Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Butterfly (from Red Light – 2014) In many ways, Butterfly (나비) begins like so many tracks from SM Entertainment history. Its core synth stomp has been popular with the agency since the mid-00’s, but f(x) soon take it in a different direction … Continue reading
The Boyz debuted in late 2017, and have rarely had a hiatus lasting more than a couple of months. This has allowed them to quickly cobble together enough title tracks for a top ten countdown. Moving through a variety of sounds and styles with ease, this list is a testament to both their versatility and … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Boom Bang Boom (from Red Light – 2014) A sparse, mostly percussive dance track, Boom Bang Boom lives up to f(x)’s idiosyncratic reputation. It’s a song that thrives on competing textures, from the grimy verses to the skeletal beat drop that blossoms … Continue reading
It feels as though DR Music just can’t learn from their mistakes. It’s admirable how they refuse to let Rania fully disband, whether that’s via a “BP Rania” reboot or this new Blackswan project (whose debut album is actually titled “Goodbye Rania”). Following the group’s career is like watching a soap opera. But, it’s also … Continue reading
It’s been over a year since AKMU’s last comeback, and that song is still sitting comfortably on the Korea charts. No matter what they do, this brother-sister pair is popular. So, it makes sense to branch out to solo careers. And though Lee Suhyun’s Alien is composed by her brother Chanhyuk, its dancefloor-ready sound is … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Beautiful Stranger (from Electric Shock – 2012) A unit track from Amber, Luna and Krystal, Beautiful Stranger makes itself known with a dramatic electronic opening before laying down its stomping beat. The song opens with a standout rap courtesy of Amber, followed … Continue reading
Is it weird that, even after the first note, part of me expected Hello (안녕) to be a cover of Adele’s 2015 mega-hit? To be honest, I wouldn’t mind hearing that. Instead, Chen’s latest release is the kind of ballad you’d expect this time of year in Korea. It’s been awhile since I’ve written about … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Beautiful Goodbye (from Pinocchio (Danger) / Hot Summer – 2011) Opening with the chiming of bells and a dramatic English-language testament from Amber, Beautiful Goodbye stakes its claim on emotional resonance. Its slick mid-tempo beat is firmly entrenched in the mid-to-late 90’s, … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When listening to NCT’s Resonance Part 1, I’m struck with the … Continue reading
In the post-X1 landscape, it’s been interesting to see where each of the members have landed. Some have debuted with groups and some have gone solo. In Kim Wooseok and Lee Eunsang’s cases, I’m a little surprised they’ve both released music on their own. Maybe I’m crazy, but it makes more sense for Wooseok to … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! All Night (from Red Light – 2014) Sure, f(x) can get experimental. But, some of their most enjoyable work is also their most approachable. All Night continues K-pop’s love for everything retro, offering a roller-rink ready synth disco track. From its programmed … Continue reading
Weeekly debuted with a splash this summer. Tag Me wasn’t anything we hadn’t heard before, but the girls performed it well and its catchy energy proved addictive. And, they’ve been rewarded with growing hype that has made them one of this year’s notable rookies. But as important as debut tracks are, I’ve always believed that … Continue reading
VERIVERY’s Face It trilogy has been pitched as a maturation of the group’s sound and image, but all it’s done is chip away at everything I used to enjoy about the guys’ music. Lay Back was a highlight, even if it pointed toward darker directions. This summer’s Thunder ended up growing on me despite sounding … Continue reading
Daisy (데이지) holds a special place among Pentagon’s comebacks for a variety of reasons. It’s their first single since participating in Road to Kingdom, their first without main vocal Jinho, and their first in a long while with member Yanan. The one thing that hasn’t changed is leader Hui’s participation in Daisy’s songwriting. His style … Continue reading
Fans have barely had a chance to breathe between SM Entertainment’s SuperM album and this new, ambitious NCT project. Resonance brings together all twenty-one members, plus two new faces, for part one of a compilation album that mixes and matches the guys into various units. Resonance will be promoted by two title tracks, and the … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Alongside Kissin’ My Lips, Snow Man’s new double a-side single includes Stories, which acts as the opening theme for anime Black Clover. Johnny’s Entertainment has a long history with anime, as does pretty much all of J-pop. Before even listening to Stories, you probably have a sense for how it might sound. And, you’d be … Continue reading
Snow Man debuted alongside SixTONES this January, ushering in a new era of Johnny’s talent. Both groups have gone on to enjoy incredible commercial success, proving that it’s time for the agency to open the floodgates and debut a few more of their promising junior acts (I’m personally waiting for HiHi Jets…). After a relatively … Continue reading
The Bias List // K-Pop Reviews & Discussion 