One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Glitter (from 4 Walls – 2015) Glitter is an exuberant track, bursting with a sense of positivity right from the start. Its bright synths have an energy similar to the theme song of a children’s tv show, but this is countered by … Continue reading
I don’t usually write about song covers, but ATEEZ and Halloween seem like too good a match to pass up. Several months ago, they reinvented Turbo’s 90’s hit Black Cat as part of the series Immortal Songs. Now, they’ve recorded a proper studio version and paired it with a big-budget performance video. The result is … Continue reading
When it comes to pop music, I’ve always followed producers. In fact, that approach became one of the biggest reasons I first got into K-pop. I followed producer Thomas Troelsen, who I’d always admired from his work with Scandinavian acts (including his own brilliant group Private). I mention this because The Midnight Romance’s music and … Continue reading
Full disclosure: I’m not much of a gamer. And, I don’t really find the idea of virtual/avatar pop stars to be appealing (hello, æspa!). So, while everyone else was raving about Pop/Stars two years ago, I was mostly oblivious to the hype. For those like me, the K/DA project is a virtual girl group themed … Continue reading
Though they released Only One last December, it’s been over a year since JBJ95 have come back with an album. The duo have proven themselves adept at delivering melodic pop tracks, and I think their work is at its best when it conjures a sense of nostalgia. New track Jasmin takes them in a more … Continue reading
In a day of debuts, P1Harmony are here to make themselves known with the powerful Siren. Hailing from FNC Entertainment, the group follows in the footsteps of agency seniors SF9, who have grown into a very successful act in their own right. And though P1Harmony lack a ton of pre-debut hype, they did appear in … Continue reading
After an incredibly strong debut year, I began to worry about TXT. Visuals and lore aside, it felt like Big Hit was pushing them too hard to sound like agency-seniors BTS, rather than embracing the group’s unique strengths. This hit a sour note with May’s Can’t You See Me, which felt like a junior version … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Diamond (from 4 Walls – 2015) 4 Walls is an incredible album start to finish, but Diamond feels like one of its lesser moments. That’s certainly not due to a lack of trying. The song’s vocal arrangement is incredibly interesting, layering the … Continue reading
This year’s retro synth revival continues to spread around the globe, and that includes Japan. Exile Tribe has always had a retro flair, rooted most deeply in the early-90’s, so it’s no surprise that one or more of their groups would pick up this baton and run with it. However, Fantastics have never attempted a … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s Home;Run is a fun return-to-form for the group. I may … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Dangerous (from Pinocchio / Hot Summer – 2011) An undeniable product of SM’s patented SMP sub-genre, Dangerous pounds forward on crunchy rock guitar and icy synth accents. It’s a stomping good time, allowing the girls a chance to truly vamp it up. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I can appreciate LOONA’s Why Not for what it is, but … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Cowboy (from 4 Walls / Cowboy – 2016) As experimental as J-pop can be, it feels like a wasted opportunity that Cowboy is f(x)’s only original Japanese track. As such, it’s got a lot to live up to. The song doesn’t disappoint, … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Chu~♡ (from Chu~♡ – 2009) As f(x)’s first comeback, Chu worked to extend the idiosyncratic electro-pop sound that had marked their debut. Its herky-jerky instrumental and seesawing hook combine to create a strange little pop truffle. Essentially, the song is an incredibly … Continue reading
Thus far, CRAVITY’s promotional schedule has included duel concepts. Their title tracks opt for a harder-hitting dance pop style, while their follow-ups embrace the lighter side of boy group fare. The latter has offered greater opportunity to deliver solid pop melody, making it my preferred sound for the group. And though I would have enjoyed … Continue reading
True to JYP form, Stray Kids have proven to be real workhorses this year. Just over a month after their last Korean comeback (which they’re still promoting), they’ve dropped the music video for their new Japanese single. All In follows this spring’s standout TOP, and heralds the release of their first Japanese mini album. Like … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Cash Me Out (from 4 Walls – 2015) Melding an abrasive electro beat with a steady kick and a big, floor-filling chorus, Cash Me Out is an invigorating slab of quirky EDM. It doesn’t really get going until its bonkers post-chorus drop … Continue reading
Fans have had to wait ages between LOONA comebacks, but 2020 marks the first year the group has released multiple albums. Why Not? follows February’s So What, which steered the girls in a more brash direction. Judging from the songs’ titles alone, you get a sense of how both might sound. They thrive on a … Continue reading
Over the past few years, Seventeen have secured their place in K-pop’s A-list, routinely selling over a million copies of their albums. And, they’ve done it while staying true to their self-producing roots. This has allowed them to develop a signature style. No matter whether the group goes light or dark in concept, you can … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Butterfly (from Red Light – 2014) In many ways, Butterfly (나비) begins like so many tracks from SM Entertainment history. Its core synth stomp has been popular with the agency since the mid-00’s, but f(x) soon take it in a different direction … Continue reading
The Bias List // K-Pop Reviews & Discussion 