This summer, we were all punked when ITZY’s bold, fashionable teasers culminated in a song about… putting your sneakers on. The lead-up to that comeback played out like some grand meta joke, but the song itself had its charms (as silly as they were). New track Cheshire arrives on the heels of the group’s English-language … Continue reading
ATEEZ may have only made one Korean comeback this year, but they’ve been more prolific in Japan. Following May’s release of b-side-turned-single Rocky, they’re back with Paradigm. This song leads re-recorded Japanese versions of tracks from their recent The World Ep.1: Movement mini album. I’d be remiss not to mention the huge missed opportunity in … Continue reading
When evaluating FNC Entertainment a few days ago, I noted P1Harmony as one of the agency’s bright spots. This is largely due to their robust promotion in the States. They seem to be targeting an international audience and this work has paid off. The heavy hip-hop influence in their music feels authentic and welcoming to … Continue reading
Kara are on a very short list of “holy grail” comebacks: K-pop legends whose reunion would send shockwaves through second-gen fans like myself. When I Move celebrates their fifteenth anniversary and is their first new music in over seven years, performed by a combination of members from the group’s various line-ups. All that’s missing are … Continue reading
I know that 99% of my readers are K-pop fans and likely have little interest in the goings on of Johnny’s & Associates, but I’m a big fan of the agency and there’s so much to write about them – particularly in 2022. My thoughts on Johnny’s are a little muddled this year, so rather … Continue reading
After leaving TOP Media (but not Teen Top), Niel has returned with a new album after a solo hiatus that lasted nearly six years. For younger listeners unfamiliar with Teen Top, I urge you to check out classics like Rocking, I Wanna Love, ah-ah, No More Perfume On You, Love Is and To You. You’ll … Continue reading
It’s the end of November, which means it’s time for the fifth entry in OnlyOneOf’s ambitious Underground Idol series. This series has been a highlight of 2022, delivering a diverse tapestry of genre and mood while adhering to its interconnected storyline. Cynical viewers might see the group’s past two years as one long audition to … Continue reading
This year’s leg of Red Velvet’s ReVe Festival has taken a classical detour, melding well-known orchestral samples with the group’s quirky style. This sounds good on paper, and resulted in a solid hit with March’s Feel My Rhythm. But, the approach tends to leave me cold. I get what they’re trying to do, but the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t on the TO1 Drummin’ … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
I’m still trying to pretend that Tempest’s Dragon doesn’t exist. Others don’t seem to agree with this tactic, as the song has rewarded the group with their highest first sales week yet. Sigh. My consolation is the fact that K-pop album sales don’t correlate with the actual quality of music. It’s all about those photo … Continue reading
Repackaged albums are still common in K-pop, but they usually arrive a month or two after the original release. We’re six months away from Kang Daniel’s The Story and he’s surprised us with an extra chapter. The Story: Retold adds a handful of songs, including new single Nirvana. I can’t say I enjoyed any of … Continue reading
I had to look back to see if I had written about NTX’s debut. I couldn’t remember them at all, but once I replayed last year’s Kiss The World I remembered how much I enjoyed that song. Without a comeback since March of 2021, the group had completely fallen off my radar. That’s a loooong … Continue reading
The addition of new members and a switch in concept has revitalized TO1. Though I wasn’t completely sold on Drummin’ the first few times through, it’s gone on to become a sleeper hit – one of my most played songs of 2022. It uses its messy boisterous for good, stuffed with hook after hook. New … Continue reading
Well… this is awkward. Just a short time after Ravn left ONEUS after allegations were made against him, we have a Japanese track that places him front and center. Obviously, these releases are planned and recorded far in advance, but it still feels weird to see ONEUS as a six-member group and know that this … Continue reading
I’ve always thought the best window to release Christmas songs is late-November to early-December. That way, you’ve got a few weeks to run them into the ground before moving into the new year. With this in mind, NMIXX’s Funky Glitter Christmas arrives at just the right time for me. The only question is: how weird … Continue reading
Queen of K-pop BoA tends to make her return around this time of year. Most recently, she came back in December 2020 with a full album and December 2019 with a mini. New release Forgive Me arrives a few months after the launch of her music show K-909, where she fully embraces her position as … Continue reading
The Bias List // K-Pop Reviews & Discussion 