Brave Brothers has enjoyed a resurgence with Brave Girls, fusing his classic dance-pop sound with the momentum spawned by viral popularity. Listening to mini albums Thank You and Summer Queen is like reading a guidebook on how to craft a rock-solid, classic K-pop song. Frustratingly, this Midas touch hasn’t quite made it down to Brave … Continue reading
Though retro trends still have a vise-grip hold on K-pop, the industry has started embracing punky, guitar-led sounds as well. This is in line with global trends, and may just be “the next big thing.” Whether Mamamoo’s Moonbyul is a soothsayer or not, her newest solo single C.I.T.T (Cheese in the Trap) rides the wave … Continue reading
Yoon Jisung’s solo career has mostly consisted of ballads, but last year’s Love Counseling teased a more upbeat sound. It turns out he’s well-suited to the breezy, city pop style that K-pop currently has a huge crush on. Because of this, he was smart to pursue something more buoyant with new single Bloom. The song … Continue reading
E’Last’s Dark Dream took awhile to grow on me, but once it did I found myself quite engrossed in its dramatic, symphonic sound. That song struggled with a shifting of energy and structure, but always brought things back with its knockout chorus. Because of this, I was ready for anything the group dished out with … Continue reading
K-pop hasn’t always had precedent for girl group members going solo – especially while their group is still actively promoting. But, Cube Entertainment has done a nice job establishing the individual talents of (G)I-DLE. In fact, I prefer some of their solo efforts to their group work. Next on the docket is main vocal Miyeon, … Continue reading
When Lovelyz went on indefinite hiatus last year, all members except leader Babysoul went their separate ways. She – now going by her given name Lee Sujeong – elected to stay with Woollim Entertainment as a soloist. Never mind the agency’s uneven reputation when it comes to their senior artists. But, just months after splitting … Continue reading
You can tell a lot from a K-pop album’s highlight medley. When listening to these teasers, I often find myself playing “spot the title track.” But, this game is fraught with peril. How many times do I hear fantastic samples in a highlight medley, only to realize they’re b-sides and the title track itself is … Continue reading
VERIVERY are hitting us with rapid-fire comebacks. A few weeks ago they returned with r&b slow-jam ‘O’ – a song I’ve enjoyed more each time I play it. This served as a prelude to the release of their first full album, which also acts as the conclusion of their multi-part ‘O’ series. Sadly, this concept … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! EPISODE ONE RECAP // EPISODE TWO RECAP // EPISODE THREE RECAP We’re back with the remaining performances of the Cover Song Battle. Apart from one big standout, last week’s stages were a bit underwhelming. Let’s see if this week can turn the tables, or … Continue reading
After a year away, Infinite’s Kim Sung Kyu has returned with his first new album since signing with agency Double H TNE. Since his exit from Woollim Entertainment, he’s assembled a band and launched a YouTube channel, but his music remains quite consistent with past releases. New single Savior could easily feature on any of … Continue reading
Woollim Entertainment’s sudden embrace of the Japanese market has been awkward to watch. I mean, Infinite used to release J-pop material to great success, but over the past few months the agency seems to be sending all of its talent to Japan. It’s like they’re throwing everything at the wall and hoping something will stick. … Continue reading
One of the quirks of The Bias List is my hesitancy to give 10/10 scores right off the bat. I just don’t know that you can measure perfection on release day, nor do I think a perfect score is attainable without some time and experience. This approach doesn’t exactly jibe with “OMG SOTY” internet culture, … Continue reading
A few weeks ago, new boy group YOUNITE teased their debut with pre-release track Everybody. Its playful hip-hop sound was super engaging and made room for an equally enjoyable chorus. With so many boy groups opting for a dark, gun-slinging shout-pocalypse style, YOUNITE seemed to be a fresh group worth looking forward to. However, when … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
I’ve listed my “top tens” for many artists, but it’s time to rummage through entire discographies and rank every single from worst to best. This feature will primarily tackle groups who have disbanded or gone on indefinite hiatus. It’s a way for me to re-evaluate my initial thoughts on their singles run. Don’t be surprised … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. While the vibe of Onew’s new … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m so curious to know what … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! EPISODE ONE RECAP // EPISODE TWO RECAP This week’s episode took quite awhile to get to its performances. First, we had reaction and fallout from last week’s voting results. Then, we moved into a lengthy series of mini games where the groups could win … Continue reading
It seems every big K-pop group must have their English-language single these days — or at minimum a song directly targeted toward international markets. This is an exciting development for many, but it comes with its own challenges. I don’t begrudge K-pop artists’ global success. I just hope they find it on their own terms … Continue reading
Universe app reviews have a Bias List history of being a little… different. It’s my not-so-subtle way of combating at the app-ification of music. Last time, we enjoyed a gif-heavy review of Eunbi’s Universe classic. This time, I’m taking cues from La La Pop‘s melodious title to present a review comprised entirely of audio reactions. … Continue reading
The Bias List // K-Pop Reviews & Discussion 