Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Earlier this week, Pentagon were the subject of my ire for … Continue reading
Nu’est have been models/spokesmen for character-based business Spoonz since 2018, and that occasionally results in a CF song that harnesses their cuter, more cheerful sound. This collaboration began with the genial I Don’t Care, and now we have Let’s Love – just in time for Valentine’s Day. I usually prefer Nu’est’s brighter side (Love Me … Continue reading
Mamamoo’s massive success has spawned equally popular solo offerings from its members. This time last year, Hwasa unveiled the addictive Twit, which ended up being one of 2019’s most enduring hits. This time around, it’s Moonbyul’s turn. She’s back with her second mini album, which sees her trying on a different style for title track … Continue reading
Rather than opt for a full-fledged comeback, AB6IX have released a digital album that compiles solo tracks by each of the members. Logistically, I understand why Brand New Music decided on this approach. There was the looming matter of their (now-cancelled) European tour, followed by U.S. stops in the spring. And from all accounts, member … Continue reading
KARD have publicly talked about their difficulties finding music within the K-pop industry that’s written for a co-ed group. Their mixed configuration has become a distinct calling card, but also boxed them in. Compared to single-sex groups, it feels like they’re more limited when it comes to concept. Perhaps because of this, their 2019 work … Continue reading
Friends, we have entered a parallel universe where every K-pop boy group just releases the same song over and over. After a 2019 that saw some brighter fare make inroads to this internationally-focused industry, the first few weeks of 2020 have reveled in the dark and angsty. Despite my continuous complaining about this style, I … Continue reading
Cherry Bullet had a rocky debut year, kicking off 2019 with the popular Q&A but soon losing momentum after an underwhelming comeback and months-long hiatus. Making matters worse, the group lost three of its ten members. That’s a pretty big shift less than a year into an idol career. Still, it’s not without precedent when … Continue reading
With the Tokyo Olympics coming up this year, I expect the J-pop industry to unveil all sorts of material highlighting Japanese culture and cheering their athletes on. The anthemic sounds often produced by Johnny’s Entertainment seem tailor made for this venture, and Sexy Zone’s new album Pop x Step!? does a good job exploring various … Continue reading
Though they haven’t made a comeback since last summer, the spirit of ITZY looms large over recent girl group songs. The industry seems intent on harnessing their boisterous formula wherever it can, and that’s not necessarily a bad thing. But not every group shares their effortless charisma, and it can be hard to pull off … Continue reading
Throughout their career, The Boyz’ music has moved between bright, funky pop and darker material. It should surprise no reader of this site which sound I prefer. Like Seventeen, this group is at their best when they embrace big, shiny hooks and unflagging energy. But with international fame knocking on the door, the temptation to … Continue reading
If I have one complaint about Sunmi’s music, it’s that she doesn’t release enough of it. She delivered a grand total of two songs last year, despite previewing new material on her international tour. Hell, at this point BLACKPINK has released more music over the past few years, and that’s a very low bar to … Continue reading
Girl group BVNDIT spent their debut year releasing trendy music that didn’t reinvent the wheel. Though polished and well-performed, I felt like all of their singles suffered from the same generic template. They weren’t offering anything I couldn’t get elsewhere. Now, the girls are first up for their agency’s digital project New.wav, which aims to … Continue reading
Its not too often that an idol group loses their leader and their main songwriter in one fell swoop. But, this is the reality that iKON now faces after B.I departed the group last year. It’s hard to imagine what iKON would sound like without B.I’s influence, and we don’t have to just yet. Their … Continue reading
For as popular as LOONA have become internationally, their agency has had a difficult time capitalizing on the hype. Sure, the girls attended last year’s KCON LA, but they’ve gone almost a year without a proper comeback. And though the lore surrounding their concept has been detailed and consistent, their title tracks have varied wildly … Continue reading
Though there is a version of their name in Hangul, I feel sorry for any international fans trying to search up information about new girl group Episode. Typing “Episode K-pop” into any search engine is going to give you way more random information than you asked for. But listening to their single Open My Door … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Judging purely by Labyrinth, I’m ready to make the bold statement … Continue reading
Brave Sound’s new boy group has been teased for some time, but now DKB are officially upon us. Unlike last year, 2020 hasn’t seen all that many notable debuts so far. Brave Brothers’ cache isn’t what it once was, but he’s still a producer with name recognition who can churn out reliably solid hits. Debut … Continue reading
Last year, rookie group Good Day sat atop my list of new K-pop acts with the longest hiatuses, and their endless break turned out to be their death knell. But, like a phoenix from the ashes, the group has been reconfigured as Cignature, consisting of five of the former Good Day members plus two new … Continue reading
Everglow quickly emerged as one of last year’s most popular rookie groups, harnessing a BLACKPINK-like style that opts for edgy beat drops over chirpy aegyo. While I appreciate the concept, neither of their 2019 singles connected with me as strongly as I would’ve liked. Both felt more like catchphrases in search of a song than … Continue reading
The Bias List // K-Pop Reviews & Discussion 