Following in their label-mates FTIsland‘s footsteps, CNBLUE were the second big idol band from FNC Entertainment. They perform in a somewhat lighter, pop and funk influenced style, and have enjoyed incredibly success in both Korea and Japan. And although their biggest digital hit to date, I’m A Loner, didn’t quite make it on my list, … Continue reading
K-Pop is an agency-driven genre, meaning that what gets put into the market is often expertly crafted by a team of individuals and hoisted upon a group/artist who then takes it to the next level with their talent and charisma. This doesn’t necessarily take art out of the equation, but it does create an environment … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. In light of the very sad news of 2NE1’s disbandment today, it seems like a perfect time to take another look at their discography. In true YG style, they’ve … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. JINYOUNG Years … Continue reading
90’s boy group Sechs Kies have recently returned after sixteen years away from the music scene, signing with mega agency YG Entertainment. Back in k-pop’s first generation of idols, the title track system wasn’t quite as refined and uniform as it is now, so it was a bit tricky to decide which songs would actually … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. BRAVE BROTHERS … Continue reading
As the weather gets chillier and December approaches, it’s the time of year to dust off the old K-pop Christmas playlist. Korean acts have been giving us special holiday songs for years, but I narrowed my ten picks to tracks released over the past five years. Some have official music videos, and some do not. … Continue reading
Though they’re relative newcomers to the k-pop world, Mamamoo have quickly established themselves as a girl group with a different sound than any of their peers. Their powerful vocals are perfectly suited to the old-school soul/r&b that has defined their work since debut. And though they’ve got much more ahead of them, they’ve released just … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. TEDDY Years … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. Though Block B haven’t released as many b-sides as most of their contemporaries, for them it’s a matter of quality over quantity. Here are ten of their best. Honorable … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. A large chunk of VIXX’s discography was built with the help … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Sub-units are common in k-pop, but few end up being more popular than the actual group that spawned them. Though they haven’t released anything in two years, Orange Caramel has arguably leapfrogged over their parent group, After School, when it comes to awareness and chart success. Consisting of members Nana, Raina and Lizzy, the trio … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ZigZag Note … Continue reading
K-Pop is an agency-driven genre, meaning that what gets put into the market is often expertly crafted by a team of individuals and hoisted upon a group/artist who then takes it to the next level with their talent and charisma. This doesn’t necessarily take art out of the equation, but it does create an environment … Continue reading
During their eight years in the k-pop industry, 4Minute were one of few prominent girl groups who rose to fame on a harder-edged, attitude infused sound, contrasting with the lighter, cuter concepts preferred by many of their peers. For this, they’re often put in a similar bracket as 2NE1. And although we won’t be getting any … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. SHINSADONG TIGER … Continue reading
Though they’ve only been active since 2014, JYP boy group GOT7 have already become one of k-pop’s biggest acts — especially internationally. They’ve released just enough title tracks to create a top ten list, though I’ve mentioned before that their Japanese output really pales in comparison to their Korean material. As usual, only promoted title … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. RPHABET Years … Continue reading
When talking about underrated boy groups, Cross Gene have to be in the conversation. They debuted in 2012 and have straddled the line almost equally between Korean and Japanese releases. They’ve also become better with time, even if the general public hasn’t completely been won over yet. For a group of their stature, they have … Continue reading
The Bias List // K-Pop Reviews & Discussion 