The teasers for Billlie’s debut seemed to promise a lore-filled concept with spooky atmosphere and – maybe… just maybe – new musical ideas within the stagnant K-pop girl group landscape. Billlie certainly has the pedigree, hailing from Mystic Story (home to acts like Lucy and Eddy Kim, and with strong ties to SM Entertainment). Debut … Continue reading
Adora is an in-house producer for Big Hit/HYBE Entertainment, at least partially responsible for highlights like BTS’s Spring Day, TXT’s Our Summer and GFriend’s Labyrinth (!). Because of this pedigree, fans were excited to hear what she would craft for her own solo debut. Even better, Make U Dance brings along former GFriend member Eunha, … Continue reading
TO1 made their rebooted return with May’s Son Of Beast. That track was a lot of fun, courting the inherent silliness of the idol world with an over-the-top performance. But as cringy as the barking ad-libs may have been, the track’s foundation rested upon strong hooks and a memorable instrumental. For follow-up No More X, … Continue reading
Girl group Laboum recently moved to a new agency, with Kiss Kiss their first release under new management. I would love to see the girls break the dreaded “seven year curse,” which strikes when idol groups’ initial contracts have lapsed. Having debuted back in 2014, they’re already on the right track. But, they’re going to … Continue reading
Though VIXX haven’t disbanded, the group’s status seems in limbo. Hongbin left the group last year, Ravi and N left the agency (but not the group), Ken is serving in the military and Jellyfish Entertainment seem more focused on getting VERIVERY off the ground. Leo returned from his enlistment two months ago, and seems eager … Continue reading
I debated whether or not to write about 2AM’s comeback. Their surprise reunion feels too important to ignore, but I’ve never felt any connection with the group. I’m simply not a big fan of ballads, and 2AM’s heyday came before I was fully invested in K-pop. So, their music doesn’t bring a sense of personal … Continue reading
This year, Brave Brothers has proven he still has his special songwriting spark. His compositions for Brave Girls are some of my favorite music of 2021. This makes me wonder why he can’t seem to conjure equally great material for boy group DKB. It must come down to expectations. Many K-pop boy groups are expected … Continue reading
It’s been just over two years since the release of Ailee’s second studio album. Now she’s back with a new full-length, entitled “Amy” after her English name. The album promises to represent Ailee’s true self, and title track Don’t Teach Me (가르치지마) references key moments in her career. The title mirrors 2014’s Don’t Touch Me, … Continue reading
I never paid much attention to Secret Number until last year’s Got That Boom, which firmly planted itself on my playlist for over a month. That track was a great example of set-up and pay-off, with an explosive climax that made me want to hit ‘replay’ immediately after it had ended. For new single Fire … Continue reading
Pop music as fantasy can be a lot of fun, and I love some good old-fashioned artifice. That’s why Kingdom’s renaissance faire concept is so appealing. K-pop is uniquely positioned to take advantage of long-form musical storytelling. And even though the group’s debut wasn’t perfect, its embrace of theatricality was much appreciated. However, we can’t … Continue reading
With their return last year, CNBLUE joined the distinguished list of ‘post-enlistment’ idols. Not many K-pop groups last this long, and Korea’s military conscription laws create a natural fork in the road for any male act’s career. At this point, CNBLUE may wish to tweak their sound in search of continued chart relevancy, or simply … Continue reading
IU has bounded from strength to strength this year, holding court on the charts with both Celebrity and Lilac. She remains a constant presence seven months after the release of her album, but it’s time to tie a bow on her 2021 work with a new digital single. Strawberry Moon aims for uplift, and its … Continue reading
In the lead-up to their first (!) full Korean album, Super Junior’s Donghae and Eunhyuk will each be releasing solo tracks. It’s unclear whether these are part of (or separate from) the unit album, but either way it’s a nice treat for fans. Donghae’s California Love enlists the help of NCT’s Jeno. But despite this … Continue reading
LIGHTSUM’s spring debut showed promise, but it’s hard to predict the future of a group based upon a single song. First comebacks are equally important for a rookies, and often give a clearer indication which direction their sound will take. If Vivace is any indication, LIGHTSUM are aiming for the vacancy left by IZ*ONE. When … Continue reading
Jessi’s presence transforms any typical variety show into appointment TV. Her mix of fiery charisma and genuine, approachable sweetness feels so refreshing within an industry often known for its strict adherence to idol-like behavior. Watching Jessi terrorize the ultra-earnest TXT on her YouTube series is one of my personal K-pop highlights of 2021. Get her … Continue reading
The old K-pop fan in me loves to see second-gen producers forging their own agencies and groups. Shinsadong Tiger is a legendary talent within the industry, responsible for so many classic tracks. It’s surprising, then, that his work with TRI.BE has yet to result in anything as strong as his past glories. I blame it … Continue reading
DJ/guitarist Raiden is one of those SM acts who doesn’t get enough attention. Since he’s not a vocalist, his work is often paired with SM idols who sing the melodies over his tracks. This has led to a few great collaborations, my favorite being last year’s Yours with EXO’s Chanyeol, Lee Hi and Changmo. For … Continue reading
As expected, we’re beginning to see the re-debut of former IZ*ONE members. Just like past Produce acts IOI and Wanna One, some of these artists slot into a new or existing group while others make their mark as a soloist. Neither path has guaranteed success, as post-Produce careers tend to be hit or miss. But … Continue reading
CRAXY scored one of my favorite debuts of last year with their bonkers Aria. The group went all out on a splashy music video and a song that changed structure and style at the drop of a hat. I love when K-pop goes weird and over-the-top while retaining a melody worth coming back for. Unfortunately, … Continue reading
I often write about the idea of a “signature sound,” and how important it is to rookie groups. Pixy haven’t yet released a song that’s connected with me, but I appreciate how they stick to their concept. When playing one of their tracks, you know you’re going to get something dark, moody and musically combative. … Continue reading
The Bias List // K-Pop Reviews & Discussion 