … Continue reading
I’ve been pretty lukewarm toward Hello Venus’ latest singles, but their sporadic 2016 material seemed like more of a teaser for something bigger than actual comebacks. They’re a group I really want to like more than I do. Unfortunately, their sound has shifted so many times since their 2012 debut that it’s been hard to … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The year is still very, very young, but in the … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Despite not being entirely in line with what I would … Continue reading
As much as I love VIXX, Ravi’s rap verses have often been my least favorite part of the group’s songs. I know that he has his (many) fans, but I’ve just always found his style to be a little corny and overbearing. Because of this personal bias, I can’t say I was exactly thrilled to … Continue reading
The Bias List // K-Pop Reviews & Discussion 