It feels like I’m writing a new Stray Kids review every other day. JYP Entertainment has gone all out for their newest album, filming several music videos to promote group and sub-unit tracks. I don’t know if I’ll write a detailed review on every one, but Bang Chan and Hyunjin’s Red Lights deserves a few … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
After making their long-awaited return earlier this summer, 2PM are releasing new music in Japan. They’ve always had a huge J-pop career – so big that it eclipsed their Korean output in recent years. We’ll see how commercially impactful With Me Again (僕とまた) ends up being, but when it comes to sheer quality, it definitely … Continue reading
I wish every release received the promotional blitz JYP Entertainment affords Stray Kids. Though it’s only been out for a few weeks, we’re already on the third official music video from their NOEASY album. Neither Thunderous nor The View did much for me, so to call Cheese my favorite single yet isn’t exactly high praise. … Continue reading
The effects of military enlistment have resulted in numerous side projects for DAY6. Their sub-unit Even Of Day has released two albums, and now it’s time for the group’s bassist to embark on a solo career. Young K has long been a prominent songwriter within the band, almost ensuring his own work will carry a … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Stray Kids fans know that the group’s promotion doesn’t end with a single title track. In almost all cases, the group has released a follow-up music video (or more!) for album b-sides. This has quickly established a vast singles run (if you want to count these extra releases as official “singles”). Either way, it’s a … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Stray Kids’ new album is perfectly … Continue reading
Those of you who follow my twitter account know that I’ve spent the past few weeks gushing about how great survival series LOUD has been. If you’re not already watching the show, there’s still time to catch up! I’m a veteran watcher of Korean survival/audition series, having followed the vast majority of them since 2013. … Continue reading
Fresh off their Kingdom victory, Stray Kids have returned with their second full-length album. Not many K-pop groups release two full albums back-to-back, but I’m sure Stray Kids’ self-producing status leaves them with plenty of material to choose from. Although last year’s God’s Menu was a fun, memorable title track, its parent album was stuffed … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
DAY6 sub-unit Even Of Day debuted late last summer, releasing a much more interesting mini album than its title track suggested. With Where The Sea Sleeps, I wondering why Young K, Wonpil and Dowoon didn’t distinguish their own music from DAY6’s core sound. That confusion continues with new single Right Through Me (뚫고 지나가요). I … Continue reading
A review is just a snapshot in time, and sometimes I end up regretting the way I rated a song. There are so many factors that influence the longevity of K-pop. Familiarity, album context, live performances and cultural saturation can all boost or sink a song’s fortune. I run this feature during the mid-point of … Continue reading
The Bias List // K-Pop Reviews & Discussion 