One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Bad (from Reality – 2015) Though its simple chant of a chorus was initially disappointing for a group who had made their name on the strength of such indelible melodies, Bad’s hip-hop inspired arrangement is bolstered by the symphonic grandiosity that drives … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Back (from Back – 2014) Infinite had worked with producers Rphabet before on 2013’s Destiny, but Back truly solidified their partnership. It’s one of the group’s most dynamic songs, growing from somber, dramatic balladry to the explosive orchestral electronics that drive its chorus. … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! As Good As It Gets (from New Challenge – 2013) Sweetune had been working with Infinite for years before As Good As It Gets was recorded, and by this time the production team had full mastery of how to utilize the guys’ … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! An Inconvenient Truth (from New Challenge – 2013) Long before the tropical trend hit maximum impact, An Inconvenient Truth’s bright synths brought an island sound to k-pop. Though the song’s lyrics have been derided by many, there’s no denying the strength of its … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Amazing (from Over The Top / Paradise – 2011) Though their bread and butter lies in propulsive dance tracks, Infinite tackles soft rock better than almost any other k-pop group. Buoyed by Sweetune’s lush production, Amazing layers the group’s vocals to tremendous effect. … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! Alone (Infinite H) (from Season 2 / Back – 2014) Infinite H had already proven themselves as a credible hip-hop unit by the time Alone rolled around, but by focusing solely on Hoya and Dongwoo without the addition of a guest vocalist, … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! After Dark (from Air – 2017) Driven by a funk-infused bass guitar, After Dark almost feels more like something a group like Shinee would release. On the whole, it’s more rhythmic than a lot of Infinite’s music, but the song never quite … Continue reading
One song. Every day. Alphabetical order. Keep up with Infinite’s A-Z reviews here! A Person Like Me (from Season 2 / Back – 2014) Infinite have a real knack for sentimental ballads, partly because they possess such a range of vocal tones. This helps lend even the most generic sentimentality much needed texture. A Person … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Groups with a large number of members are nothing new … Continue reading
The debut of Woollim’s new boy group has been rumored for well over a year, increasing expectations for what Golden Child may sound like. And from a personal perspective, the guys are the successors to my ultimate bias, Infinite. This runs the risk of inviting a host of unwarranted comparisons, but DamDaDi (담다디) sounds nothing … Continue reading
Regardless of how you feel about Lovelyz‘ music, they’ve been able to carve out their own sound within the girl group landscape. More often than not their material pulls in the lighthearted, cutesy elements that so many other acts have ridden to fame, but its all within a distinctly synth-heavy framework that has a hazy, almost … Continue reading
Though k-pop rises or falls on the strength of its singles, a group’s real strengths can often be found in the lesser-known material that makes up their mini albums and full lengths. The definition of “album” in k-pop is so wide that I’ve got to lay down some ground rules before composing any sort of … Continue reading
Debuting in 2014 as Woollim Entertainment’s first girl group, Lovelyz quickly rose to fame on their quirky synth-pop sound. Though they’re most known for a light, cutesy image, their music has experimented with different tones as the group has matured. With only eight full-group promotional releases, I had to cheat a bit and add two … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though not as strong as their debut album, Lovelyz’ R … Continue reading
From the beginning, girl group Lovelyz debuted with a quirky synthpop sound that seemed all their own, even as it complimented the general vibe put forth by most of their peers. That’s a credit to main producers OnePiece, who have steered most of their work since 2014. At times this has worked wonders, though it … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ONEPIECE Years … Continue reading
After what seems like years of waiting, Woollim Entertainment is set to debut their new boy group this year. And alongside them, we get the added surprise of a new girl group as well. Rather than introduce these unfamiliar faces through a reality show (which honestly would have been preferable), the agency has decided to … Continue reading
Since their debut in 2003, Epik High have been one of Korea’s most interesting hip-hop groups. Whether they’ve been part of a small or major label, they’ve always incorporated multiple genres into their sound, resulting in an exciting alternative to mainstream k-pop. They also have a remarkably consistent track record of releasing quality singles. Whittling … Continue reading
I love the stage set-up MBC uses. I can’t remember if this is the same staging as last year, but it’s definitely the same as it was in 2014. It strikes a nice balance between intimate and expansive, and places the audience super close to both indoor stages, which results in a more “live” feel. … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. PART ONE HERE + Make sure to check out the rest of the year-end countdowns here! 20. UP10TION – STUCK … Continue reading
The Bias List // K-Pop Reviews & Discussion 