Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For casual fans already confused by the NCT system, NCT Dream’s … Continue reading
Given the pedigree of JYP Entertainment, ITZY were never going to be anything but an instant smash. Still, the girls have exceeded already-high expectations, delivering one of 2019’s only bonafide idol group blockbusters in Dalla Dalla. While much of the Korean charts have been clogged with ballads and r&b this year, ITZY’s unabashedly ballsy K-pop … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. After the shellacking I gave Kang Daniel’s debut title track, you … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since venturing out into solo territory, SHINee’s Taemin has split his discography equally between Korea and Japan, maintaining a consistent level of quality regardless of the language he performs in. This is good news for fans, as it means we get new Taemin music regularly. His effortless charisma draws attention no matter what sound he … Continue reading
I’ve spent too much energy this month complaining about songs produced by Devine Channel. Between 1Team’s Rolling Rolling, Kang Daniel’s What Are You Up To and EXO-SC’s very own What A Life, this production team has played a big part in this July being one of the worst K-pop months I can remember. So, I … Continue reading
With little attention from the K-pop industry as a whole, idol band The Rose seems to have cultivated a dedicated international fan base — enough for the group to launch tour dates around the world. They may only have a few singles under their belt, but the band has already spawned a solo album from … Continue reading
It’s been almost a year since the last proper NCT Dream comeback, though with the way the ever-rotating NCT system works these long hiatuses never feel quite as endless. New single BOOM also acts as the first promoted song under the group’s six-member configuration. With Mark graduating from Dream at the end of 2018, the … Continue reading
As Wanna One’s first center and a bonafide variety show star, Kang Daniel is easily the most anticipated of the group’s post-disbandment debuts. He’s spent the past few months locked in a legal struggle with his former agency, but has come out victorious with his own label and (presumably) a new sense of artistic control. … Continue reading
As I impatiently wait for some of my favorite acts to make long-overdue comebacks, it made me wonder how long the longest K-pop hiatuses have been. So, I did some research! The following statistics are rounded by month rather than specific days, unless there was a tie between two acts. I’ve kept my focus to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Sometimes it feels like K-pop releases are preceded by endless weeks of teasers, so Mamamoo’s surprise drop of Gleam (다 빛이나) is a refreshing new strategy. It makes me wonder if an idol act will ever release an entire album without an extended promotional lead-up. Of course, Gleam is essentially a soundtrack for a CF, … Continue reading
Despite largely being produced by the same team, VAV’s singles run has been pretty hit or miss. They’re at their best when forgoing trends and focusing on polished songwriting and dynamic instrumentals. This was the case for March’s Thrilla Killa, which bolstered the group with forceful, funky production and a charismatic concept. This is not … Continue reading
Rookie girl group GWSN have drawn attention thanks to their signature sound of aegyo-infused deep house. And though I’d prefer to remove the first half of that description, I admire that the group has such a specific vision when it comes to style. Rookies are a dime a dozen nowadays, but these girls have already … Continue reading
The year of debuts rolls on with 2019’s second Wanna One-spawned idol group. CIX will likely enjoy instant success due to the presence of member Bae Jinyoung. They’re C9 Entertainment’s first male idol group, following the ill-managed Good Day, who have yet to deliver a single comeback since their 2017 debut. With the continued popularity … Continue reading
Sometimes K-pop salvation comes from the most unexpected of places. With most of July’s big-name comebacks disappointing, it’s up to the industry’s under-the-radar artists to pick up the slack. With the Ghostbusters-sampling BlockBuster, Dongkiz have done just that. The group first burst on the scene with November’s Nom, which was later recycled for their official … Continue reading
Before EXO’s Chanyeol and Sehun debuted as an official sub-unit, they paired together to deliver last year’s SM Station track We Young. That song offered a nice balance between hip-hop and harmonized melody, with a warm tone that took advantage of the interplay between the guys’ voices. This weekend’s pre-release Just Us 2 followed suit, … Continue reading
The rise in popularity of K-hip-hop and K-r&b has fundamentally changed the K-pop landscape, and we’re reeling from those effects this summer. Hip-hop sub-units are nothing new for idol groups (hello, Infinite H!), but in a climate where this sound is becoming more ubiquitous they no longer feel like an unpredictable novelty. Bringing together members … Continue reading
Hyoyeon’s transformation into an EDM DJ initially felt like a gimmick, but last year’s addictive Punk Right Now proved that she was willing to have fun with the genre. With Badster, she delves deeper into the scene, offering a convincing dose of psytrance that throws much of its focus on crafting a high tempo instrumental. … Continue reading
The Bias List // K-Pop Reviews & Discussion 