K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. P1Harmony continue to stretch their hip-hop … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are some production teams you … Continue reading
BZ-Boys (otherwise known as Blue Zone Boys) have been kicking around since 2019. They debuted under Chrome Entertainment — an agency most famous for quirky girl group Crayon Pop. Unfortunately, lengthy hiatuses have blunted most of their momentum and their material has tended to lean on the generic side. New single Find You (널 찾으러 … Continue reading
Since her ambitious, sc-fi-themed debut, AleXa’s sound and concepts have swerved all over the place. Last time we heard from her, she let us know what she likes on her burger and fries. As cringy as Xtra’s lyrics could be, they succeeded in giving the track some character. When it comes to new single Tattoo, … Continue reading
We haven’t even passed our first week of 2022 and the year’s crop of rookies are already making themselves known. Following on the heels of Kep1er is new boy group Trendz. They hail from Interpark Music Plus, home to girl group Laboum. New debuts are always exciting, but if TNT (Truth & Trust) is any … Continue reading
Despite counting many fantastic idols among its roster, Omega X’s title tracks haven’t yet connected with me. They’re firmly entrenched in the “noise music” trend favored by many modern boy groups, where “going hard” takes precedence over most other elements. I understand the appeal, but I tend to prefer songs that merge their intensity with … Continue reading
Everything about WJSN Chocome’s Super Yuppers (슈퍼 그럼요) is disarmingly silly. First there’s that ridiculous song title, which effectively previews the giddy energy of the music itself. Then there’s the tongue-in-cheek video, which hearkens back to similar efforts by groups like Crayon Pop and Orange Caramel. I’m delighted to see a big-name comeback opt for … Continue reading
Thus far, my favorite woo!ah! song hearkened back to sounds of K-pop generations past and harnessed a sense of melodicism that helped showcase the group’s skills. Their singles haven’t had a consistent sound, but I’m hoping they’ll settle on the fun, retro pop of new single Catch The Stars (별 따러 가자). The song is … Continue reading
A few days ago, ONEWE covered Infinite’s The Chaser and (obviously) scored huge brownie points from me. It also reminded me how much I enjoy the band when they really rock out. Too often, their title tracks settle on a more morose energy. On the plus side, this offers the chance to spotlight the group’s … Continue reading
I become a broken record when writing about how important a “signature sound” is for rookie groups. But, I stand by my opinion – even when that sound isn’t 100% to my taste. Blitzers have definitely embraced their specific rock-influenced style, and that’s helped them gain a foothold within a sea of rookies. I’m a … Continue reading
UP10TION’s music has a way of sneaking up on me. I’ve never considered them a favorite group, yet their songs have placed inside my year-end top ten on two separate occasions. Last year’s dynamic Spin Off nearly made that three. However, I find their output to be very inconsistent. Like so many K-pop groups, they’re … Continue reading
P1Harmony have already proven themselves compelling rookies, but they’ve been undercut by a serious lack of promotion. FNC missed a big opportunity limiting them to a single comeback in 2021. Hopefully 2022 will offer a more steady stream of music, because their hip-hop sound has a ton of potential. Last year’s Scared pointed toward a … Continue reading
Seventeen members have used the buzzword “mixtape” as a way to slowly branch out as soloists. Last time I checked, a digital single doesn’t quite count as a mixtape, but I’ll happily take new music in whatever form it’s offered. After similar efforts from Hoshi, The8, Wonwoo and Mingyu last year, Seventeen’s vocal leader Woozi … Continue reading
Several years after launching their ambitious SuperM project, SM Entertainment has developed a similar strategy for their female artists. From what I can gather, Girls On Top will encompass multiple mix-and-match units. First up is GOT The Beat – a performance unit comprised of BoA, SNSD’s Taeyeon and Hyoyeon, Red Velvet’s Seulgi and Wendy, and … Continue reading
It’s a K-pop tale as old as 2016: group forms through (usually controversial) survival show, group sells a boatload of albums in preorders, group releases a song that fans complain about but stream anyway. Of course, there are exceptions, but it feels like these cobbled-together, made-for-TV acts take awhile to find their bearings. The newly-debuted … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It’s the new year!! 2021 was a real mixed bag, but I’m optimistic about 2022. For my first post of the year, it’s time to look at some humble wishes for the K-pop industry. I apologize if this comes across as more of a rant than a celebration, but you know how I can be. … Continue reading
We’re down to the wire now with K-pop’s final year-end festival. MBC’s show is usually my favorite. It feels the most festive, bridging the gap between New Year’s Eve and New Year’s Day. It also tends to have the most robust artist line-up. Like every festival of the past two years, this one revolved around … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
The Bias List // K-Pop Reviews & Discussion 