At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2022 Overall Thoughts First off, I want to recognize Korea’s national period of mourning and … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
With WayV on a longer-than-expected hiatus and SuperM inactive, the always-beguiling Ten hasn’t had much time in the spotlight. That’s a shame for all of us. He’s long-since due for a solo album of his own. Instead, we’ve had a special single here and there and the occasional appearance on NCT’s Universe album. Last August, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seulgi’s debut mini album blossoms as … Continue reading
There was a time in SM Entertainment’s history where solo releases were not common. That’s switched dramatically over the past decade, with so many popular groups launching equally-popular solo projects. The members of Red Velvet have already released sub-unit and solo work, but 28 Reasons marks Seulgi’s official debut after appearing in her fair share … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. According to Xiumin, Feedback was considered … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2022 Overall Thoughts Well, September was certainly a contrast to August! With hindsight, August was … Continue reading
We still have some time to go for another EXO comeback, but in the meantime its members are keeping busy with solo work. Next up is Xiumin, who makes his official solo debut with a mini album (though he did release a fun duet with NCT’s Mark a few years ago and an SM Station … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
About a year ago, NCT 127 dusted off their screechy flute for the polarizing Sticker. I’m still not a huge fan of that song, but I admire its chutzpah. For me, the most concerning thing about the NCT project is how predictable their music has become. More than almost any male SM group, their title … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
One the biggest feathers in SM Entertainment’s cap has been their ability to retain veteran artists on their roster. Kangta debuted all the way back in the mid-90’s as part of legendary idol group H.O.T. Like most pop acts in their fourth (!) decade of performing, Kangta’s output has become more sporadic. But, he’s back … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Key never delivers a bad album. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
After nearly a year’s hiatus, Key has returned with a new album. He pre-released the fantastic Another Life next week, which harnessed the synth-powered style that made Bad Love such a triumph. Title track Gasoline opts for a different sound, raiding the SM vaults to craft the kind of maximalist stomper artists like TVXQ used … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Key’s Another Life was first revealed almost a year ago during the live stream of his Groks in the Keyland concert. Now it’s finally found a home on his upcoming album, and although the video is taken straight from the concert interstitial, I’m going to call it a pre-release because I want to write about … Continue reading
With so many members and diverse talents as part of the NCT universe, I’m surprised we haven’t seen solo releases every other week. “NCT Lab” – a spin-off of the long-running SM Station project – was established for this exact reason. But after two releases back in February and March, the lab took a hiatus … Continue reading
It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
The Bias List // K-Pop Reviews & Discussion 