Anyone have the phone number of Woollim Entertainment’s A&R team? We need to have a discussion… DRIPPIN have been one of the year’s most promising rookies. In fact, they were my top pick of 2020! And while March’s Young Blood didn’t quite live up to their excellent debut Nostalgia, b-side Reach Out Your Hands offered … Continue reading
When Han Seungwoo announced his first solo comeback, it wasn’t immediately apparent that the title track would also serve as a farewell before his enlistment hiatus. I guess the writing was on the wall, but this distinction totally transforms the album’s appeal. Stripped back to bare bones, Seungwoo has chosen See You Again (다시 만나) … Continue reading
One of 2021’s most welcome trends has been the resurgence of classic second-gen groups. Whether this comes via rediscovery of old tracks or the embrace of new comebacks, it’s gratifying to see these established acts get their due. The latest group to make a long-awaited return is 2PM. Make It (해야 해) arrives almost five … Continue reading
LOONA’s relatively long hiatuses make each comeback feel like an event. And, this time their title track is even more momentous. It’s their first full-group release since 2019. Leader Haseul is back, and the Bollywood-esque PTT (Paint The Town) welcomes her with aplomb. But, like so many K-pop singles this year, the song suffers from … Continue reading
It’s been an unusually long break since Stray Kids’ last Korean comeback. They spent their first three years blitzing the market with music — no less than nine albums’ worth of material depending on how you classify their minis and repackages. Their 2021 has been devoted to Mnet’s Kingdom, which paid off in victory during … Continue reading
Yugyeom pre-released a track last week as his first work since signing with hip-hop label AOMG. Now, he’s taking full advantage of the agency’s roster and employing Gray as guest producer/artist on All Your Fault (네 잘못이야). I’ve been a longtime fan of Gray’s beats, as they often feel timeless in execution. And even if … Continue reading
Seemingly out of nowhere, WayV’s Kun and Xiaojun announced the release of their first single album. Both are designated as main vocals within the group, yet don’t always have the opportunity to shine as part of WayV’s hip-hop heavy sound. Unsurprisingly, Back To You (这时烟火) is a ballad, stripped to its bare bones to offer … Continue reading
It’s “idol band” day, with ONEWE and Lucy revealing their comeback tracks at the same time. In ONEWE’s case, Rain To Be (비를 몰고 오는 소년) comes from their first mini album and is their first single since December’s A Book In Memory. Like many of their tracks, Rain opts for an angstier sound but … Continue reading
The members of GOT7 are revealing their solo projects at a rapid rate. Jackson’s already developed a longstanding solo career. And, his excellent LMLY was followed by Jay B’s debut single. Now we’ve got Yugyeom and next week we’ll hear from BamBam. Apart from LMLY, all members seem to be targeting a similar blend of … Continue reading
EXO were the second group featured in my “K-pop A-Z” project. In late 2019, I took a deep dive into their discography and reviewed each and every track. Because of this, any new material will also become part of that page, meaning it’s time for another “in-depth album review” for the newly-released Don’t Fight The … Continue reading
Twice’s I Can’t Stop Me didn’t usher in the new wave of girl group synthpop I’d hoped for, but the song remains a high watermark in their discography. However, K-pop moves quickly and the girls are already exploring new genres. Alcohol-Free tackles summertime sounds, forgoing the season’s traditional K-pop tropes for a surprising blend of … Continue reading
A year since their last comeback, idol band N.Flying have returned with their first full album. Full albums are a big deal in K-pop. At the very least, they represent a certain level of support from an act’s agency. But, they also offer the opportunity to stretch yourself and your sound across a wider expansion … Continue reading
It’s quite rare for an idol group to release a ballad as title track. K-pop is wrapped up in performance (ie: choreography), making it difficult for ballads to check all the necessary comeback boxes. But, the Korean charts love a big, sentimental belter. And if any idol group is going to succeed without the dance … Continue reading
Prior to the release of their new mini album next month, the members of Seventeen have embarked upon several offshoot projects. In April, Hoshi and The8 each delivered a solo track. Now, members Wonwoo and Mingyu have teamed up with Lee Hi for the release of Bittersweet. But while the song boasts a powerhouse line-up, … Continue reading
Whenever I see the name woo!ah!, I’m tempted to sing the hook from that old Busta Rhymes track. But, I’m sure that’s just my cranky old self coming through! 90’s hip-hop aside, I can’t say that any of woo!ah!’s tracks have hung around for long on my personal playlist, though I think their last two … Continue reading
It’s been just over a year since we last heard from GWSN, and their new album marks a shift in both sound and collaborators. As someone who has appreciated – but not loved – their past work, I wasn’t too interested in this comeback before hearing the teasers. But, The Other Side of the Moon’s … Continue reading
Last September, Everglow reinvented themselves as retro synth warriors, releasing one of the year’s best songs in the process. La Di Da was immensely satisfying, finding a megawatt melody to match the girls’ always-impressive presence. Their charisma continues to flourish in the newly released First, but the song struggles to find a hook worth raving … Continue reading
I swear, I’m going to keep reviewing these Universe tracks until one completely knocks me out. So in other words… I’ll probably keep reviewing them forever. For those just now jumping onboard, Universe is a K-pop app that promises idol interaction and exclusive material. It’s already enlisted many top idols, releasing original songs and videos … Continue reading
At a certain point, a specific K-pop sound becomes so ubiquitous that it’s difficult to write about with any originality. Such is the case with this blah blah blah, la la la “girl crush” style that has invaded the industry over the past two years. I’m not a fan of this style in general, but … Continue reading
Many fans have wholeheartedly indulged in ENHYPEN’s Carnival, buoyed by the energy of title track Drunk-Dazed. But while I enjoyed the song initially, I’m finding myself less inclined to revisit it as time goes on. Oddly, the aspect that bugged me most upon first listen (its heavy vocal effects) is hardly an issue anymore. Now, … Continue reading
The Bias List // K-Pop Reviews & Discussion 