If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. DEVINE CHANNEL … Continue reading
Debuting as part of late 90’s girl group Fin.K.L, Lee Hyori went on to carve out an incredibly successful solo career. She’s one of Korea’s most beloved personalities (and sex symbols), despite a lack of frequent comebacks over the past few years. Fresh off her return with Black, it’s the perfect time to look back … Continue reading
It might not be the k-pop hub that is L.A., but living in the Pacific Northwest, we get our fair share of concerts in neighboring Vancouver. Even so, when I saw that G-Dragon had extended his world tour to Seattle, it seemed like a minor miracle. I can’t remember a time when a big-name k-pop … Continue reading
In contrast to Starship Entertainment’s first boy group, the bright and poppy Boyfriend, Monsta X debuted in 2015 with a much stronger hip-hop sound. Before that, the group had been formed through variety series No Mercy, which helped to develop an instant (and very international) fan base. Two years later and they’ve released just enough singles … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2017 Overall Thoughts Of the 18 months I’ve been running this site, June was the strangest … Continue reading
Though ultimately brought down by member departures and poor management, during their heyday boy group MBLAQ were vying for the k-pop a-list. They were initially notable for their ties with superstar Rain, but went on to release a string of cutting edge hits that more than secured their place in k-pop. Here are the very … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
Other than the finale, the best part of each year’s Produce 101 is the concept performance battle. This is where the remaining contestants are split into groups and given an original song that fits within a specific genre. Last year, this segment resulted in the gorgeous In The Same Place, which became a bit of a … Continue reading
It’s that time of year again! Even if it doesn’t always feel like it here in the Pacific Northwest, summer is on the horizon. This is my favorite season for k-pop, with a strong focus on energetic, upbeat releases. Unlike the Ultimate 80’s Playlist I featured earlier in the year, “summer” is a far more … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2017 Overall Thoughts May was a month of contrasts. The first two weeks were among the … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ERIK LIDBOM … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. NAM GI … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. MONOTREE Years … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2017 Overall Thoughts 2017 continues to fall behind when compared to last year. Though it was easy … Continue reading
EXID debuted in early 2012 with a colorful retro pop sound that instantly set them apart from their contemporaries. The group struggled during their initial years before eventually blowing up in 2014. Since then, the girls have gone from strength to strength, and they finally have enough title tracks to warrant a countdown. Here are … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. THE STEREOTYPES … Continue reading
Debuting in 2014, Red Velvet are SM Entertainment’s newest girl group. Their unique concept has them releasing both quirky uptempo pop (“red”) and refined r&b (“velvet”), resulting in a diverse discography that’s sure to please a variety of tastes. Like f(x) before them, their music lies on SM’s more experimental side, ensuring that k-pop remains … Continue reading
K-Pop is one of the few international genres that places more focus on groups than solo acts, but when a single artist does make it big, they often burst into the stratosphere. Such is the case with Rain (Bi), who set the standard for male soloists everywhere. He is not only a Korean star. He’s a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. KIM TAE … Continue reading
The Bias List // K-Pop Reviews & Discussion 