A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. True to NCT form, Glitch Mode … Continue reading
It’s been an underwhelming year for debuts. I get the sense the Okay-pop industry has pulled their punches in anticipation of a major hit reshaping current trends. As we move into April, that hit may have finally arrived. On the heels of a mysterious Twitter announcement two months ago, Okay-pop provocateur Finite has finally made … Continue reading
When Kingdom debuted last year, I couldn’t help but be impressed by their ambition. Not only did they have a unique concept, but their rollout promised seven albums – each centered around the lore of a different member. Coming from a small agency, I questioned whether they’d have the resources to see this plan through. … Continue reading
New boy group YOUNITE are set to debut next month. Before that, they’ve dropped a pre-debut track to ease us into their sound. Everybody fits within Brand New Music’s hip-hop style, offering a refreshingly warm and youthful take on the genre. I haven’t been too impressed with 2022’s debuts so far, but my eyes are … Continue reading
I’d like to think NINE.i’s name is so literal that it means the members have nine eyes (five members + an eye patch?). But alas, there are ten members. That makes twenty eyes and a bit of confusion on my part. Upon further research, it looks like NINE.i (inexplicably) stands for “Everyday NEW.i.” Um. What? … Continue reading
Despite their rookie status, BAE173 haven’t released much music. We last heard from them nearly a year ago, when they delivered the anthemic Loved You. That song wasn’t perfect, but it had a classic touch and melodic though-line that made it stand out. With new single Jaws, the group has switched gears dramatically, opting for … Continue reading
Someone on Purple Kiss’s team must really want to screw with this comeback’s search engine optimization, huh? Searching for memeM (맴맴) is bound to flood your screen with Purple Kiss memes instead of music. Knowing K-pop, maybe that’s the point! Last we heard from the ladies, they delivered a quirky horror concept. Zombie stood out … Continue reading
Thus far, INI have been a frustrating prospect. In my opinion, they haven’t been dealt a decent song yet. When the group’s line-up was announced on the finale of last year’s Produce 101 Japan, I was thrilled to see how many talented vocalists made the cut. But, songs like Call 119 have opted for far … Continue reading
Majors’ agency is banking on an interesting promotional approach. Rather than put all their eggs in one basket, the group’s comebacks have delivered dual title tracks – each inspired by a different genre. They’ve cast their net wide, which has some advantages. For example, I’m more inclined toward the EDM of Giddy Up than the … Continue reading
In a girl group landscape filled with bombastic beats and shouty sing-talk, Oh My Girl are a welcome outlier. Their career is filled with quirky highlights, harnessing memorable hooks to craft a sound that moves from ethereal to whimsical and back again. Increased popularity has stolen a bit of this unique identity, but with peers … Continue reading
At this point, I’ve given up on NCT’s title tracks delivering anything beyond the same ‘shout over bass-heavy distortion’ schtick. So, I’ll temper my thoughts with this in mind. Comparing a song like Glitch Mode (버퍼링) to My First And Last, Superhuman or Highway To Heaven is useless. They’re not even trying to do the … Continue reading
When it rains, it pours – and Red Velvet fans are feasting on new music this month. Not only did the group make a long-awaited comeback last week, but their first full Japanese album also looms on the horizon. Before we get there, the ladies have revealed new J-pop single Wildside. SM artists have a … Continue reading
After their debut in 2018, D-Crunch have reliably delivered one comeback per year. No more, no less. This makes it challenging to gain a foothold or a fanbase, but I admire their consistency. Their title tracks have all been solid, though none has enjoyed a long reign on my own playlist. New song Addiction (중독) … Continue reading
A week after its release, I’m feeling pretty ambivalent about Stray Kids’ Maniac. Like many recent tracks, its plusses and minuses cancel each other out and result in music that’s perfectly… fine. This indifferent impression carries through the entire mini album. The songs are generally okay, but there’s nothing pulling me back for repeat listens … Continue reading
After debuting with a steady (and fun!) sound, VERIVERY’s music became more hit and miss. Fortunately, their last single Trigger was a big hit for me. Alongside an all-killer, no-filler mini album, their edgy electro reinvention had me ready to board the VERIVERY train once more. New single ‘O’ marks another sonic shift, but its … Continue reading
Much has been written about the “girl crush” branding that’s taken over K-pop these past few years. Songs within this style have been around for decades, so I’m not sure we can call this a new sub-genre. But, the general template for a “girl crush” track has quickly become oversaturated, making it easy for these … Continue reading
T1419 have developed a knack for building songs from off-kilter references. First, we had the cosplay-friendly Dracula. Then, there was last year’s Red Light, Green Light (which sort of grew on me, btw). Now, they’re heading to Austria for Edelweiss (에델바이스). The title alone makes me think of The Sound of Music, which would be … Continue reading
CRAVITY’s delayed comeback is marketed as the second half of their first full album, an interesting strategy that essentially amounts to two lengthy EPs. The group has released a wealth of music since their 2020 debut, but I haven’t connected with much of it. Their biggest hurdle has been a lack of unique musical identity, … Continue reading
I’m not sure where calling 119 would get me in the States, but I’m about ready to call 911 on INI’s discography (metaphorically, of course!). I have a strong affinity for this group, having watched them form through Produce 101 Japan and following some of their post-debut variety. But, the guys have yet to be … Continue reading
Counting their time as Beast, Highlight have been releasing music for thirteen years – a stunning length of time for any idol group. Daydream is their fourth full album, though their first under the Highlight moniker. Given how past albums resulted in insta-classics like Fiction, Shadow and Ribbon, expectations for this new title track should … Continue reading
The Bias List // K-Pop Reviews & Discussion 