In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
Yoon Jisung’s solo career has mostly consisted of ballads, but last year’s Love Counseling teased a more upbeat sound. It turns out he’s well-suited to the breezy, city pop style that K-pop currently has a huge crush on. Because of this, he was smart to pursue something more buoyant with new single Bloom. The song … Continue reading
E’Last’s Dark Dream took awhile to grow on me, but once it did I found myself quite engrossed in its dramatic, symphonic sound. That song struggled with a shifting of energy and structure, but always brought things back with its knockout chorus. Because of this, I was ready for anything the group dished out with … Continue reading
K-pop hasn’t always had precedent for girl group members going solo – especially while their group is still actively promoting. But, Cube Entertainment has done a nice job establishing the individual talents of (G)I-DLE. In fact, I prefer some of their solo efforts to their group work. Next on the docket is main vocal Miyeon, … Continue reading
When Lovelyz went on indefinite hiatus last year, all members except leader Babysoul went their separate ways. She – now going by her given name Lee Sujeong – elected to stay with Woollim Entertainment as a soloist. Never mind the agency’s uneven reputation when it comes to their senior artists. But, just months after splitting … Continue reading
You can tell a lot from a K-pop album’s highlight medley. When listening to these teasers, I often find myself playing “spot the title track.” But, this game is fraught with peril. How many times do I hear fantastic samples in a highlight medley, only to realize they’re b-sides and the title track itself is … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
VERIVERY are hitting us with rapid-fire comebacks. A few weeks ago they returned with r&b slow-jam ‘O’ – a song I’ve enjoyed more each time I play it. This served as a prelude to the release of their first full album, which also acts as the conclusion of their multi-part ‘O’ series. Sadly, this concept … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! EPISODE ONE RECAP // EPISODE TWO RECAP // EPISODE THREE RECAP We’re back with the remaining performances of the Cover Song Battle. Apart from one big standout, last week’s stages were a bit underwhelming. Let’s see if this week can turn the tables, or … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
After a year away, Infinite’s Kim Sung Kyu has returned with his first new album since signing with agency Double H TNE. Since his exit from Woollim Entertainment, he’s assembled a band and launched a YouTube channel, but his music remains quite consistent with past releases. New single Savior could easily feature on any of … Continue reading
Woollim Entertainment’s sudden embrace of the Japanese market has been awkward to watch. I mean, Infinite used to release J-pop material to great success, but over the past few months the agency seems to be sending all of its talent to Japan. It’s like they’re throwing everything at the wall and hoping something will stick. … Continue reading
One of the quirks of The Bias List is my hesitancy to give 10/10 scores right off the bat. I just don’t know that you can measure perfection on release day, nor do I think a perfect score is attainable without some time and experience. This approach doesn’t exactly jibe with “OMG SOTY” internet culture, … Continue reading
The Bias List // K-Pop Reviews & Discussion 