Twice have had a truly prolific 2018. With The Best Thing I Ever Did (올해 제일 잘한 일) acting as a capper, they’ve released seven official singles and a few additional music videos. Throughout it all, I’ve been consistent in wishing the girls would tackle new sounds. I realize how hypocritical this might come across, as … Continue reading
Over the course of their three year career, UP10TION have never developed a signature style. Instead, they pinball from concept to concept, making their comebacks quite unpredictable. Over the past few years, they’ve released some of my favorite K-pop tracks (exhibits A, B). But, just as often, they’ve returned with subpar material that feels too … Continue reading
Hotshot are one of the established acts standing to gain from Wanna One’s early-2019 disbandment. Come February, main vocal Ha Sungwoon will be back with the group, presumably bolstering their brand with his increased star power. In the meantime, the remaining five members have tried to keep things chugging along, briefly promoting last summer and … Continue reading
I first remember hearing BLACKPINK’s Jennie all the way back in 2013, where she guested on a trio of tracks by YG solo acts. It was clear even then that she was being prepped for whatever the agency’s next girl group would be, but her vocals seemed poised for solo work as well. Five years … Continue reading
Donghyun and Youngmin of MXM are on the cusp of rejoining their fellow trainees to form Brand New Music’s highly anticipated new boy group. It all waits for future-members Daehwi and Woojin, who will be released from their Wanna One contract when the group disbands early next year. Before that happens, MXM have returned with … Continue reading
As 2018 draws to a close, I can’t help but think the year has been short on memorable debuts. Sure, there were the big ones (Loona, Stray Kids), but even those have felt very hit-or-miss. New girl group DreamNote haven’t spawned the kind of pre-debut hype that would lead them to instant stardom, but their … Continue reading
Though “lead vocalist” was part of Kim Donghan’s member profile when he was a member of project group JBJ, he’s most well known for his dancing. And like so many dancers-turned-soloists, his idiosyncrasies lie more in movement than vocal color. He’s got a perfectly serviceable pop tone, but lacks the kind of texture that would … Continue reading
Zion.T’s release schedule has slowed drastically since signing with YG Entertainment subsidiary The Black Label, but Korea seems poised to enthusiastically embrace his material all the same. As if his name wasn’t enough to draw headlines, new single Hello Tutorial pairs him with Red Velvet’s Seulgi — a performer who has already been part of … Continue reading
I can’t remember a time when a group’s music has fallen off my personal bias list as quickly as Snuper’s. The group went from releasing two of my top three singles of 2017 to churning out an album so faceless and unappealing that I choose to pretend it doesn’t exist at all. And now, they’ve … Continue reading
The indefinite hiatus of girl group After School and its sub-unit, Orange Caramel, is made even more frustrating whenever one of the group’s members returns with a by-the-numbers ballad. I don’t believe in shoehorning an act into one specific style, but Raina seems intent on crafting the most weightless material possible. New single It’s Okay (작아지는 … Continue reading
Since returning from their military enlistment, Super Junior’s Donghae and Eunhyuk have released a steady stream of music in Japan, culminating in their recently unveiled album Style. But, it’s been over three years since the duo was last active in Korea. The shadow of 2015’s Growing Pains looms large over their music, standing as a … Continue reading
I’ve been real hot and cold with MXM’s releases so far. I love the guys, but only their January Match Up mini album has really appealed to me. Rather than maintain that addictive funk pop sound, the duo seems more intent on a laid-back brand of hip-hop that emphasizes vibe over melody. New single Ya … Continue reading
Give me a K or J-pop song with the title “Chaser” and I’ll instantly be triggered. I’ve written at length about how I consider Infinite’s The Chaser to be the best K-pop song of all time. It’s so outstanding that they might as well retire the word “chaser” from the K-pop lexicon entirely. But here … Continue reading
Though they released a great Japanese single last month, Grand Bleu is the first Korean work by boy group 100% since the passing of their leader Minwoo. We’ve been promised more music later in August, but for now Bleu acts as a pre-release to tide fans over. It’s heartening to hear the group back at … Continue reading
Though their Korean comebacks have become more sparse and under promoted as time has gone on, Boyfriend regularly release Japanese music. Rather than stick with a clearly defined sound, their J-pop output has varied in both style and quality. Unfortunately, new single Call Me falls somewhere towards the bottom of the pack. Its unassuming nature … Continue reading
With the likes of Zion.T and DEAN relatively quiet this year, it feels like 2018 has been lacking in solo male K-r&b. This leaves a gap in the market for Crush, who’s enjoyed a steady level of success ever since his big breakthrough in 2014. I’ve been pretty hot and cold with his music over … Continue reading
Boy group MYTEEN made their debut one year ago before quickly disappearing from the K-pop landscape. A few of the guys took place in YG’s failed survival show MIXNINE, but the group remains in a perilous place. Rookies are a dime a dozen these days, and without constant promotion it’s difficult to break into the … Continue reading
With Clover, it feels like we’re entering the second stage of the post-Produce 101 boy group landscape. This will kick off in earnest next year when Wanna One disbands and its members are scattered throughout the industry. But before that, we had the dissolvement of popular 101 project group JBJ. Member Kim Donghan will have … Continue reading
Rookie group Girlkind debuted earlier this year with the hip-hop heavy Fanci, which displayed promise even if the song itself left something to be desired. I guess the girls felt embarrassed for sticking that “i” in place of the standard “y” in their title, because they spend most of follow-up single S.O.R.R.Y simultaneously apologizing and proving that … Continue reading
Oh, 24K. We’ve had a rough history together. For every impressive Only You, there’s been a disappointing Bingo. I appreciate this group’s passion and I respect any idol act who contributes to their own song composition, but I just don’t think 24K’s noisy sound will ever be for me. New single Bonnie N Clyde wraps itself in … Continue reading
The Bias List // K-Pop Reviews & Discussion 