One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Been Through (from Universe – 2017) Taken from the group’s third winter album, Been Through doesn’t share much connective tissue with the season other than its subdued nature. Its verses have a fitful structure — trap-adjacent without fully embracing the genre. This … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Beautiful (from Exodus / Love Me Right – 2015) Though 2015’s Exodus album includes some of EXO’s best tracks, I find its second half to be a bit sluggish. Beautiful is a fine mid-to-uptempo r&b track, but apart from its catchy synth … Continue reading
A legacy can be both a blessing and a curse. TVXQ’s storied past includes some of my favorite K-pop ever, and the guys continue to be incredibly active since their return from the military in 2017. Yet, each time they release a new song, I expect it to hit me the way that their past … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Bad Dream (from Don’t Mess Up My Tempo / Love Shot – 2018) Led by a fluid instrumental that seems to exist in a constant state of flux, Bad Dream draws upon harmony as its greatest calling card. There are elements of … Continue reading
It’s only been a short while since BTS emerged from their late-summer break, but J-Hope is already gracing fans with a surprise single — the trilingual Becky G collaboration Chicken Noodle Soup. The song is a cover of the insipid, siren-filled original from Webstar and Young B. At the very least, J-Hope and Becky G’s … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Baby, Don’t Cry (from XOXO / Growl – 2013) One of EXO’s most iconic slow jams, Baby, Don’t Cry opens with an evocative piano riff that sets the tone for an extended r&b plea. In doing so, it pulls the best from EXO’s … Continue reading
Among other things, 2019 has suffered a distinct lack of Sweetune-produced tracks. Their work has been relegated to severely under-known boy groups and idol band IZ, with none of their songs making waves outside of small fan bases. So, when I heard that former Kara member Goo Hara would be returning with a Sweetune-penned Japanese … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Baby (from XOXO / Growl – 2013) A large portion of EXO’s first full-length album was devoted to retro, mid-tempo r&b jams, and Baby slots within that framework well. Over a blend of fitful synths and skittering, 90’s throwback percussion, the track … Continue reading
It’s been over two years since I last wrote about Akdong Musician. I’ve missed their musical perspective, but most of all I’ve missed their voices. In the summer of 2017, right before Chanhyuk enlisted, the sibling duo released their spin on light, radio-friendly EDM. Dinosaur marked a fun shift in their acoustic sound, and left … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Angel (from Mama – 2012) As EXO’s earliest ballad, Angel provided the template for stirring work yet to come. It’s still one of their enduring melodies, underlined by a simple, piano-led arrangement that’s bolstered by the evocative vocals of the group’s then … Continue reading
Did you guess it correctly? “Season Two” of The Bias List‘s K-Pop A-Z feature kicks off tomorrow morning with the music of EXO! Over the next few months, I’ll be reviewing every song from EXO’s discography — one song a day, in alphabetical order. Though I don’t mention them as much as I used to, … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Not only have Twice steadily been refining their sound in 2019, … Continue reading
It’s been two years since I launched The Bias List’s first K-Pop A-Z project, reviewing each and every track from Infinite’s discography. Over a hundred songs later, I realized how crazy I was for starting something so long-winded. But, I guess I’m a glutton for punishment, because I’m launching “season two” of K-Pop A-Z this … Continue reading
So far, PSY’s P-Nation label has emerged with a whimper instead of a bang. After his own album was postponed from its original July release, the agency made an inauspicious debut with Crush’s Nappa. That song was fine, but par for the course when it comes to Crush releases. Despite doing well on digital charts, … Continue reading
Twice have had a transformative 2019 so far, embracing a more refined sound while maintaining their immense popularity. Fancy has slowly become my most-played title track from the group, eclipsing their iconic 2016 work. Time will tell if new single Feel Special will overtake that spot, but the song makes a great first impression. By … Continue reading
With a title like “Dumb Litty,” the only feeling I could muster around the lead-up to KARD’s new single was morbid curiosity. How bad would it actually be? Yeah, I pre-judged this thing pretty hard. But, the group is coming off the swaggy noise attack of Bomb Bomb, one of the year’s most obnoxious title … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. While I like and appreciate Dreamcatcher’s rock-infused sound, my favorite tracks … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The first time through Seventeen’s new album, I was a little … Continue reading
Saturday feel like a group in search of a novelty hit. I mean, any act who debuts with something called “MMook JJi BBa” is not looking to forge the next Stairway To Heaven. No, Saturday are in it for the short term, drawing attention with the most garishly upbeat fare they can muster. This approach … Continue reading
The Bias List // K-Pop Reviews & Discussion 