Last year, I marked the halfway point of 2016 by looking at some tracks that had either grown better or worse with time. This year, I’m a little late — but better late than never! As with 2016, the vast majority of my reviews still reflect my thoughts about a song, but sometimes it’s impossible … Continue reading
Formed through YG Entertainment competition show Who Is Next in late 2013, Winner went on to enjoy breakout success with their first full length album. Since that time, the group has seen ups and downs, with truncated promotional campaigns and the loss of founding member Taehyun. But against all odds, Winner has returned as one … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ANDREW CHOI … Continue reading
K-pop’s original dance floor diva, Uhm Jung Hwa was crafting classic club music at a time when the trend favored hip-hop and ballads. She’s beloved within the industry, and the inspiration for countless female artists and girl group members that grew up watching her stylish music videos. Add to that one of the genre’s most … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2017 Overall Thoughts July is always the month I look most forward to when it comes … Continue reading
Since terminating his contract with TVXQ, Xia Junsu has been active as part of trio JYJ and as a solo artist. Though he might be more well known for the dozens of ornate, theatrical ballads that make up the bulk of his discography, his music is also not afraid to go full avant garde. A … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. DEVINE CHANNEL … Continue reading
Debuting as part of late 90’s girl group Fin.K.L, Lee Hyori went on to carve out an incredibly successful solo career. She’s one of Korea’s most beloved personalities (and sex symbols), despite a lack of frequent comebacks over the past few years. Fresh off her return with Black, it’s the perfect time to look back … Continue reading
It might not be the k-pop hub that is L.A., but living in the Pacific Northwest, we get our fair share of concerts in neighboring Vancouver. Even so, when I saw that G-Dragon had extended his world tour to Seattle, it seemed like a minor miracle. I can’t remember a time when a big-name k-pop … Continue reading
In contrast to Starship Entertainment’s first boy group, the bright and poppy Boyfriend, Monsta X debuted in 2015 with a much stronger hip-hop sound. Before that, the group had been formed through variety series No Mercy, which helped to develop an instant (and very international) fan base. Two years later and they’ve released just enough singles … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2017 Overall Thoughts Of the 18 months I’ve been running this site, June was the strangest … Continue reading
Though ultimately brought down by member departures and poor management, during their heyday boy group MBLAQ were vying for the k-pop a-list. They were initially notable for their ties with superstar Rain, but went on to release a string of cutting edge hits that more than secured their place in k-pop. Here are the very … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
Other than the finale, the best part of each year’s Produce 101 is the concept performance battle. This is where the remaining contestants are split into groups and given an original song that fits within a specific genre. Last year, this segment resulted in the gorgeous In The Same Place, which became a bit of a … Continue reading
It’s that time of year again! Even if it doesn’t always feel like it here in the Pacific Northwest, summer is on the horizon. This is my favorite season for k-pop, with a strong focus on energetic, upbeat releases. Unlike the Ultimate 80’s Playlist I featured earlier in the year, “summer” is a far more … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2017 Overall Thoughts May was a month of contrasts. The first two weeks were among the … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ERIK LIDBOM … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. NAM GI … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. MONOTREE Years … Continue reading
