One of Seventeen‘s greatest assets is their versatility as a group. So many acts stuff their roster full with personalities meant to appeal to a diverse set of fans, but few can easily break into self-driven units and create music that successfully stands apart from their parent group. To be clear, Seventeen is at their … Continue reading
Before Seventeen or After School or Nu’est, dance diva Son Dam Bi was the original Pledis artist. Debuting as the “female Rain,” she found success with a synth-pop sound that capitalized on her effortless charisma. She hasn’t released a single since 2013, but her string of k-pop classics still electrify dance floors today. 10. Amoled … Continue reading
Few groups take advantage of their sub-units as well as Seventeen. Since their inception, many of Seventeen’s album tracks have centered on their unique configuration into vocal, hip-hop and performance units. Over the next few weeks, we’ll get to hear from each individually, but to kick off the group’s promotions for their upcoming second full … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Pristin’s debut album didn’t really do much for me, but … Continue reading
Pristin’s debut track Wee Woo seemed to grow on many listeners, but my experience was a bit different. The song remains dangerously catchy, but its more grating elements haven’t aged well. In some ways, I’m actually surprised that the group’s music is performing as strongly as it is. The cutesy, childish influences that permeate their … Continue reading
After School‘s Raina was on the cusp of quite a solo career a few years ago with the release of mega-successful duet A Midsummer Night’s Sweetness. But like After School itself, that momentum was blunted by a lack of actual releases to follow it up. Flash forward three years and Pledis Entertainment has given her … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2017 Overall Thoughts May was a month of contrasts. The first two weeks were among the … Continue reading
I was prepared to hate this. I could go on and on about how American/Western trends need to stay far away from k-pop, and how the tropical house sound in particular has felt stale for over a year, but I feel like I bring that up every few days anyway. Even when other k-pop artists … Continue reading
Now that Pledis Entertainment has hit big with Seventeen and revitalized their standing as a k-pop powerhouse, the agency is banking on the same successful trajectory for its new girl group, Pristin. Things certainly seem promising. Among Pristin’s ranks are several girls from the mega-successful Produce 101 series, including Pinky and Nayoung who actually debuted … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. DAISHI DANCE … Continue reading
Debuting in 2015, Seventeen are still a very new group, but their unique configuration of vocal, hip-hop and performance units within the larger group has rounded out their promotional material to create a singles discography just big enough for a countdown. And honestly, they’re one of the biggest and best k-pop acts of the moment, so … Continue reading
I love the stage set-up MBC uses. I can’t remember if this is the same staging as last year, but it’s definitely the same as it was in 2014. It strikes a nice balance between intimate and expansive, and places the audience super close to both indoor stages, which results in a more “live” feel. … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2016 Overall Thoughts As expected, the last month of the year was comparatively sparse when it … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. PART ONE HERE + Make sure to check out the rest of the year-end countdowns here! 20. UP10TION – STUCK … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. + Make sure to check out the rest of the year-end countdowns here! 40. OH MY GIRL – KNOCK KNOCK … Continue reading
As we move through the year’s best k-pop moments, it’s important not to forget 2016’s most memorable choreography, which is one of the genre’s most valuable hallmarks. Dance routines are such a huge part of most k-pop comebacks, highlighted by a catchy “point dance” that aims to be easily repeated by viewers. As groups’ rosters begin … Continue reading
Now that we’ve taken a look at this year’s best debuts, it’s time to count down the ten artists who really defined 2016. This list’s criteria is about 75% musical quality/personal taste and 25% influence on the k-pop industry. Since rookies have their own list, they’re ineligible for this particular countdown. + Make sure to check … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
An idol group is nothing without their actual music, and that music doesn’t come to life on its own. K-pop producers and composers shape a year’s sound more than anybody else, and in 2016 there were five that stood out as being particularly energizing. + Make sure to check out the rest of the year-end … Continue reading
The Bias List // K-Pop Reviews & Discussion 