K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In a barren July, it seems that a glorified Pepsi ad will have to suffice when it comes to big-name K-pop comebacks. This Pepsi x Starship collaboration project has been going on for years now, resulting in eight singles. Most of these have been collaborations between two or more artists, but Summer Taste ups the … Continue reading
Many K-pop idols end up branching out to Japan, but Rocket Punch feel uniquely suited for that market. Most of their title tracks have a very J-pop sound already, and Juri is a former member of Japanese group AKB48. It’s no surprise that Woollim is pushing them abroad this early, while senior groups Lovelyz and … Continue reading
It’s time for a new Bias List feature! K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of … Continue reading
Though it may not represent their definitive sound, 2019’s Wave is still my favorite ATEEZ single. It’s one of the most uplifting K-pop tracks in recent memory, with a brilliant build that saves all its vocal and instrumental fireworks for one knockout climax. New Japanese single Dreamers feels like a sonic successor, harnessing a tropical … Continue reading
Up to this point, music released through the Universe app has felt extraneous to an artist’s discography, making its restricted music videos less frustrating. Still, I’m surprised by just how much content this platform is churning out. Whoever’s funding this launch seems to have an unlimited budget, releasing glossy videos almost every week. The latest … Continue reading
There’s a fine line between polished, sugary radio pop and cloying commercial jingle, and that difference was perfectly illustrated by BTS’s Dynamite and Butter. The two songs are quite similar in sound, style and execution, yet one feels fresh and fun while the other comes across as trite and overcooked. I’m not sure I could … Continue reading
After Kim Woojin’s abrupt departure from Stray Kids in late 2019, the rumor mill went into action and he became the number one enemy of many an ardent fan. Honestly, I couldn’t care less about the tabloid side of K-pop. If the guy did something wrong (as alleged on twitter), I hope justice will be … Continue reading
Following the group’s disbandment, B.A.P’s Moon Jongup made his solo debut last year with Headache. I didn’t think much of the song on its release day, but it ended up being one of my biggest growers of the year. Loose, funky tracks like this don’t always get the attention they deserve. However, it’s a sound … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. K-pop’s concept-driven promotion can be a … Continue reading
I haven’t written about Girlkind since 2018’s S.O.R.R.Y, though the group has released a couple digital singles since then. They’ve even spawned their own 2019 sub-unit. But, you’d still be forgiven for not knowing who Girlkind are. Their promotions have been limited so far, and the music has been largely forgettable. With Good Vibes Only … Continue reading
Despite being best known for her ballads, some of Taeyeon’s most enduring work has spawned from daring musical turns. Songs like Something New and I Got Love harnessed rhythmic energy that helped them standout. New single Weekend brings Taeyeon to the disco, blending dance pop elements with laidback city pop inspirations. The result is appealing, … Continue reading
DAY6 sub-unit Even Of Day debuted late last summer, releasing a much more interesting mini album than its title track suggested. With Where The Sea Sleeps, I wondering why Young K, Wonpil and Dowoon didn’t distinguish their own music from DAY6’s core sound. That confusion continues with new single Right Through Me (뚫고 지나가요). I … Continue reading
Fresh off their participation in MNET’s Kingdom, SF9 are the first group to make their post-show comeback. Though they didn’t win the competition, the guys showcased their versatility as performers. I was a big fan of their Move stage, and hoped their future music would embrace that fashionable, forward-thinking concept. New single Tear Drop flirts … Continue reading
In perhaps the most unsurprising K-pop news of 2021, (G)I-DLE’s Jeon Soyeon has released her first solo album. I mean, she technically debuted as a soloist in 2017 before re-debuting as (G)I-DLE’s leader — a group practically built around her popularity. She’s one of the most prominent voices in K-pop today, with the ability to … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t able to find a … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Just B’s Damage does a lot … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Tucked away on the end of … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. LOONA’s true musical merit can most … Continue reading
KARD’s BM and I often live on different musical planets, but I appreciate the energy and swagger he brings to the industry. With the group’s future uncertain, the time is right for a solo project. And judging from the title of his single album (The First Statement), BM is playing the long game. Nonetheless, title … Continue reading
The Bias List // K-Pop Reviews & Discussion 