Fans have had to wait ages between LOONA comebacks, but 2020 marks the first year the group has released multiple albums. Why Not? follows February’s So What, which steered the girls in a more brash direction. Judging from the songs’ titles alone, you get a sense of how both might sound. They thrive on a … Continue reading
Over the past few years, Seventeen have secured their place in K-pop’s A-list, routinely selling over a million copies of their albums. And, they’ve done it while staying true to their self-producing roots. This has allowed them to develop a signature style. No matter whether the group goes light or dark in concept, you can … Continue reading
It feels as though DR Music just can’t learn from their mistakes. It’s admirable how they refuse to let Rania fully disband, whether that’s via a “BP Rania” reboot or this new Blackswan project (whose debut album is actually titled “Goodbye Rania”). Following the group’s career is like watching a soap opera. But, it’s also … Continue reading
It’s been over a year since AKMU’s last comeback, and that song is still sitting comfortably on the Korea charts. No matter what they do, this brother-sister pair is popular. So, it makes sense to branch out to solo careers. And though Lee Suhyun’s Alien is composed by her brother Chanhyuk, its dancefloor-ready sound is … Continue reading
Is it weird that, even after the first note, part of me expected Hello (안녕) to be a cover of Adele’s 2015 mega-hit? To be honest, I wouldn’t mind hearing that. Instead, Chen’s latest release is the kind of ballad you’d expect this time of year in Korea. It’s been awhile since I’ve written about … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When listening to NCT’s Resonance Part 1, I’m struck with the … Continue reading
In the post-X1 landscape, it’s been interesting to see where each of the members have landed. Some have debuted with groups and some have gone solo. In Kim Wooseok and Lee Eunsang’s cases, I’m a little surprised they’ve both released music on their own. Maybe I’m crazy, but it makes more sense for Wooseok to … Continue reading
Weeekly debuted with a splash this summer. Tag Me wasn’t anything we hadn’t heard before, but the girls performed it well and its catchy energy proved addictive. And, they’ve been rewarded with growing hype that has made them one of this year’s notable rookies. But as important as debut tracks are, I’ve always believed that … Continue reading
VERIVERY’s Face It trilogy has been pitched as a maturation of the group’s sound and image, but all it’s done is chip away at everything I used to enjoy about the guys’ music. Lay Back was a highlight, even if it pointed toward darker directions. This summer’s Thunder ended up growing on me despite sounding … Continue reading
Daisy (데이지) holds a special place among Pentagon’s comebacks for a variety of reasons. It’s their first single since participating in Road to Kingdom, their first without main vocal Jinho, and their first in a long while with member Yanan. The one thing that hasn’t changed is leader Hui’s participation in Daisy’s songwriting. His style … Continue reading
Fans have barely had a chance to breathe between SM Entertainment’s SuperM album and this new, ambitious NCT project. Resonance brings together all twenty-one members, plus two new faces, for part one of a compilation album that mixes and matches the guys into various units. Resonance will be promoted by two title tracks, and the … Continue reading
Alongside Kissin’ My Lips, Snow Man’s new double a-side single includes Stories, which acts as the opening theme for anime Black Clover. Johnny’s Entertainment has a long history with anime, as does pretty much all of J-pop. Before even listening to Stories, you probably have a sense for how it might sound. And, you’d be … Continue reading
Snow Man debuted alongside SixTONES this January, ushering in a new era of Johnny’s talent. Both groups have gone on to enjoy incredible commercial success, proving that it’s time for the agency to open the floodgates and debut a few more of their promising junior acts (I’m personally waiting for HiHi Jets…). After a relatively … Continue reading
Whether we call Reborn a promoted track or a buried treasure depends on where GHOST9 and their agency takes it. But whatever it ends up being, its quality and the impressive nature of its “performance video” warrants attention. GHOST9 have landed on my radar in a big way, delivering the same energy and potential I … Continue reading
Like they did back in the winter of 2018, NCT is making full use of their malleable roster for a new 2020 project. Unlike 2018, which saw multiple title tracks unveiled over the course of several weeks, this album’s promotion seems to be occurring in a tighter timeframe. But, NCT has exploded in popularity over … Continue reading
I’m going to try hard not to compare Dawn to G-Dragon throughout this entire review, but there are too many similarities to ignore. G-Dragon was one of my entry points into K-pop, and still one of my absolute favorite artists, so this comparison is definitely not a dig. And, it’s clear that Dawn seeks to … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new single album Pump It Up. 1. Pump It Up // 2. That Guy // 3. Lean On Me LEAN … Continue reading
When Weki Meki debuted in the summer of 2017, they billed their concept as “teen crush.” Over the years, their singles have occasionally lived up to that moniker. However, their recent one-two punch of Dazzle Dazzle and Oopsy strayed too far into cutesy chant-pop for my taste. New single Cool returns them to their edgier … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new single album Pump It Up. 1. Pump It Up // 2. That Guy // 3. Lean On Me THAT … Continue reading
For a group whose music should be conquering Japan, IZ*ONE’s J-pop discography has been very inconsistent. Debut single Suki to Iwasetai was an undisputed triumph, but follow-ups Buenos Aires and Vampire were both marred by awful production and halfhearted performances. Unfortunately, new single Beware succumbs to the same issues. It’s aptly named, as listeners should … Continue reading
The Bias List // K-Pop Reviews & Discussion 