Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
About a year ago, NCT 127 dusted off their screechy flute for the polarizing Sticker. I’m still not a huge fan of that song, but I admire its chutzpah. For me, the most concerning thing about the NCT project is how predictable their music has become. More than almost any male SM group, their title … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
One the biggest feathers in SM Entertainment’s cap has been their ability to retain veteran artists on their roster. Kangta debuted all the way back in the mid-90’s as part of legendary idol group H.O.T. Like most pop acts in their fourth (!) decade of performing, Kangta’s output has become more sporadic. But, he’s back … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Key never delivers a bad album. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
After nearly a year’s hiatus, Key has returned with a new album. He pre-released the fantastic Another Life next week, which harnessed the synth-powered style that made Bad Love such a triumph. Title track Gasoline opts for a different sound, raiding the SM vaults to craft the kind of maximalist stomper artists like TVXQ used … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Key’s Another Life was first revealed almost a year ago during the live stream of his Groks in the Keyland concert. Now it’s finally found a home on his upcoming album, and although the video is taken straight from the concert interstitial, I’m going to call it a pre-release because I want to write about … Continue reading
With so many members and diverse talents as part of the NCT universe, I’m surprised we haven’t seen solo releases every other week. “NCT Lab” – a spin-off of the long-running SM Station project – was established for this exact reason. But after two releases back in February and March, the lab took a hiatus … Continue reading
It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still processing the fact that, … Continue reading
Kick around this K-pop blogospere for long enough and you’ll eventually get to write about the return of a true legend. Forever 1 celebrates Girls’ Generation’s fifteenth anniversary – a huge milestone for any idol act. I know I’m not alone in counting the group among the most foundational forces that cemented my love for … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
I’ve decided to try something new! Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of … Continue reading
It’s been a while since we had a song from SM’s NCT Lab project. So far, this showcase has given us a Mark Lee solo and a dance unit. Now, it’s time to focus on the group’s vocalists. Rain Day brings together Taeil, Kun and Yangyang for a mid-tempo designed for laid-back summer days. NCT’s … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I don’t want to jinx it, … Continue reading
Only a fraction of K-pop groups last beyond their initial seven-year contract, but Super Junior are still going strong after seventeen (!) years. I’d wager that’s longer than the age of many K-pop fans, and it’s a legacy that should be respected. The group is currently in a phase where they just release what they … Continue reading
Based on agency clout alone, aespa were always going to be successful. However, I recall their AI, lore-heavy concept raising many eyebrows pre-debut. And although it was a hit for me right away, the addictive Next Level took time to seep into public consciousness. But quicker than you can say “Kwangya,” we’ve arrived at the … Continue reading
The Bias List // K-Pop Reviews & Discussion 