Did you guess it correctly? “Season Two” of The Bias List‘s K-Pop A-Z feature kicks off tomorrow morning with the music of EXO! Over the next few months, I’ll be reviewing every song from EXO’s discography — one song a day, in alphabetical order. Though I don’t mention them as much as I used to, … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
I’ve spent too much energy this month complaining about songs produced by Devine Channel. Between 1Team’s Rolling Rolling, Kang Daniel’s What Are You Up To and EXO-SC’s very own What A Life, this production team has played a big part in this July being one of the worst K-pop months I can remember. So, I … Continue reading
Before EXO’s Chanyeol and Sehun debuted as an official sub-unit, they paired together to deliver last year’s SM Station track We Young. That song offered a nice balance between hip-hop and harmonized melody, with a warm tone that took advantage of the interplay between the guys’ voices. This weekend’s pre-release Just Us 2 followed suit, … Continue reading
The rise in popularity of K-hip-hop and K-r&b has fundamentally changed the K-pop landscape, and we’re reeling from those effects this summer. Hip-hop sub-units are nothing new for idol groups (hello, Infinite H!), but in a climate where this sound is becoming more ubiquitous they no longer feel like an unpredictable novelty. Bringing together members … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
As EXO starts to transition into a military enlistment-driven era that will undoubtedly see less group comebacks, the members have been branching out with solo projects and sub-units. As expected, this music has been tailored to each members’ personal taste and skill set. This meant way too many ballads for Chen. And now, it means … Continue reading
I’m tired of writing about farewell singles. It feels like we’ve had an inordinate amount of idols enlisting in the military this year, and most of them have ushered in their hiatus with a sentimental goodbye track for the fans. I don’t enjoy being critical of these songs. I know how much it stings to … Continue reading
To say that Lay’s solo music is not for me would be an understatement. Apart from a solid track here or there, I find that most of his work represents the worst of what modern-era pop has to offer. It’s hookless, joyless and utterly devoid of originality. Fun fact: he’s the owner of the lowest-rated … Continue reading
As The Bias List continues to grow, I’ve been thinking a lot about my musical influences and preferences, and how my history with pop music has shaped the reviews that I write today. With this in mind, I thought it would be fun to take a day for a more personal post. More than anything, … Continue reading
When all is said and done, it’s starting to feel like 2019 will be known as the year of debuts and military enlistments. The number of high-profile enlistments that have occurred over the past few months has been staggering, as K-pop’s much-loved second generation of male groups take various forms of hiatus. There’s a new … Continue reading
This may be a controversial opinion, but by focusing solely on solos and sub-units these past four months, it feels like SM Entertainment has kind of thrown away a third of the year. This isn’t to say that solos and sub-units are unwelcome, but most of the ones we’ve gotten from the agency in 2019 … Continue reading
As SM Entertainment’s biggest-selling group for the past several years, EXO’s solo and sub-unit potential has been severely underutilized. I expect that this will change as members start enlisting, but I can’t believe it’s taken this long to see an official solo album from the group (not counting Lay’s Chinese efforts, of course). And honestly, … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2018 Overall Thoughts What is there to say about December, really? This month is basically … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
Each year, I try to delve deeper into the vast world of J-pop. 2018, in particular, rewarded that persistence. J-pop may be difficult to find for international listeners, but it provided a wonderful antidote to some of K-pop’s overused trends. This countdown is usually littered with Japanese title tracks by Korean groups, but this year … Continue reading
The Bias List // K-Pop Reviews & Discussion 