Though several former EXO members have struck out on solo careers in China, Lay’s What You Need is the first major push from a current member of the group. Though he’s been less visible in more recent EXO tracks, SM Entertainment seems content to give Lay some freedom when it comes to his home country. What … Continue reading
A week after Crayon Pop gave us a revival of 80’s italo disco, new group Sixth Sense debuts with a similar sound. The girls are from Up Entertainment — a small agency that doesn’t seem to have much of an internet presence. From watching the music video, it’s clear that budgets are tight and … Continue reading
Thus far, FNC Entertainment has been known primarily for its rock groups FTIsland and CNBLUE, as well as girl group AOA (who technically started with a band concept). Much… erm… “fanfare” has been made around the debut of the agency’s first male dance act, SF9. Debuts are a tricky thing, and often end up being … Continue reading
Beyond being one of Korea’s leading solo artists, Ailee also has her own unique place in k-pop. Her American roots have influenced her sound, providing work that effortlessly straddles the line between U.S. Top 40 and more typical Korean fare. Bolstered by her soulful vocals, she provides a performance style that no other k-pop artist has … Continue reading
Shinee had an outstanding 2015, releasing two of their very best title tracks in the space of a few months. Because of this, anything they followed up with in 2016 would arrive amidst sky high expectations. So instead of going big, they go specific… with the early 90’s new jack swing throwback of 1 Of 1. Immediately, this move doesn’t … Continue reading
It’s a testament to just how badly I’m wishing for a B1A4 comeback that when the solo debut of main vocal Sandeul was announced, I let out a disappointed sigh. This is insane, since Sandeul is an amazing performer with so much potential as a solo artist. But to me, the only thing this announcement … Continue reading
Patience pays off. Monsta X is a group I’ve wanted to love for a long time. I watched their debut survival series. I’ve seen them live (twice, now). Their music has gotten better with each album, though never quite to point where I found myself totally captured. But with Fighter, they’ve broadened their sound and … Continue reading
Earlier this year, I picked HIGH4 as the most underrated boy group in k-pop. I really root for them, and I was thrilled to see their Makestar crowdfunding campaign become such a big success. But with this said, I have no idea what they’re doing with this HIGH4 20 sub-unit. The duo is composed of rappers … Continue reading
When talking about underrated boy groups, Cross Gene have to be in the conversation. They debuted in 2012 and have straddled the line almost equally between Korean and Japanese releases. They’ve also become better with time, even if the general public hasn’t completely been won over yet. For a group of their stature, they have … Continue reading
With Heartbeat, SM Entertainment has completed their f(x)-driven EDM trilogy that started with Wave in May and continued with July’s All Mine. Given the strict adherence to genre structure, all three tracks feel somewhat interchangeable, but this helps create a welcome sense of continuity when they’re taken together, one right after another. Heartbeat was released as … Continue reading
October is officially here, which means the countdown to Halloween has started. Whether you’re cobbling together a mix for a Halloween party or carnival, or just looking for some seasonal selections to soundtrack your pumpkin carving, K-Pop has a lot to offer. Here are some of the best tracks. If your favorite Halloween K-Pop song … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
K-Pop is an agency-driven genre, meaning that what gets put into the market is often expertly crafted by a team of individuals and hoisted upon a group/artist who then takes it to the next level with their talent and charisma. This doesn’t necessarily take art out of the equation, but it does create an environment … Continue reading
Girl group Dal Shabet were one of the first k-pop acts out of the gate this year, with their addictively fun Brave Brothers track, Someone Like U. Throughout their five year career, I’ve found Dal Shabet’s output to be pretty hit and miss. Someone happened to be one of their very best tracks. But new … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The general consensus seems to be that most of the … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The very best GOT7 tracks, whether it’s A, Just Right … Continue reading
After my disappointment with March’s Fly, I was afraid that GOT7 were moving in a musical direction that just wasn’t going to be for me. Hard Carry (하드캐리) does little to assuage those fears… but at least it’s a much stronger release. And while I long for the sound of their excellent 2015 material, a … Continue reading
After what feels like ages, Crayon Pop has finally returned with their first full album. Much has been made about the fact that this release includes production and composition work from the girls themselves, but those expecting its music to sound any different from previous releases will likely be disappointed. Personally, I’m relieved that Doo … Continue reading
In general, k-pop is in a transitional place right now. The old guard is slowly being taken over by the current crop of super rookies. With the likes of GFriend and Twice making such waves, what does a group like Apink do to prove that they’re still young and relevant? It’s a tough question, and … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. BTS have become known as true albums artists, ensuring that the quality of their work goes far beyond their title tracks. Here are ten of the best examples. Honorable … Continue reading
The Bias List // K-Pop Reviews & Discussion 