As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
Congratulations to SHINee’s View! With 62.3% of the vote, the song triumphed over Red Flavor and moves onto the semi-final. Even though the result wasn’t as close as I thought it would be, this was still a very tough match. I hate to see Red Flavor go, but I’m delighted for View. Today, it’s the … Continue reading
There’s a fine line between polished, sugary radio pop and cloying commercial jingle, and that difference was perfectly illustrated by BTS’s Dynamite and Butter. The two songs are quite similar in sound, style and execution, yet one feels fresh and fun while the other comes across as trite and overcooked. I’m not sure I could … Continue reading
After Kim Woojin’s abrupt departure from Stray Kids in late 2019, the rumor mill went into action and he became the number one enemy of many an ardent fan. Honestly, I couldn’t care less about the tabloid side of K-pop. If the guy did something wrong (as alleged on twitter), I hope justice will be … Continue reading
Following the group’s disbandment, B.A.P’s Moon Jongup made his solo debut last year with Headache. I didn’t think much of the song on its release day, but it ended up being one of my biggest growers of the year. Loose, funky tracks like this don’t always get the attention they deserve. However, it’s a sound … Continue reading
Congratulations to Astro’s Breathless! This is a fantastic song, and a personal favorite of mine. But, I’m a little salty with this result because it happened in the exact way I’ve been trying to prevent. I’ve deliberately kept artist names and hashtags off of the polls because I didn’t want an artist’s fan base discovering … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. K-pop’s concept-driven promotion can be a … Continue reading
I haven’t written about Girlkind since 2018’s S.O.R.R.Y, though the group has released a couple digital singles since then. They’ve even spawned their own 2019 sub-unit. But, you’d still be forgiven for not knowing who Girlkind are. Their promotions have been limited so far, and the music has been largely forgettable. With Good Vibes Only … Continue reading
Congratulations to Golden Child’s Let Me! Honestly, I was expecting the song to get annihilated by BLACKPINK, but the voting was neck-and-neck all day. Eventually, Let Me pulled ahead with 61.1% of the vote. We’re down to the final match-up in this first round of the bracket. It’s the battle of the boy groups, as … Continue reading
Despite being best known for her ballads, some of Taeyeon’s most enduring work has spawned from daring musical turns. Songs like Something New and I Got Love harnessed rhythmic energy that helped them standout. New single Weekend brings Taeyeon to the disco, blending dance pop elements with laidback city pop inspirations. The result is appealing, … Continue reading
Congratulations to Sistar’s Loving U! This was a slightly tighter race than I’d anticipated, but the song scored an easy victory with 64.7% of the vote. Next up, we have a duel between two tracks with quite opposite charms. It’s BLACKPINK‘s 2017 hit As If It’s Your Last versus Golden Child’s Let Me, which came … Continue reading
DAY6 sub-unit Even Of Day debuted late last summer, releasing a much more interesting mini album than its title track suggested. With Where The Sea Sleeps, I wondering why Young K, Wonpil and Dowoon didn’t distinguish their own music from DAY6’s core sound. That confusion continues with new single Right Through Me (뚫고 지나가요). I … Continue reading
Fresh off their participation in MNET’s Kingdom, SF9 are the first group to make their post-show comeback. Though they didn’t win the competition, the guys showcased their versatility as performers. I was a big fan of their Move stage, and hoped their future music would embrace that fashionable, forward-thinking concept. New single Tear Drop flirts … Continue reading
In perhaps the most unsurprising K-pop news of 2021, (G)I-DLE’s Jeon Soyeon has released her first solo album. I mean, she technically debuted as a soloist in 2017 before re-debuting as (G)I-DLE’s leader — a group practically built around her popularity. She’s one of the most prominent voices in K-pop today, with the ability to … Continue reading
Congratulations to ATEEZ’s Wave! It was a tough match-up against ITZY, but the song pulled off victory with 57.3% of the vote and moves onto the next round. Kicking off a new week, we’ve got a battle of two summer classics. B1A4’s 2014 track Solo Day squares off against Sistar’s Loving U from 2012. These … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t able to find a … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Just B’s Damage does a lot … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Tucked away on the end of … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. LOONA’s true musical merit can most … Continue reading
A review is just a snapshot in time, and sometimes I end up regretting the way I rated a song. There are so many factors that influence the longevity of K-pop. Familiarity, album context, live performances and cultural saturation can all boost or sink a song’s fortune. I run this feature during the mid-point of … Continue reading
The Bias List // K-Pop Reviews & Discussion 